Reviews
james.woodall
Nine years ago, historian Jan T Gross published a book called Neighbours. It chronicled, and tried to analyse the reasons for, the massacre of 1,600 Jews in a north-eastern Polish village, Jedwabne, in July 1941. That was a month after Hitler’s invasion of the Soviet Union, into which, in 1939, this bit of Poland had been absorbed by Stalin. The unexamined historical assumption had been that, like so many similar east European communities, Jedwabne simply fell victim to the by then efficiently exercised Nazi lust for Jewish annihilation.Gross suggested otherwise – that half of Jedwabne’s non- Read more ...
Adam Sweeting
Strolling into the Royal Festival Hall's private function room on Level 5 last night, I naturally expected it to be crammed with freeloading hacks such as myself on the trail of free drinks, but the room was mostly populated by corporate types in suits. If you want to pull together a menu of prestigious international orchestras in these straitened times (particularly those elusive American ones), you can't hope to do better than enlist the support of a multinational oil company, and this was the opening night of the RFH's Shell Classic International season.
The occasion demanded a Read more ...
Veronica Lee
Talent, Victoria Wood’s first play, premiered at the Sheffield Crucible in 1978 and was made into a television drama the following year for ITV. Roger Glossop asked Wood to revisit the work for a festival he runs at the Old Laundry Theatre in Bowness-on-Windermere and last night it transferred to the Menier Chocolate Factory in south London, another delightful small powerhouse that punches well above its weight in the arts world.We are in Bunters, a "niteclub" in Manchester where a talent show is taking place. Ageing, unfunny turns, a seedy compere and talentless musicians all make their Read more ...
edward.seckerson
The Damnation of Faust is so chock-full of special effects that you half expect a list of technical advisors in place of the single name Hector Berlioz. But it is just he – wizard of his imaginings – who continues to surprise and even shock no matter how many times you hear the piece - and with Valery Gergiev heightening its neurotic nature all the way to pandemonium there wasn’t a whole lot more you could have asked of this performance, except a better, more complex and interesting Faust than Michael Schade gave us and a clearer beat from Gergiev.The issue of the beat affected the LSO Chorus Read more ...
Matt Wolf
The exhilaration of scientific enquiry turns out to be dead on arrival when it comes to Creation, the Jon Amiel film about Charles Darwin that is simultaneously brilliantly timed and also a snore. Survival of the fittest in this context takes on a new meaning that will be immediately clear to those who make it all the way through.The movie would be welcome even if 2009 were not both the bicentenary of Darwin’s birth and the 150th anniversary of the publication of On the Origin of Species, his pioneering tome. A staggering 42 per cent of Americans, apparently, don’t believe in evolution, while Read more ...
Thomas H. Green
With his latest campaign to become Governor of Texas just kicking into gear, Kinky Friedman should probably be at home in the US, rather than on the south coast of Britain. The man himself says that he's been "sent out of state so I wouldn't screw up". In 2006 he took 13 per cent of the vote as an independent candidate but next year he has the backing of the Democratic Party so it's more than just the eccentric whim of a Jewish country singer.Friedman is also here to promote his new book Heroes of a Texas Childhood. The book's subject matter is a change from his Read more ...
Ismene Brown
At last a seriously good new ballet created not just inside the Royal Opera House’s bunker-like Linbury Studio Theatre but actually making complete sense of its space and atmosphere. Kim Brandstrup’s new creation with the Royal Ballet star Tamara Rojo, Goldberg, is a beautiful, grown-up piece of fine musical feeling and drama, and with a design and lighting scheme to die for.They came from left-field on this one, since to get anything made new at the Royal Ballet is generally a torturous business of compromise with time, cast and concept. But Rojo swung her weight about as ballerina and Read more ...
jonathan.wikeley
Andrew Parrott, director of the Taverner Consort, once told me of a time he was playing harpsichord at the back of a largish orchestra. Confident that nothing he played would stand the remotest chance of being heard above the general cacophony, he “rather went to town” in his realisation of the continuo part. Afterwards he was congratulated by numerous audience members sat at the back of the hall on his stylish, if unconventional, interpretation. The sound had gone up into the air and bounced straight to the back, giving everyone in the rear four rows a crystal-clear account of his lavish Read more ...
Veronica Lee
There was a very strong line-up last night for the finals of the Funny Women newcomer competition, held at the Comedy Store in London. The award was won by Miss London, whose look-at-me-but-don't-touch stage presence and strong set went down a storm with the audience. Jan Ravens, who compered with a light and witty touch, was clearly impressed by the runner-up, fellow impressionist Eve Webster, while Jo Selby came third with a fine deadpan turn in character as Russian comic Tatiana Ostrakova.Only three could pick up awards, but the judges - producers, agents and comic Stephen K Amos - would Read more ...
ryan.gilbey
Hollywood stars looking to punch the clock again after a public scandal will tend to seek recompense, and express humility, through their choice of roles. Even with this in mind, the resurrection of Robert Downey Jr has been one of the great heartening spectacles of modern film acting.It may be that the actor had already delivered his most explicit self-portrait when he starred in James Toback’s Black and White back in 1999. In that scattershot satire, Downey was seen flirting with an enraged Mike Tyson; with hindsight, that now looks as close as any man could get to ’fessing up to some Read more ...
igor.toronyilalic
Is it a bird? Is it a plane? No, it’s Valery Gergiev shimmying his way through Ravel’s Daphnis and Chloe. There he was, London’s loosest-limbed maestro, back on the Barbican podium (just about) with the London Symphony Orchestra, after a summer flogging his chaotic Ring Cycle around the globe, returning to more favourable ground, an all-French programme of Debussy, Dutilleux and Ravel that had his dancing juices flowing and his legs a-leaping. Certainly, there’s no gainsaying his moves. The question is were they being put to good musical effect?Whenever the moment took him, the answer was Read more ...
Adam Sweeting
They say you don’t know what you’ve got until it’s gone, and despite its sometimes erratic quality control, the loss of The South Bank Show (ITV1) is going to be like having a leg sawn off TV's arts coverage.The final season got off to a thunderous start last week with Tony Palmer’s film about the Wagner family. Wives, children and grandchildren elbowed each other aside in their eagerness to accuse each other of barbaric behaviour or rabid anti-Semitism. When Richard Wagner composed Parsifal, apparently he was creating nothing less than the complete blueprint for the Third Reich. Who knew? Read more ...