Reviews
aleks.sierz
Can men really love each other – without sex? Or, to put it another way, how many different forms of male love can you name? These questions loiter with intent around the edges of Tom Stoppard’s dense history play, which jumps from 1936 to the High Victorian age of the 1870s and 1880s, and is now revived by the Hampstead Theatre starring Simon Russell Beale.First staged in 1997 at the National Theatre, the play tells the story of AE Housman (Beale), the Victorian classical scholar and poet who wrote A Shropshire Lad, that collection of yearning lyricism. This revival, however, raises Read more ...
Boyd Tonkin
When does a concert become a ceremony? You generally visit the Barbican for art rather than ritual. Yet, during the Academy of Ancient Music’s performance last night, the bulk of a packed house still stood up for the “Hallelujah” that closes the second part of Handel’s Messiah.This charming, or plain odd, British folk-tradition supposedly derives from George II having done the same in 1743 – although there’s no evidence that the monarch ever rose to the occasion. In any case, it indicates that many of those who rightly love Messiah still treat it as much more than an especially fine Baroque Read more ...
Helen Hawkins
How do you refresh a masterpiece? Bringing back his first and still greatest hit, Swan Lake, Matthew Bourne seems to have changed only minor details since its 1995 premiere at Sadler’s Wells. Its core brilliance is untouched.As usual with Bourne, the production will have been adjusted slightly with each iteration, but it’s possible to compare the 30th anniversary version with the 1995 one, of which handily there is a DVD. The accumulated tweaks are minor. The giant crown hanging in the Prince’s rooms is now a vibrant scarlet, as is the Queen’s ballgown, popping out of her otherwise black Read more ...
Sebastian Scotney
Kenny Barron’s Beyond This Place is glorious. Whereas I’ve found some of the more talked-about albums of 2024 either been uneven or unfocused – as if attracting debate is more important than just setting out to make a great album – everything just works so well here.We are treated to the most fluent playing from young alto saxophonist Immanuel Wilkins I have heard to date. The way in which the recording has captured Johnathan Blake’s shimmering and empathetic busy-ness is just fabulous. The quintet is often reduced to duos and trios, and that gives the individual musicians, and Read more ...
Kieron Tyler
Vanilla Fudge could provoke a strong reaction. Writing about them in 1982, Tom Hibbert – then best-known for his contributions to Smash Hits – said of their February 1968 second album, The Beat Goes On, that “on one side of the bombastic concept LP, Vanilla Fudge summed up the history of music from Mozart, through Cole Porter and Elvis, to The Beatles concluding that it was all worthless.”“On the other side,” continued Hibbert. “Fudge unleash on the unwary listener their vision of the ‘now generation,’ in the form of a dull reworking of Sonny Bono’s ‘The Beat Goes on.’ This was the recurring Read more ...
John Carvill
It might be a push to call this documentary a feminist slant on Humphrey Bogart, but it wouldn’t quite be a shove. Northern Irish filmmaker Kathryn Ferguson’s work has often concerned itself with identity and gender politics, and her narrative here is framed around the women in Bogart’s life, starting with his aloof, undemonstrative mother, Maud. Proper consideration is given to Bogart’s first three wives, Helen Mencken, Mary Philips, and Mayo Methot. In particular, Mayo is rescued from the cipher status to which many previous accounts of Bogart’s life assigned her: she was a former Read more ...
Helen Hawkins
The Young Vic has opened under a new artistic director with a puzzle play. The puzzle is, why stage this piece today?The key themes of Lillian Hellman’s 1939 play look promising on paper: a strong-willed woman battling her brothers for an inheritance, Succession replayed in the deep South. Regina Hubbard Giddens was a plum role for Tallulah Bankhead on stage and Bette Davis in the 1941 film version. And the cinema is where the piece is most at home, a Hollywood melodrama for an actress who can give Regina (the clue is in the name) a regal grandeur, as well as a skilled line in manipulation. Read more ...
James Saynor
It’s not often we hear barely a single gunshot in a movie set amid Mexican drug cartels, but that may be the way it is for people who actually live amid Mexican drug cartels.In Sujo, Mexico’s bid for the next foreign feature Oscar, we experience violence the way many who inhabit violent places actually experience it – mostly embedded in the fabric of life, only occasionally directly. It’s not a choice many – or perhaps any – male filmmakers might make. But Sujo comes from the female writing and directing duo of Astrid Rondero and Fernanda Valadez, and for them violence arrives in the Read more ...
Adam Sweeting
Judging by a Sunday Times interview last weekend, Daniel Craig now enjoys wearing brilliantly-coloured sweaters and extraordinary trousers, very much like a man running as fast as possible in the opposite direction to James Bond. He has goodbye-Bond-esque quotes to go with it.Regarding his leading role in Luca Guadagnino’s film of William Burroughs’ Queer, he observes that “male vulnerability is really interesting because, as tough as men appear to be, they’re all vulnerable.” Has M been informed of this?Burroughs’ book was nearly filmed by Steve Buscemi in 2011, starring Stanley Tucci and Read more ...
aleks.sierz
I live in Brixton, south London. To get to the tube, I have to cross Windrush Square. Since 2021, I go past the Cherry Groce memorial, which honours the woman who was wrongfully shot by the Met in 1985, an event which sparked the riots I remember so well from 40 years ago. Amazingly enough, I have now seen her sister, Sutara Gayle AKA Lorna Gee, performing a gig theatre piece on the main stage at the Royal Court.The Legends of Them is an autobiographical memory play during the course of which young Lorna grows into Sutara Gayle, told in fragmentary flashbacks which are vivid enough to be Read more ...
John Carvill
What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer, but there’s no doubt that Bogart being one half of Hollywood’s most famous love story has had something to do with it.There have been numerous Bogart biographies, and even the idea of telling the story through the lens of the Bogie and Bacall romance has been done at least twice previously. Well, there is nothing new under the Klieg lights; what’s important is not the tale but how it’s told. William J Read more ...
James Saynor
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough to be the first choice for a Halloween costume, for grown-ups not quite literary enough to be literary.They’re written in an adventure-rich, psychology-light middle style, full of dorkiness and idyll, and serenely suited to post-CGI cinema, where complexity of story takes precedence over complexity of mind. They’re perhaps best viewed – and this may be how the enigmatic Tolkien saw them – as a compost-turning of history, except that history never had Read more ...