Reviews
Nick Hasted
In case you doubted the title, the great Cream drummer Ginger Baker breaks director Jay Bulger’s nose with a crack of his walking stick, after Bulger’s lived at his subject’s South African ranch for four months. Like a zoo-keeper thinking for a fatal second the tiger was his friend, Bulger found that Baker still bites.There’s ample testimony in this hugely entertaining documentary to the enduring “Baker temper”, both from former bandmates (“It wasn’t the knife thing” that bothered Cream bassist Jack Bruce during a blade-wielding beating), and wives and children left wrecked in his wake. He’s Read more ...
graham.rickson
You leave Opera North’s new Faust buzzing and bleary-eyed. The production sounds glorious, with terrific singing. It’s also blessed and cursed with a visually astonishing staging which thrills only slightly more than it infuriates. This company’s cheeky Carmen update annoyed many in 2011, and their take on "the second most popular French opera" will leave some spectators perplexed.Ran Arthur Braun and Rob Kearley’s updating is broadly contemporary but full of anachronistic details – the chorus could pass for Mad Men extras, though gazing at iPads and occasionally filming proceedings on their Read more ...
Steve Clarkson
It’s not easy bringing the Mississippi delta to Leeds city centre – yet here its hanging moss and tea-coloured waters fill out every inch of the expansive Quarry stage. Indeed, all that’s missing from Francis O’Connor’s remarkable set is a hungry alligator or two, though in the drama for which it provides a backdrop – Tennessee Williams’s Pulitzer Prize-winning classic about death, desire and deceit – the human characters are capable of inflicting quite enough damage on themselves.The fragmentation of the cotton-rich Pollitt family is presented with brutal clarity, beginning with the Read more ...
carole.woddis
Banking and the financial world may have gone into free-fall, but there are still killings to be made. Particularly personal ones. Nicholas Pierpan’s You Can Still Make a Killing is a morality tale for our time, a revenge tragedy without corpses, except for reputations. And, in the City, reputation – or rather perception - is everything.“Perception is part of the reality,” says Henry, working for the FRA – a public financial services body. That is presumably the means by which the playwright steers away from trouble: against a backdrop of modern City scandals, much talk of Lehman Brothers, Read more ...
Adam Sweeting
It was tough luck for Good Cop that the real-life killing of two female police officers in Manchester prompted the BBC to postpone its fourth and final episode, judging that its plotline of rookie cop Amanda Morgan acting as bait for a couple of knife-wielding thugs who preyed on women was too near the knuckle. This intrusion of headline events into the progress of the drama was also somewhat paradoxical, since while Good Cop presented some of the common symptoms of the mainstream policier, these were blended with an unusual mixture of morality play and psychological speculation.This lent the Read more ...
emma.simmonds
Balancing cool calculation with a touch of Potiche’s farce, In the House (Dans la Maison) sees French director François Ozon return to the story-within-a-story structure and enigmatic imposter subject matter of Swimming Pool.It stars Fabrice Luchini as Mr Germain, a frustrated French teacher, disenchanted by pupil apathy and his school’s new initiatives. His zeal for teaching is re-awakened when a talented pupil, Claude (Ernst Umhauer), starts turning-in intriguing but alarming assignments. These reveal that Claude has conned his way into a classmate’s house, and is observing and manipulating Read more ...
Marina Vaizey
This small, posthumous exhibition illuminates Richard Hamilton’s life-long engagement with both the art of the past and the latest techniques and technological possibilities available to visual artists in the 21st century. He played with photography, computers, notably digital manipulation, and even built several of his own computers. And he was as fascinated with print media – utilising found imagery from all kinds of publications - as with pencil and paint. He was a polymath.Hamilton has been long credited – although he did not appreciate the label - with inventing British pop art Read more ...
howard.male
For several years now this Swiss trio have been combining their love of old Cajun and Zydeco tunes with an arthouse-meets-punk aesthetic strongly influenced by the Velvet Underground and The Clash. But it’s only with their new album Bye Bye Bayou (released this week) that they’ve landed upon a sound that fully celebrates both their love of scratchy, trashy old records and their need also to be adventurously 21st-century. But the album is a sonic balancing act that relies somewhat on production by the Blues Explosion’s Jon Spencer to make sure that, although envelopes are stretched, they are Read more ...
peter.quinn
Surprising transitions, unusual segues, a myriad of I-wasn't-expecting-that moments. Saluting some of the iconic figures in Caribbean history and paying tribute to the tentacular reach of its culture, with House of Legends Courtney Pine has delivered one of the finest albums in his already well-stuffed discography.While his previous album Europa focused on the woody timbre of the bass clarinet, his fifteenth studio album features the plangent tones of the soprano sax exclusively, heard at the outset in a virtuosic flourish that announces a heart-wrenching ballad composed in memory of Stephen Read more ...
theartsdesk
John Carpenter: Halloween II/Halloween IIIKieron TylerPeople celebrate Halloween in different ways, but the arrival of these reissues of the soundtrack music to two John Carpenter horror films is enough to put pumpkins, cut-out bats and capes in the shade. Both are landmarks in using electronic music for cinema, and both are a great, spooky listens. Even when divorced from the imagery.Carpenter had already worked with composer Alan Howarth on the music for Escape From New York (1978) and the pair reunited in 1981 to create a score for Halloween II. Howarth built the new music around Read more ...
Karen Krizanovich
This could be the best Bond yet: light on sex, heavy on storytelling, hard on action. This is 100 percent pure Bond - a distillation of beauty, action, surprises and locations. Let's start with the latter: perhaps it’s best to stay away from Istanbul, given Taken 2 and now the exciting chase scene in the opening of Skyfall. It's a chase scene, sure, but with stunts and camera angles that make you sit up and take just enough notice. Same goes for MI6 and Macau: terrible things happen there. But you can visit Shanghai perfectly nicely because, in this, the 23rd official Bond film, the city Read more ...
Russ Coffey
At the end of 2007 Led Zep’s reunion concert took “hottest ticket in town” to melting point. Everyone now knows 20 million fans chased 18,000 seats at the O2. What we hear less about is, given previous disastrous reunion efforts, how hard the pressure was on. And yet they pulled it off. Five years later people have still been asking for a tour. Earlier this week, however, the band categorically stated they’ve called it a day. Instead they’re releasing a film of their last concert. Last night, at Hammersmith Apollo, Celebration Day got its British premiere.After 20 minutes' delay, the Read more ...