Reviews
Adam Sweeting
One good Sixties brouhaha deserves another. After last year’s triumphant revival of the Jeremy Thorpe affair in A Very English Scandal, here comes the sleazy saga of John Profumo, the Conservative Secretary of State for War who was forced to resign from Harold Macmillan’s government in 1963. The cause of his downfall was his brief affair with model and showgirl Christine Keeler, who was 19 when Profumo first met her.Amanda Coe is the screenwriter du jour, though it’s hard to see how the story has been made to stretch across its allotted six episodes. The first two instalments (on Sunday and Read more ...
theartsdesk
As symbolic moments go, the arrival of Martin Scorsese's new gangster epic The Irishman on Netflix took some beating. It exemplified the adage that "TV is the new cinema", and at the same time perhaps suggested a new and less digestible adage, something like "TV and cinema are now both parts of an ever-expanding entertainment continuum". Catchy, eh?The inexorable spread of the global media giants is reflected in our artsdesk critics' choice of 2019's Best and Worst TV shows. While it's well known that Succession or Game of Thrones are HBO productions, it's less widely advertised that Read more ...
Kathryn Reilly
Liam Gallagher knows exactly how "fucking fantastic… and fucking shit I am", and proceeds to tell us so for 85 minutes. This 10-year documentary project came about as a result of director Charlie Lightening’s friendship with Gallagher, formed as Oasis came to a predictable halt. It seeks to be mildly critical, although the only person vaguely putting the boot in is current girlfriend/fiancée/soon-to-be-third-wife Debbie Gwyther – now also his manager – who describes him as "impulsive and a bit silly", and "like a toddler". Otherwise, it’s up to the other brother, Paul Gallagher, and ex- Read more ...
Jenny Gilbert
For dance lovers, it was a year of heavy hitters. There were visits from two of America’s biggest and best, both the Alvin Ailey company and San Francisco Ballet bringing generous programmes of new work. The mighty Bolshoi’s summer programme at Covent Garden brought us Spartacus, that Soviet-era mega-fest of militarism and machismo. More intimate but just as heavily hyped was the new Matthew Bourne, Romeo + Juliet, which toured the country before settling into the August holiday slot at Sadler’s Wells. There was Christopher Wheeldon’s vast new in-the-round Cinderella for English National Read more ...
Boyd Tonkin
During a single day of bloated idleness last week, I managed to watch three televised ghost stories, adapted from the works of Charles Dickens and a brace of Jameses: MR and Henry. Christmas, moreover, will have proved again to millions that Harry Potter and his wizard companions have lost none of their potency as divinities in the 21st-century household. The creatures dismissed by a sceptical thinker in 1709 as “ghosts, hobgoblins, witches and spectres” now enjoy a second life across swathes of British popular and literary culture. They have seldom seemed so robust and so resilient. Yet the Read more ...
Kieron Tyler
Earlier this year, the Peter Laughner box set was more than an archive release. Its diligence and scale forced a wholesale reinterpretation of the evolution of America’s punk-era underground scene. What it collected – aurally and in its book – demonstrated Laughner was more of a pivotal figure than he had so far seemed, and that his actions and vision resonate more than four decades on from his death.Moving through a different musical landscape, the CD compilation The Daisy Age cohesively soundtracked for the first time how hip-hop opened itself up to seemingly unrelated music (and non-music Read more ...
Matt Wolf
Political dysfunction and societal distress led many amongst us to the brink this year, so where better than the theatre to find succour if not always solace in the abundantly thoughtful offerings of a creative community as often as not working at full tilt? Even as a misplaced nostalgia seemed to be pulling Brexit-era Britain backwards, a contemporary light was shone on a community living tremulously on the edge in Alexander Zeldin's Faith, Hope and Charity and on the racial divide in Jackie Sibblies Drury's Pulitzer-winning Fairview, the latter one of a cluster of top-rank American plays Read more ...
Veronica Lee
It was a year in which we welcomed some big, big names back on stage, including Ben Elton, Clive Anderson and Jack Dee.Elton was back on sparkling form after 15 years away and, if you still need to know how bad a state we're in in the UK, suffice to say that he almost – almost – misses his old nemesis Margaret Thatcher. But in Brexit old Motormouth has found another big target for some pinpoint insights, and his show also delivered some more personal comedy by way of contrast.Anderson had been even longer away from the stage – since his days in Cambridge Footlights a few decades ago – but his Read more ...
Graham Fuller
Marketed as a couples-friendly romance, Bi Gan’s Long Day’s Journey into Night made a massive $37 million on its opening day in China but was subsequently denounced by irate viewers who felt they’d been conned into watching a neo-noir pastiche that bafflingly morphs into a journey into the hero’s unconscious mind. Films comprised of reality, dreams, fantasies, and memories are not for everyone. However, fans of directors Alain Resnais, David Lynch, Hou Hsiao-hsien, Nicolas Roeg, and Wong Kar-wai will likely find this art-house stunner an enrapturing experience.Bi’s follow-up to his impressive Read more ...
David Nice
It says so much for the cornucopia of London's classical music scene alone that all five of the most recent concerts I've attended have made the long list for best of 2019. I'll settle for two. The anger and violence of Vaughan Williams's Fourth Symphony is still resonating after the London Symphony Orchestra and Antonio Pappano tore into it with focused fire on election night. Shortly before that, beauty rather than ferocity was the keynote of Bartók's Sonata for Two Pianos and Percussion as played in an intense Wigmore Hall lunchtime concert by Pavel Kolesniknov (don't miss his Wigmore solo Read more ...
David Nice
There's no question about my top opera choice for 2019, especially since the London houses rarely delivered at the same pitch of engagement. It's Graham Vick's walkabout Birmingham Opera Company spectacular, a production of Shostakovich's Lady Macbeth of Mtsensk that worked on every level. Literally, since a full City of Birmingham Symphony Orchestra conducted by Alpesh Chauhan - doing superlative work in the absence of Mirga Gražinytė-Tyla, on maternity leave - was on a raised platform and some of the action took place at other points around the disco-lit, dilipidated Tower Ballroom on the Read more ...
theartsdesk
Another year gone, another year closer to complete Disney domination. Death, taxes, and the house of mouse buying every remaining film studio, the three certainties. But 2019 still packed some surprises. Old hands Scorsese and Tarantino hit late career highs, while indie gems Bait and Burning found worthy mainstream success. As the year comes to a close, our team of writers appraise their hits and misses of 2019.THE HITSAd AstraThere has been much excellent science fiction of late – Gravity, The Martian, Annihilation. But Ad Astra may be the most complete and profound addition to the genre Read more ...