Reviews
Roderic Dunnett
Simon Boccanegra has, as English Touring Opera’s director James Conway points out, never quite made the running outside Italy amid Verdi’s output. It went through three to five different versions in a short space of time. Despite the Romeo and Juliet era setting (14th-century Genoa battling it out with Venice) there are naivetes in Piave and Boito’s plot which, despite the frenetic story’s many merits, generate more than the usual operatic implausibilities. These render some of the quickly changing political frummeries all but comic, so that Otello and Falstaff tend to make better running Read more ...
igor.toronyilalic
It’s hard to put one’s finger on why George Benjamin’s new opera doesn’t work. It comes to Covent Garden with a wind in its sails. Its outings in Europe have all received high praise. It boasts a classy cast, Martin Crimp as librettist and Benjamin at the helm of the orchestra. The story is a captivatingly horrific medieval morality tale that often goes by the title of "the Eaten Heart story". And there’s little wrong with Katie Mitchell’s production.On one level Written on Skin explores a simple ménage a trois, in which a loveless couple allow a stranger – an illuminator of manuscripts – Read more ...
David Nice
Excess of light and heat sends sun-god Apollo’s son Phaeton tumbling from his father’s chariot. The light was iridescent and the temperature well conditioned as peerless Christophe Rousset led his period-instrument Les Talens Lyriques and a variable group of singers through a concert performance of Lully’s 1684 tragédie-lyrique, a specially pertinent, heliotropic operatic homage to le roi soleil Louis XIV. That there was never a dull moment probably owed more to Rousset’s extraordinary if always tasteful animating gift as both conductor and harpsichordist than to the work itself, sensitive to Read more ...
Kieron Tyler
“Five years,” said former Mott the Hoople fan club president Kris Needs of the band’s lifespan. “That’s how long the Kaiser Chiefs have been around, but who cares?” It seemed an unfair measure. Mott split 39 years ago and the Leeds quirksters are still going strong. But in terms of stitches in rock’s rich tapestry, Mott’s, like the Kaiser Chiefs’, probably wouldn’t darn a sock.That’s not to say Mott the Hoople didn’t merit this documentary, or that their best records weren’t among the greatest of the early Seventies. But it did take David Bowie to write their first hit and boot them into the Read more ...
graham.rickson
Bach: Harpsichord Concertos Retrospect Ensemble/Matthew Halls (harpsichord and director) (Linn)This release fizzes with energy. I’ve long preferred hearing these concertos played on a modern piano. But listening to Matthew Halls’s harpsichord performances have made me completely reassess the music. Velvety piano tone usually lends Bach’s keyboard music plenty of plush gravitas, with the D minor concerto emerging as darkly romantic, full of brooding angst. Here, the music’s character is sparkier, more pugnacious. Halls’s exuberant solo line sparks and glitters, pitched against the Read more ...
fisun.guner
Chuck Close is often described as a photorealist. It’s a fair description. His paintings often look like photographs, and he came to prominence in the late Sixties, when photorealism was the rage. At first his huge heads were scaled-up painted transcriptions of black and white photos, such as Big Self-Portrait, 1968, which is the painting you’ll find in most art history accounts of the period. It captures a kind of rough diamond Easy Rider persona. Then he turned to colour and painted his huge heads as if they were seen through the distorting prism of a bathroom window. Or for those with a Read more ...
Heather Neill
If only there were more Chekhov! Theatregoers in England, for whom Anton Pavlovich is little short of a god, must have wished this often enough. The handful of great plays come round almost as frequently as Shakespeare. Yet, as well as a couple of lesser plays and some crude farces, Chekhov wrote almost 600 short stories, counting the comic squibs with which he helped to support his family as a very young man. Some of the more mature ones are masterpieces, works of extraordinary imagination and psychological insight. He occasionally adapted them himself and others have done since. Now William Read more ...
emma.simmonds
It’s no exaggeration to say that The Wizard of Oz has a special place in the hearts of millions. For many, their last trip over the rainbow will have been watching its 1985 sequel Return to Oz, a commercial flop berated at the time for a too tenebrous tone. Yet Return to Oz was the stuff of numerous childhood nightmares, and so it's gone on to achieve cult status. That film's mixed fortunes proved what anyone could have guessed - that following in the colossal footsteps of Victor Fleming's 1939 MGM musical was never going to be easy.In Sam Raimi's prequel Oz The Great and Powerful, he Read more ...
Tom Birchenough
He may have been lampooned in his lifetime as the man who kept a pet wasp, but Britain owes much to John Lubbock, the Victorian MP whose legislation gave the country its first bank holiday. His Ancient Monuments bill of 1882 (nicknamed the “monumentally ancient bill" for how long it took to get through Parliament) was even more far-seeing, paving the way for the Heritage movement as we know it.It would be hard to imagine Britain today without the National Trust, English Heritage and the other crusading organizations whose representatives people BBC Four’s thoughtful three-parter Heritage! The Read more ...
David Nice
Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a specially comfortless rabbit warren in his later works. On the other hand his Concerto for Orchestra, begun two decades earlier in 1950, proved its mettle as a serious audience-pleaser. Yet if you asked an unprepared listener to name that composer, the answer would most likely be – not Bartók with his work of the same name but that other, much more Read more ...
Simon Munk
Like a faded star, wearing the moth eaten dresses of her past, still stalking a shuttered Hollywood set, Lara Croft has seen better days. Ah, the old days – she made or broke consoles, appeared on fashion magazine covers, had Angelina Jolie play her in the movies.Lara Croft was the originator and undisputed queen of action-adventure. That was the old days. Her star has long faded, her crown snatched by the cheeky new tomb raider on the old block – Nathan Drake of the Uncharted series. But wait, what's this? A new, younger Lara? Could it possibly work? Thankfully, this audacious reboot doesn't Read more ...
Roderic Dunnett
In November 1973 a 20-year-old music scholar from St. John’s College, Oxford conducted the first ever concert by the newly founded Tallis Scholars, in St. Mary Magdalen, Oxford. Anyone who was there might have sensed that a new era was beginning. David Munrow was still alive: the period instrument revolution was just taking off. But Peter Phillips seemed to be inaugurating a new generation of Renaissance and Polyphonic singing - an expertise on show this week at a sensational recital in St Paul’s Cathedral - such as this country had not heard before.Except that, modestly, he would insist it Read more ...