Reviews
stephen.walsh
Whatever it was about the kings and queens of England that so intrigued Donizetti, it certainly wasn’t their politics. The third, and last, in WNO’s autumn cycle shows Elizabeth once again in a state of unrequited love with one of her rebellious (and much younger) nobility, but wholly unconcerned with affairs of state; and the one thing that distinguishes her from the average abandoned woman of Romantic opera is that she has the power to decapitate her uncooperative swains. Freud would have nodded sagely; but it’s unlikely that Donizetti was thinking of emasculation.Though neglected, Roberto Read more ...
igor.toronyilalic
A baby's brain is polished off by a throbbing welter of maggots. A field of sheep are on fire. A screaming child whose hands have been tied to a kite is flying out over the North Sea. How do you make an opera out of any of this? The answer of course is you don’t. You leave this kind of thing to cinema or the novel. Opera is - contrary to popular belief - extremely bad at spectacle, especially if the aim is to terrify. Horror has never had much of a look-in as a genre in the art form. So it was always going to be a challenge for composer Ben Frost and librettist David Pountney to transfer Iain Read more ...
Matt Wolf
The new puritanism of the American cinema continues apace with Thanks For Sharing, which follows on from the more elegantly made but comparably dispiriting Shame in positing Manhattan as the most sexually dysfunctional place on earth. What did New York do (besides elect Michael Bloomberg as mayor three times over) to deserve all this carnal angst and obsessiveness and shame? Lord knows, but even the wonderful Mark Ruffalo can't lift the spirits of a film that wallows in its therapy-speak environs. One doubts audiences will be sharing this one once word of mouth kicks in.Ruffalo plays Adam, a Read more ...
Mark Valencia
Calixto Bieito’s fantasia on Fidelio may be lording it on the other side of the Thames but Orchestra Mozart, on its first-ever visit to London, was happy to place its trust in what Beethoven actually wrote. As if to prove that wild-child provocateurs don’t own the playground, traditions were reaffirmed at the Royal Festival Hall last night in this urbane and civilised concert led by two of music’s grown-ups, Maria João Pires and Bernard Haitink – late-notice super-subs for the advertised but dually indisposed Martha Argerich and Claudio Abbado. The Bologna-based band is evidently formed of Read more ...
philip radcliffe
The guilt of knowingly sending our sons to war with defective equipment and fatal results certainly resonates today. Who takes the blame? Do we get ministerial resignations or arms-dealers going to prison? Going back to post-World War II, this is the shocking dilemma that Arthur Miller deals with so harrowingly in All My Sons, bringing it home to each one of us by focusing on just one family.Here we have what he conceived as an “ordinary” American middle-class family in Midwest in August 1947 living with the knowledge that dad’s greed and deception has contributed to the death of 21 young Read more ...
Nick Hasted
What would you do if your six-year-old daughter vanished in broad daylight, and the man you’re sure took her is walking free? The answer for Keller Dover (Hugh Jackman, pictured bottom left) is as plain as the paranoid survivalist’s stockpiles that fill his basement. But his direct action against Alex Jones (Paul Dano), the apparently child-like man he’s sure is a monster, ripples against multiple traumas and secrets in this crime film of novelistic breadth.The most interesting character in Prisoners’ superbly cast assembly of victims and victim-predators isn’t Jackman’s shattered vigilante, Read more ...
Marina Vaizey
Sex please, we are Japanese. This astonishing collection of about 170 paintings, prints and illustrated books from 300 years of Japanese art, known as “shunga” or spring pictures, come in part from the culture of the “floating world” (ukiyo-e) mostly located in Edo (modern-day Tokyo), from the mid 17th- to mid-19th centuries. But shunga go beyond the world of paid-for pleasure, of courtesans and actors, of that world of pleasure that was allowed, as so many other worlds weren’t in the strict and hierarchical society of Japan. (Ordinary people were not allowed to participate for example Read more ...
geoff brown
Rich, racy, randy and irreverent: such were the R words gathered up by a Canadian critic to capture the essence of Christopher Alden’s production of Johann Strauss’s cork-popping operetta when it premiered in Toronto last year. Other R words, alas, came to my mind, like rubbish, reprehensible, risible, even rigor mortis.Had this co-production between the Canadian Opera Company and English National Opera changed so much on its journey across the Atlantic? It seems unlikely, beyond the difference in language. Canada experienced the show in the libretto’s original German; ENO, sticking to their Read more ...
judith.flanders
The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new production courtesy of West End musical designer Tim Hatley (Shrek and Spamalot), and an amped-up re-orchestrated score from conductor Martin Yates.Acosta (pictured below by Johan Persson) has previously mounted shows of his own – Tocororo, A Cuban Tale was the most prominent – but Don Q is his first outing in the classical repertoire, and for the Read more ...
graham.rickson
It’s the Royal Northern Sinfonia now, the Queen having bestowed the prefix earlier this year. Programming two Requiem settings in the opening concert of their 2013-14 season seemed on paper a little strange, but the main work was Brahms’s A German Requiem, one of the more upbeat, if unconventional works to bear the title. Odd that some of the most heartfelt sacred music has been written by composers whose religious faith has never seemed their strong point; you think of choral music by Vaughan Williams and Britten. Brahms was an agnostic, and his Requiem is music of warmth and consolation. At Read more ...
emma.simmonds
In this refreshingly rowdy, distinctly feminist film from debut writer-director Maggie Carey an inexperienced, tirelessly sensible teenage girl prepares herself for college life by taking charge of her own sexual awakening. She does so in a way that's hilariously overly administrative, with her plans taking the form of the title's tawdry, quite literal "to do list".Parks and Recreation's Aubrey Plaza is gifted the role of Brandy Klark, school valedictorian and virgin. As the film opens, the year is 1993 and Brandy's sights are set on college and little else. That changes when she's conned Read more ...
Claudia Pritchard
They called Rita Moreno the triple threat – she could dance, act and sing. But even her spirited performance as Anita in West Side Story could not satisfy United Artists: the doomy low notes of "A Boy Like That" were considered out of her range, and the number was ghosted by Betty Wand, one of the scores of unknown singers who rescued on-stage stars from ignominy.Fifty years on, Moreno, interviewed in Secret Voices of Hollywood, is still unhappy about this. She thinks Wand’s rounder notes lack the passion that Moreno had invested in furious Anita. But at least Moreno did not turn up at the Read more ...