Reviews
Kimon Daltas
Sir Peter Maxwell Davies’ Ninth Symphony, completed in 2012 and heard in London for the first time in this concert, is dedicated to the Queen on her Diamond Jubilee. Those are not words to strike eager anticipation into my heart , though I’m happy to say that being Master of the Queen’s Music doesn’t appear to have dulled the composer’s powers in the way the equivalent title seems to nobble poets. Indeed, the dedication is merely that, and the work is no winsome tribute.The 25-minute single-movement symphony is modelled, Davies’ programme note explains, on the idea of a church with a central Read more ...
Tom Birchenough
Recent Iranian cinema has seen the best of times - and the worst of times. From the 1990s onwards the phenomenon of the "Iranian New Wave" has captured worldwide festival attention, with directors like Abbas Kiarostami, and father and daughter pair Mohsen and Samara Makhmalbaf among the leaders of the list of those who brought a new view of their nation to international eyes.The worst of times came with the declaration at the end of last year that the country’s professional film body, Tehran’s House of Cinema, was illegal; director Jafar Panahi, banned by the authorities from making films, Read more ...
igor.toronyilalic
Singing camels, paddling trombonists, airborne string quartets and a libretto so barmy it makes David Icke sound like Richard Dawkins. Birmingham, welcome to the world of Karlheinz Stockhausen. The German composer devoted 25 years of his life composing his giant, seven-day, operatic cycle Licht. We in Britain have only ever had the chance to see one segment when in 1984 Donnerstag aus Licht was premiered at the Royal Opera House. The rest have slowly reached the light of day. Mittwoch aus Licht finally received its world premiere last night. But it has been a tortuous path for Read more ...
emma.simmonds
For all that’s been said about Orson Welles – usually focusing on his towering genius and sizable ego - he was above all a great contrarian. In interviews he was often genial and self-effacing and of course a scintillating raconteur. During his later years he could be avuncular, entertainingly unpredictable and very funny, like a mischievous lecturer. His The Lady From Shanghai (1947) is so loaded with eccentricity it’s positively cock-eyed and Welles was of course an outcast in Hollywood, that is until he cast himself out. So while those familiar with the legend alone might find F for Fake ( Read more ...
aleks.sierz
Since 2004, the Ambassador Group’s Trafalgar Studios has done sterling work in staging West End transfers for some of London’s most promising fringe talents. Kieran Lynn’s An Incident at the Border arrives in the centre of town from the Finborough Theatre, where it was seen in July. It has a good cast and, because of its sceptical attitude to the pervading aesthetics of naturalism in contemporary playwriting, lots of promise. But can it live up to expectations?One sunny afternoon, twentysomething couple Arthur and Olivia go to a park. They feed the ducks in the pond and have a cuddle on a Read more ...
Kimon Daltas
It is a rare treat for Londoners to have the CBSO with Andris Nelsons in town, and the Albert Hall was, if not fully sold out, then certainly well stocked. It would be fair to assume that the main draw was Shostakovich’s giant and much-debated Leningrad symphony after the interval; but first up was Glinka’s Ruslan and Lyudmila overture and the UK premiere of Emily Howard’s Calculus of the Nervous System. Both together they added up to a mere 20 minutes and we were out in the interval in the blink of an eye: such are the challenges of programming around a 75-minute symphony. In its short span Read more ...
Karen Krizanovich
There are two kinds of people in this world: those who think The Three Stooges are funny and those who just don’t get it. People in the first category are much better people. In real life, The Three Stooges were three vaudevillians - Moe Howard, Curly Howard, Larry Fine and latterly Shemp Howard, Joe Besser and Curly Joe DeRita - famous for what is now called "extreme slapstick". Their career ran from approximately 1930 to, in various incarnations, the 1970s and their short films have not been off American TV since they first were broadcast in 1958. So, for the generations who grew Read more ...
Veronica Lee
Alfie Moore: I Predicted a Riot, Pleasance Courtyard **** There can't be many serving police officers doing stand-up comedy at the Fringe, so that makes Alfie Moore an unusual beast. Actually he's a one-off, a wonderfully engaging bloke in a sharp suit who says the most surprising things for someone currently indentured to Her Majesty. He's left-leaning, for a start, having grown up on a Sheffield council estate and who started his working life in a steelworks, where he was a shop steward. Moore, who was on Show Me the Funny on ITV last year, is now a sergeant in Humberside Constabulary Read more ...
josh.spero
Hitchcock was fond of the locked-box mystery, but never in the obvious form: whether it’s the leads in Rope, stuck in their apartment with a body shut up in a trunk, or the survivors from a ship murderously bobbing along together in Lifeboat, the trap was all. James Stewart as LB Jefferies in Rear Window is another man locked in a box, this time kept in his apartment by his broken leg. But clever old Hitchcock – he sets the mystery outside the box.There is another box too: the one Stewart’s window faces onto, the one whose bottom is a communal courtyard in New York, whose sides are other Read more ...
Veronica Lee
I, Tommy, Gilded Balloon **** Everybody will be familiar with Tommy Sheridan's story, and not necessarily because they closely follow Scottish politics at their most internecine. Rather because the Glaswegian socialist went from being barely a paragraph in broadsheets to being plastered over the front pages of tabloids after a series of revelations – which he strongly denies – about visiting swingers' clubs.It was once all so different, as Rab C Nesbitt creator Ian Pattison shows us in this amusing essay of Sheridan's rise and fall. The extremely charismatic Sheridan was adored by men Read more ...
Thomas H. Green
The look for many young Asian guys in deepest west London appears to focus on how thin they can sculpt their goatees. Well-muscled, chiselled even, sporting either a bowl-crop or one of those spiky, gelled, junior estate agent haircuts, and clad in the ubiquitous sports casual that hip hop has wrought, it’s still their beards that draw the attention. These are pencil-thin lines from the ear to chin, interconnected by another over the mouth, part Errol Flynn, part Armand Van Helden.Right now, though, they’re not listening to pumping bhangra, as they have for much of the day, they’re watching Read more ...
Matt Wolf
There's not exactly an excess of colour in Shadow Dancer, the IRA-themed thriller that unfolds amid a bleached-out landscape of browns and greys, windswept waterfronts and drab, unwelcoming enclosures. But amid the drear, the director James Marsh (Man on Wire) has fashioned the most psychologically intricate and exciting film of the year so far and the first in a long time to restore the violent bequest of the Troubles to the cinematic primacy we associate with the likes of Cal or The Crying Game. Made all the more urgent by its gift for understatement, the movie is almost unbearably tense. Read more ...