Reviews
Helen Hawkins
With teasing timing, the latest revival of a Tom Stoppard play at the Hampstead Theatre arrived just hours after his funeral, a weird echo of his maxim, “Every exit is an entry somewhere else.” As at its debut in 1995, Indian Ink features a luminous Felicity Kendal, but this time not as perky young poet Flora but in the role of her older sister Eleanor, 65 years on,The plot follows a favourite Stoppard trajectory, of seeing the past as a puzzle demanding investigation. It’s a strategy he used to best effect in the earlier Arcadia (1993); the resolution of the puzzle here is less enigmatic, Read more ...
Thomas H. Green
VINYL OF THE MONTHManduria Bite Me (Wild Honey)
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The debut from Milan punkers Manduria is a six-tracker haemorrhaging rock’n’roll cheek and sass. They riff and fuzz and bang about without a care in the world, shouting and revelling in reverb mess, howling like Screamin’ Jay Hawkins while cranking up the amps like The Cramps, the rhythm section indulging in a mono-stomp that penetrates the inner brain like Joe Pesci’s vice. There’s a track called “I Hate to Think” and you don’t need to. On “Buongiorno” they slow things down for a dip Read more ...
Gary Naylor
Bat away your lurgy, stop that coffin’ and get up to Finsbury Park for a laugh laden, ballad blitzing, sensational spoof starring the toothsome Transylvanian. If that sentence is boiling your blood with its rich vein of bad humour, you’ll be spitting bile in the house; if not, you’ll be so relaxed at the end of the evening, you shan’t be needing your statins before bedtime.Because there’s little we need more right now than laughter, the best medicine, natch and that’s what we get - liberally laced with groans, because no joke is too daddish for Dan Patterson and Jez Bond - with a smattering Read more ...
Gary Naylor
Wonder is a word that is used too often in theatre, somewhat emptied of meaning by marketing’s emasculating of language. It’s used even less honestly by critics - we’ve seen too much to really feel wonder. But, for the first time since seeing the RSC’s magnificent My Neighbour Totoro, I’m here to tell you I was as wide-eyed as the Sophies sitting transfixed in my row as this lovely show unfolded before us. The story, beautifully, and, one trusts, uncontroversially, adapted by Tom Wells, will be familiar to many (but was not to me) begins in an orphanage where Sophie and Kimberley bicker Read more ...
Black Rebel Motorcycle Club, O2 Academy, Glasgow review - revisiting the past produces mixed results
Jonathan Geddes
Towards the end of Black Rebel Motorcycle Club's run-through of their old album Howl, bassist Robert Levon Been told the crowd the "pain was nearly over". By BRMC standards that's a wisecrack, referencing the gloomy, pared-back tone of that 2005 release, but some of the Glasgow audience seemed to have experienced it for real, having headed for either the bar or exits as the set progressed.That is partly on them, given the show was clearly advertised in advance as a 20th anniversary revisitation of Howl. However, it is unquestionably an album that was an odd pick to play in full, lacking many Read more ...
Markie Robson-Scott
Chinese-American director Bing Liu’s first feature – his Minding the Gap, a wonderful documentary about himself and his skateboarding buddies in Illinois, was Oscar-nominated in 2019 – is based on Atticus Lish’s Pulitzer Prize-winning novel of 2014 about an undocumented Uyghur immigrant and her relationship with an American soldier who’s done three consecutive tours in Iraq and has severe PTSD.The harsh reality of family abuse and violence in Minding the Gap might lead you to expect something as powerful here, especially as Liu has said that his mother’s immigrant experience mirrors Lish Read more ...
Kieron Tyler
Heard now, 50 years after its release, Tangerine Dream’s Rubycon sounds like what it became: part of the musical template for Jean-Michel Jarre’s 1976 international breakthrough and also as an integral component of the records The Orb began attracting attention with in the early Nineties. Beyond the aesthetic ripples, a specific aspect of the May 1975 album was and is also significant.Rubycon was one of the first albums by a rock – in its loosest meaning – band to seamlessly incorporate the use of a sequencer. Those with the budget for the gear and the attendant technical know-how could Read more ...
Adam Sweeting
This follow-up to 2022’s Man vs Bee finds Rowan Atkinson reprising the role of Trevor Bingley, a bumbling no-hoper who is somehow still at large in the community. He’s now separated from wife Jess (Claudie Blakley), with whom his daughter Maddy (Alanah Bloor) has been living, and dwells alone rather forlornly in a remote house in the countryside.Quite why Atkinson (in collaboration with co-writer Will Davies) seems so invested in this hapless and rather pathetic character remains a mystery, since it eschews entirely what used to be Atkinson’s main strengths (eg sardonic delivery, deadpan but Read more ...
Bernard Hughes
There is, of course, a long tradition in this country of Christmas Messiah performances – but it’s not one I’ve ever previously participated in. This was the first time I’ve ever heard Messiah live, despite being quite long in the tooth – and it was terrific. I can see what I’ve been missing out on all these years. Handel really knew what he was doing – as do the Philharmonia Chorus, the Orchestra of the Age of Enlightenment and four excellent soloists, all under the leadership of Eamonn Dougan.I am no expert on the scholarship behind performance practice of Messiah, although the piece is Read more ...
Gary Naylor
Ask many a boomer about their scariest childhood memory, and they may very well cite the extraordinary 1957 East German production, The Singing Ringing Tree, shown regularly on the BBC before, one presumes, an adult saw it and thought, “Uh oh…” It was a kind of anti-Disney (well, the saccharine commercialised studio that emerged after World War II at any rate) that pitched us kids into a Mitteleuropa world of magical threat and fractured families, the grotesque far outweighing the fair in the narrative.At about the same time (the mid-80s) that a collective unease started to censor or, at Read more ...
Jenny Gilbert
Filmmakers Powell and Pressburger were not the first to portray ballet dancing as a fatal obsession and choreographer Matthew Bourne won’t be the last, but the latter’s 2016 stage adaptation of The Red Shoes, Powell's 1948 film (now most famous as a favourite of Martin Scorsese), looks set for longevity nonetheless. Deftly invoking the postwar European dance scene and bringing sharp definition to the film’s plot and characters, the show brims with added entertaining detail. Hurtling to its dénouement, it also undercuts the film by half an hour.Bourne’s production, as in the film, follows the Read more ...
aleks.sierz
The National Theatre has a long record of starry revivals so this version of John Millington Synge’s The Playboy of the Western World, with a cast led by Nicola Coughlan (yes, from Derry Girls and Bridgerton), quickens the heartbeats of anticipation, although audience reaction won’t be anything like that of the play’s 1907 premiere. That Dublin production caused nationalist protests from a riotous public who felt insulted by the playwright’s realistic portrayal of the Irish peasantry as lonely drunks, and by its theme of patricide and its image of female underwear. Sinn Féin founder Arthur Read more ...