Reviews
Matthew Paluch
Art is a fickle subject – hence why many preeminent philosophers offer different theories as to how we can begin to understand the opposing effect the same object or creation can have on different people. Many can be mildly affected by a given entity, but occasionally something bigger can happen – some might say a revelation of sorts. And such a thing took place for me at the Royal Opera House yesterday evening.The Royal Ballet opened their third run of Christopher Wheeldon’s Alice’s Adventures in Wonderland to a packed and receptive audience, including me – somewhat to my surprise Read more ...
mark.kidel
The thing about puppets, as those who have handled them know all too well, is that they take over. They have a life of their own. This is all fine and good as long as the puppet-masters don’t get swamped by the magical power of supposedly inanimate objects.Much of the fun and originality of Tom Morris’s restlessly inventive take on A Midsummer Night’s Dream, made in collaboration with the Handspring Puppet Company - his co-directors for War Horse - derives from the playfulness that toys encourage in us all. But the astounding array of mechanical inventions, from the simple miniature Read more ...
fisun.guner
Glam. Were you there? If so, what was it all about? You might come up with a list: Roxy Music, Ziggy Stardust, shiny flares, Sweet, shaggy hair, the ubiquitous platform boot, T-Rex, glittery eye-shadow, lip-gloss pouts (on men). It was the era of dressing up and gender-bending as fashion statement, though it’s also true that the glamour in Glam Rock was more glitter paste than gold. Some of it remains pretty cool, but unlike the Sixties you probably wouldn’t want to go back there, or at least for no longer than it takes to get round this exhibition, though Glam! The Performance of Style is Read more ...
igor.toronyilalic
For finding new popes as much as for hunting down new music, looking to the ends of the earth seems a fruitful route to take. Last night saw the start of the Los Angeles Philharmonic's Barbican residency with their principal conductor, Gustavo Dudamel. And with them, they brought the latest music from the Pacific rim, all of it quite surprising.Surprising, that is, for not being very surprising. For the new music from West Coast Americans John Adams and Joseph Pereira, and Korean Unsuk Chin, didn't sound like you might expect. It wasn't bracingly fresh or pioneeringly brave. Nor did any of it Read more ...
Veronica Lee
Anyone who has ever sat through a Las Vegas show – whether in the Nevada desert city or on tour – will instantly recognise the cheesy, overblown nonsense being lampooned throughout this movie. Whether they'll find it as funny is another matter. For while The Incredible Burt Wonderstone has its moments, two thoughts interrupted my viewing enjoyment: one, the big-blown magic shows on the Strip are surely beyond parody; and two, if they are going to send them up, the makers of The Incredible Burt Wonderstone could have done it so much better.But hey, it's funny enough to be getting on with. We Read more ...
Helen K Parker
You have just walked into a large white room. The only thing in the room is a sign on the ceiling. You look up. The sign says, "Don’t look down." You immediately look down. Before you have time to run, the floor has melted away beneath your feet and you are tumbling into an abyss as punishment for obeying your reflexes.A motivational chalkboard sign, one of many you will encounter, awaits you at the bottom. It says, "Too much curiosity can get the best of us." And as you stare at its coyly mocking diagram of a cat about to paw a broken electrical wire, you begin to suspect that if you ever Read more ...
Graham Fuller
Ken Loach’s first solo documentary since The Flickering Flame, The Spirit of ‘45 is an indispensable agitprop movie that might have been subtitled Days of Hope, after Loach and Jim Allen’s 1975 drama serial about the political struggle of a socialist family between the Great War and the General Strike. Hope in 1945 resided not in the kind of militancy that emerged in Britain following the Russian Revolution, however, but in the idea that the people who had won World War II together could build the peace together.Constructed from archival footage and on-camera oral reminiscences of socialist Read more ...
philip radcliffe
What Manchester has today, Vienna will have tomorrow. The BBC Phil’s composer/conductor HK “Nali” Gruber is taking his musicians and singers back home to the Wiener Konzerthaus to reprise this concert next week. You can’t fault it for variety – Stravinsky, Britten and MacMillan, Gruber’s predecessor as composer/conductor here. But the main thrust is celebrating Stravinsky. It is the centenary of The Rite of Spring. In the BBC Phil’s series of celebratory concerts, we here came to his opera-oratorio Oedipus Rex, also premiered in Paris, in 1927. It hasn’t been heard in Manchester for nearly 20 Read more ...
Jasper Rees
It’s a truism of the impersonator’s art that those who can do other voices have none of their own. On Parkinson, Peter Sellers couldn’t even come down the staircase as himself. When at the end of the show Mike Yarwood said, “And this is me!” a nation switched off. The idea behind The Mimic, starring the remarkable Terry Mynott, is that it accepts the truism as truth. This is a comedy about a man who can pose convincingly as Ronnie Corbett stuck in a postbox but has no life to call his own.Martin Hurdle – even his name sounds like a personality flaw - works in maintenance at a pharmaceutical Read more ...
fisun.guner
One can immediately see the influence of Manet and Whistler, especially Whistler, the fellow American who spent most of his life in Paris and London. George Bellows, the first quintessentially American artist of the 20th century, made famous in his native country painting the heaving masses of New York City and the unrestrained violence in its unlicensed boxing clubs, looked first to his European antecedents, though he never left his native shores. In Frankie, the Organ Boy, 1907, a bright-eyed, eager-faced waif with a shock of blond hair and over-large, expressive hands emerges from the Read more ...
David Benedict
Without wishing to get all Kirstie and Phil about this, theatre, more often than you’d imagine, is about location, location, location. One of the reasons why the National Theatre’s knockout The Curious Incident of the Dog in the Night-Time was so potent was because director Marianne Elliott welded the audience to all four sides of the action. Transferred to a West End stage, the tension between stage and audience is undeniably different. Is the show still a triumph? Oh yes.A murder mystery with added maths – and a huge emotional kick in the telling – this is a stage version of Mark Read more ...
graeme.thomson
Rick Redbeard has a pirate’s name and a voice like deep, dark water. Behind the colourful alter ego stands (or, as was the case last night, sits) Rick Anthony, singer of The Phantom Band, the Scottish six-piece whose two albums – Checkmate Savage and The Wants – have recently stretched the admittedly painfully limited parameters of contemporary rock music to thrilling extremes.The Phantom Band's sound is a manic tangle of folk, krautrock, doo-wop, post-rock, operatic excess and electro-pop kitsch. Anthony is not nearly as ambitious or eclectic when it comes to his own music, but the results Read more ...