Reviews
Sebastian Scotney
There is fictional Nordic noir. And then there is this, the real thing. Subject matter really couldn’t be much darker than that of Mayhem: A Memoir in which publisher, philanthropist and heiress Sigrid Rausing gives her perspective on her younger brother Hans Kristian’s long-term drug addiction. She tells the story of the effect it had on her, of her own descent into depression which coincided with one of his relapses. She recounts his arrest with his wife for drug possession in 2008, when they attempted to smuggle drugs into a party at the US Embassy. As she has said elsewhere: “Your life Read more ...
Kieron Tyler
We’ve been here before. Not to exactly the same territory, but to a neighbouring space in the same time frame. Last year, theartsdesk looked at a reissue of 2007’s Room to Expand, the first widely available album by the minimalist pianist Hauschka. The album’s reappearance was a moment to reflect on Nils Frahm, Jóhann Jóhannsson and Christian Wallumrød, some of Hauschka’s fellow travellers in the inelegantly tagged post-classical groundswell, all of whom first attracted widespread attention a decade ago. Also mentioned in that review was Iceland’s Ólafur Arnalds. Now, his debut album Eulogy Read more ...
Tom Birchenough
There are many outstanding things in writer-director Francis Lee’s remarkable first feature, and prime among them is the sense that nature herself has a distinct presence in the story. It brings home how rarely we see life on the land depicted in British cinema with any credibility. God's Own Country is a gloriously naturalistic depiction of the harsh life of farming, of an existence based on close connection to animals and to the earth, set in the Yorkshire countryside in which the director grew up. For a comparable sense of connection to the rural environment, and of the sheer back-breaking Read more ...
Mark Sanderson
So who killed Cinnamon? Six weeks ago we saw the strangled sex-worker – packed in a pink suitcase – pushed into Bondi Bay. The finale of Top of the Lake: China Girl withheld enlightenment. Puss, the chief suspect, denied responsibility. Why would the baby-farmer destroy such a valuable (pregnant) asset? The couple that ran his brothel (the concubines were advertised as surrogate mothers) disposed of the body but perhaps an overexcited client did the actual deed. The only sure thing was that Cinnamon was still toast.Jane Campion’s drama – it was never a thriller – began uncertainly, showed Read more ...
David Nice
No-one, least of all the players, will forget Semyon Bychkov’s 2009 Proms appearance with the BBC Symphony Orchestra in a poleaxing interpretation of Shostakovich’s Eleventh Symphony. They had already made the history books this Proms season with a searing concert performance of Musorgsky’s Khovanshchina when last night they did it again with a Tchaikovsky Manfred at the same, highest, level as the team's Barbican Francesca da Rimini.Bychkov is one of those conductors who bring a special, deep-level sound with them. It helps that the BBCSO is in top form after years of training with the late Read more ...
Barney Harsent
Cast your minds back, if you will, to 2011. Remember Jamie Oliver’s Celebrity Fight School? I think that was the title… in any case, it was an astonishing vanity project which seemed to suggest that the reason so many kids were being failed by education was down to a vital lack of abrasive celebrities in the classroom. Falling standards, we were asked to believe, were not the result of an astonishing lack of investment, or a wider societal ill. No, it was the absence of David Starkey’s generous and engaging influence that was to blame. Oliver may as well have gone door-to-door to every Read more ...
Matt Wolf
Add Una to the ever-lengthening list of mediocre films adapted from fine plays. In London and New York, David Harrower’s Blackbird was an entirely harrowing two-hander: a symbiotic portrait of the damage wrought by desire that also happened to function as a first-class vehicle for actors as disparate as Roger Allam and Jodhi May (in the West End) and Jeff Daniels and Alison Pill (in New York, where Pill was several years later replaced for a commercial run by Michelle Williams).But in translating for the screen a play he had directed onstage in Germany in 2005, film neophyte Benedict Andrews Read more ...
Richard Bratby
I’ve said it before and I’ll say it again: you have to be pretty silly to take Gilbert and Sullivan seriously. But even sillier not to. And positively heroic to revive the pair’s 1884 three-acter Princess Ida: the show which – updated to a futuristic sushi bar – was responsible in 1992 for one of English National Opera’s all-time great fiascos (well, if you will hire Ken Russell as director...). Vivian Coates’s colourful new production for the National Gilbert & Sullivan Opera Company keeps the action firmly in the cod-medieval Neverland, lifted straight from Tennyson, that G Read more ...
David Nice
No sunshine without shadows was one possible theme rippling through this diva sandwich of a Prom. Even Richard Strauss's chaste nymph Daphne, achieving longed-for metamorphosis as a tree, finds darkness among the roots; and though Renée "The Beautiful Voice" Fleming has a heliotropic tendency in her refulgent upper register, her mezzo-ish colours are strong, too. Besides, Scandinavians are always aware of transience in sunny summer days, and the outer panels of this curious programme were fine-tuned to that.The opener - "parking-lot music" as another Swedish composer, Anders Hillborg, wryly Read more ...
Veronica Lee
Temple Church gained worldwide fame when Dan Brown included a major plot point there in his mega-selling novel The Da Vinci Code in 2003, but it has been standing, minding its own business, since the late 12th century. Now it’s home for a short run of Antic Disposition’s Richard III, following a tour of several UK cathedrals – including, controversially, Leicester, where the king's skeleton was reinterred in 2015 after being discovered in a nearby car park.The controversy, such that it was, concerned Shakespeare’s treatment of the king – who was either an evil child murderer or clever Read more ...
Barney Harsent
By the outrage it prompted, you’d be forgiven for thinking that The Great British Bake Off’s move to Channel 4 was a national disaster. If only the public felt so indignant about the sale of the Post Office, or the creeping privatisation of a beleaguered NHS… but hey-ho, cakes it is, then. The news that co-host Mary Berry and presenters Mel and Sue wouldn’t be joining Paul Hollywood in the move led to further disquiet and an unprecedented amount of criticism levelled at the Liverpudlian master-baker, including a series of frankly stunning tweets from former contestant Ruby Tandoh. They Read more ...
Jasper Rees
Trust Me made an eponymous plea to the audience. Its implausible premise – that a nurse might steal a doctor’s identity and land a job in A&E – called for your credulity. Around the broadcast of the drama's first episode on BBC One, sundry articles sprang up in the media offering supportive evidence that just such scenarios often come to pass for real.And yet in this medical case there was a kicker. Most impostors are motivated by some form of psychological flaw: grandiosity, narcissism, deep denial. Trust Me took a different tack: its fake doctor (played by Jodie Whittaker) was so Read more ...