Reviews
David Kettle
Forget your celebratory Messiahs and your crowd-pleasing Strauss galas. Instead of easing listeners gently into 2016 with conventional New Year fare, the BBC Scottish Symphony Orchestra went for the shock approach in its 2016 opening concert: non-stop, back-to-back, uncompromising contemporary music. And it felt like a marvellously bracing, ear-cleansing, provocative way to kick off the year’s concerts.German composer and conductor Matthias Pintscher is the BBCSSO’s artist-in-association, and he’d been given free rein to curate and conduct the evening. What he came up with felt like quite a Read more ...
David Nice
"I fell in love with the psychology of Goya and his palette,” wrote brilliant composer-pianist Enrique Granados at the beginning of an evocative paean prefacing his six original Goyescas of 1909-11, finely-wrought gems of the piano repertoire. In love, too, are most of us who have gaped with awe at the astonishing range and careful selection of portraits in the current National Gallery exhibition - one of its best ever, equal in revelation to the recent Rembrandt spectacular.No-one wants music to distract from the detailed contemplation of all those Spanish nobles, intellectuals and craftsmen Read more ...
Veronica Lee
Walter Presents, Channel 4's clever and welcome strand of foreign, subtitled drama for broadcast both on television and online, is already throwing up some interesting titles. It launched with the Cold War-set Deutschland 83, and now second in the series to be given a broadcast run is Spin, first seen on French television in 2012 under the title Les hommes de l'ombre (The Shadow Men).Like many French serials (including the fantastic police procedural Spiral), Spin likes to take its time. By mistake (All 4's or mine, I don't know which) I watched the second episode first and then the opener; Read more ...
graham.rickson
Elgar: Sea Pictures, Polonia, Pomp and Circumstance Marches 1-5 Alice Coote, Hallé/Sir Mark Elder (Hallé)“Foam-flakes cloud the hurrying blast.” Ouch. The texts chosen by Elgar for his Sea Pictures haven't all worn well, though Alice Elgar's words do sound perfectly fine when accompanied by her husband's music. I didn't notice any longueurs at all in this delicious performance from mezzo Alice Coote, her voice appealing enough to make a tax bill seem seductive. Sir Mark Elder's responsive Hallé play with real delicacy, Elgar's scoring unusually transparent. “Sabbath Morning at Sea” is Read more ...
Graham Fuller
Like the seven previous movies written and directed by Quentin Tarantino, The Hateful Eight is violent, verbose, and self-regardingly funny. It’s also ingeniously structured (in Godardian chapters), as much so as Pulp Fiction. The eagle-eyed will spot a visual clue in the first half of the narrative that anticipates the hairpin bend it takes in the second. The knowledge that Tarantino never staunches blood for long meanwhile augurs the inevitable carnage that likens this slow-burning post-Civil War frontier mystery to Reservoir Dogs especially.Typically for a filmmaker engrossed by genre Read more ...
Adam Sweeting
Interesting idea – a Western set in the Yorkshire Dales in the 1870s. Jessica Raine, spotted last year as the other Boleyn girl in Wolf Hall and evidently keen to put Call the Midwife as far behind her as possible, stars as Annie Quantain, a schoolmaster's widow forced to leave the family home thanks to a mountain of debts. As the bailiffs cart away the furniture, she's horrified to find herself a penniless vagrant. Desperate not to give up her children, she gets a tip that there's work to be had on a new viaduct-building project out in wildest Culverdale, and before long she's in among the Read more ...
Veronica Lee
When Anne Edmonds comes on stage I notice a banjo sitting ominously in a corner. She is full of Australian bonhomie and energy, instantly connecting with the audience, and our first impression is that she's a likeable chatterbox, telling anecdotes without punchlines - and she begins with a lengthy one about spewing copiously on a New Year's Day flight in front of her parents some years ago.But as You Know What I'm Like progresses, and she dips and out of stories about suburban life (something also charted in fellow Aussie Sam Simmons's latest show), we see Edmonds weaving together a tale Read more ...
Matt Wolf
The seemingly eternal British love affair with Guys and Dolls continues apace with the (somewhat recast) transfer to London of the Chichester production from two summers ago, and a more buoyant way to inaugurate the new theatrical year is hard to imagine.Though built for touring, as is evident from the utilitarian feel of Peter McKintosh's fan-shaped design, Gordon Greenberg's staging in an instant brings necessary brio and dash to the West End, supplanting the psychologically anguished "musical fable" that was Gypsy at this same playhouse for most of last year with Frank Loesser and co' Read more ...
Hanna Weibye
When producing Cinderella, the main question is: sweet or sour? That Prokofiev score is splendid, but it's no walk in a candy shop; in Act I the stepsisters have passages so scraping, spiky and dissonant that sugar-coating would seem to be out of the question. On the other hand, there's a Nutcracker-like family audience at the ready for pretty productions which skim lightly over the whole neglect and cruelty thing – but that leaves you with a story so bland that even Disney had to invent singing mice to perk it up.Big international choreographers tend to go for more acidity, but with Read more ...
Tom Birchenough
Tobias Lindholm is something of a specialist in exploring the fate of enclosed groups under stress, charting how the dynamics of behaviour between men develop in crisis. I say men, though the Danish director’s name may still be better known in some quarters as a writer on Borgen, the outstanding political series set in another closely defined world where crisis followed crisis, though it's surely the female characters from there who endure more in the memory.Lindholm has obviously kept the loyalty of the Borgen cast, most of all Pilou Asbaek, who played its conflicted spin doctor, Kasper. Read more ...
Tom Birchenough
So, Andrew Davies has bitten off the big one. It may have come as a surprise to some that the master of adapting the British classics for television hadn’t read Tolstoy’s classic-to-end-all-classics until the BBC mooted the idea of a new screen version, but this first episode (of six) boded very well all the same.It was Davies adeptly laying out the domestic ground (battlefields, too), and introducing the characters. For anyone intimidated by the length of the original novel – not to mention the heavy accretions of philosophy and history that Tolstoy loaded onto it – the surprise may have Read more ...
David Nice
Prokofiev milestones stood proudly at the ends of the New Year’s first three major UK concert programmes. The Second Piano Sonata raged as the zenith of the composer’s generous enfant terrible period in Christian Ihle Hadland’s journey through two centuries of piano masterpieces; the Fifth Symphony rocketed skywards in the hands of enthusiastic but also technically brilliant teenagers in Leeds, according to theartsdesk's Graham Rickson, and presumably in London too; and the late Cello Sonata celebrated outward simplicity alongside inner ambivalence in the electrifying duo performance of Read more ...