Reviews
Jasper Rees
The Partition of India is vast and unexplored terrain in modern cinema. It triggered the migration of 14 million people: Muslims moved from an India reduced in size overnight to the new homeland of Pakistan, and non-Muslims made the opposite journey. It was what we’ve seen in Syria but multiplied by sheer volume of numbers, and squeezed into a much smaller timeframe. The border squiggled on the map was arbitrary and conjured up in haste. So a film about this seismic subcontinental shift is long overdue. It has fallen to Gurinder Chadha, a British filmmaker of Indian origin brought up in Kenya Read more ...
aleks.sierz
Theatre increasingly uses digital delights to enhance audience enjoyment. And you can easily see why. Visual effects that mimic the experience of plunging into virtual reality inject a much-needed wow factor into otherwise quite mundane stories. And if there are plenty of British companies who use such effects, currently it’s American playwrights, such as Jennifer Haley, who are leading the way in the art of the eye-popping visual. The latest arrival - at the National Theatre - is Lindsey Ferrentino’s play, Ugly Lies the Bone, which was first staged in New York a couple of years ago and now Read more ...
Robert Beale
Manchester Camerata give relatively few old-fashioned concerts these days – I mean the sort that are done in purpose-built concert halls, with a conductor, soloist and conventional orchestra strength – because they’re busy crossing boundaries and attracting new audiences. But when they do return to the traditional path, they do it extremely well, and especially when music director Gábor Takács-Nagy is in charge.This time, at the Royal Northern College of Music, there was the additional distinction of Jean-Efflam Bavouzet as soloist in two Mozart piano concertos. He and they have recorded Nos Read more ...
David Nice
There's no reason why ruffs and candles shouldn't mesh with bursts of contemporary speech, song and lighting, given a defter hand than director Ellen McDougall's. Shakespeare's timeless issues of racism and sexism have plenty of mileage in them, though in less skewed proportions than they find here. Many of this production's components are promising, but the whole is a strident mess.None of this is the fault of the admirable Othello, Kurt Egyiawan. Noble and low-voiced in fine speech for the opening Venice act, he also makes us aware of a man on edge and alert to slights about his skin, which Read more ...
Jasper Rees
The prequel is here to stay. In the end every popular TV drama flogs itself to death. The star wants out, or the writer dies, or the original source material runs dry, or the public falls asleep. And there’s nowhere else to go. Nowhere, that is, apart from back in time. Hence the retro-fitted Endeavour and Gotham and Better Call Saul. In these risk-averse times, the execs enjoy the reassurance that the hard yards of establishing a character have already been gained. It (sort of) worked for Morse. How about the other great ITV cop of the last 30 years?Jane Tennison in the early 1990s was the Read more ...
William Green
Apocalyptica are a band that became famous for playing Metallica on cellos. And tonight they’re playing only Metallica covers because it's 20 years since they released Plays Metallica by Four Cellos, their debut album. The quartet formed at Finland’s Sibelius Academy in 1993 and the man responsible for bringing together classical cellists to play metal is Eicca Toppinen. Tonight, referring to their debut album, he admits that they were “expecting to sell 1,000 CDs”. Six million albums later and constantly on tour they return to their roots: without Metallica there would be no Apocalyptica. Read more ...
Nick Hasted
The Cutlers are Pa Larkin's Darling Buds of May clan gone feral, rampaging across the Cotswolds. With Brendan Gleeson as patriarch Colby and Michael Fassbender as the troubled heir to his travellers’ caravan throne, the tone is country miles from David Jason’s bucolic idyll, which the Cutlers affront at every turn. They are outlaws in the leafy lanes of a Gloucestershire Eden, whose mansions they rob for fun and profit. But Trespass Against Us finally falls too in love with its rogues to see its story straight.Screenwriter Alastair Siddons first tackled this tale in a documentary about the Read more ...
Saskia Baron
Five years ago BBC Panorama went undercover, sending in a reporter with a hidden camera to expose the horror going on at Winterbourne View, a hospital for people with learning disabilities and/or autism. There was outrage as the nation watched Winterbourne’s patients being tortured, degraded and abused by staff. After the programme aired, it made headlines and debates in Parliament led to promises of major reform. There was a commitment that the 3,000-plus disabled or mentally ill people kept in Assessment and Treatment Units would be moved instead to smaller units closer to their Read more ...
David Nice
How often do you leave a production of Shakespeare's most layered drama in tears, thinking "what an astonishing play!" even more than "what a fine Hamlet!" (or not)? Last night the Bard proved even greater than his Dane. Not that Andrew Scott was ever less than mesmerising and unpredictable. But it was Robert Icke, a director you might expect to play fast and loose with text and structure, who in giving us more Hamlet than most these days respected the slow burn and the long vision, with a few surprises but no gimmicks on the journey.Scott will not disappoint either his huge fan club or Read more ...
Adam Sweeting
Can women have it all? (Stop me if you’ve already heard this one). This is the premise of Joe Ahearne’s new three-part drama, set in the offices of a successful firm of architects in Glasgow. But he’s a bloke, what would he know about it? Anyway, just as Ellen (Morven Christie) had joyously celebrated being appointed an associate, she found she was pregnant and would have to recruit somebody to cover for her in her absence.The pregnancy seemed to be as much of a surprise to Ellen as it was to everybody else, and she was only too well aware that her timing was not perfect. Nonetheless, her Read more ...
Adam Sweeting
The X-Men films have frequently managed to bring a shot of ethical awareness and emotional engagement to the superhero party, but even so this swansong for Hugh Jackman’s Logan (aka Wolverine) is likely to take your breath away. With James Mangold at the helm as director and co-writer, this is a haunting elegy for times past, battles fought and comrades lost, as Logan finds himself grudgingly dragged out of a drink-sodden semi-retirement as a limo driver.Elsewhere in the Marvel and DC universes, they’re permanently upping the ante in terms of firepower, cities destroyed, and the number of Read more ...
David Nice
After a Royal Opera performance of Birtwistle's The Minotaur, a friend spotted Hans Werner Henze in the foyer and had the temerity to ask that annoying question "What did you think?" "Very competent and extremely well performed," came the reply. Which is the measure of Ryan Wigglesworth's Shakespeare adaptation at ENO. Every UK premiere of a new British opera can be sure of one thing - a first-rate cast of English-speaking singers. Perhaps the real surprise here was the debut of that great actor Rory Kinnear as a director: clear and sure-footed throughout.Clarity is a quality, too, of Read more ...