Reviews
David Nice
No two symphonic swansongs could be more different than Sibelius’s heart-of-darkness Tapiola and Nielsen’s enigmatically joky Sixth Symphony. In its evasive yet organic jumpiness, the Danish composer’s anything but “Simple Symphony” – the Sixth’s subtitle – seemed last night to have most in common with another work from the mid-1920s, Rachmaninov’s Fourth Piano Concerto.These are the connections and contrasts that the BBC Symphony Orchestra’s chief conductor Sakari Oramo has been underlining in his six-concert journey around the Nielsen symphonies. Last night’s typically confounding finale Read more ...
Nick Hasted
Carleen Anderson’s range of vocal scales and styles is matchless in contemporary pop. Where she aims those enviable resources is the only issue anyone could have with her, a matter of taste she’ll eventually make irrelevant tonight with a flood of gospel-jazz exhilaration.Anderson’s impeccable lineage – Bobby Byrd’s step-daughter, James Brown’s god-daughter – and period of Acid Jazz stardom after moving from Texas to Britain in the Nineties is less relevant than her ongoing studies in the vocal arts. It means that, at 58, she’s ready to tackle this Brighton Festival show’s subject, Sarah Read more ...
Kieron Tyler
The Damned: Go! 45At the end of 1979, Britain’s first three 1976-born punk bands were in very different situations. The Sex Pistols had imploded in early 1978 and John Lydon, their front man, was back with Public Image Ltd’s challenging dub- and Krautrock-influenced multi-disc collection Metal Box. The Clash had released the epic, cross-genre double album London Calling. The Damned’s crisp Machine Gun Etiquette was in the shops on the back of that year’s hit singles “Love Song” and “Smash it up”, both of which featured on the album. No one, not even the band itself, could have predicted Read more ...
Russ Coffey
For many, Mark Knopfler will forever evoke a golden age of Eighties' soft rock. His headband might have been easy to mock but his blistering, finger-picking was undeniably thrilling. Latterly, though, Knopfler has travelled a less commercial path. Still, while his folk tendencies may not be everybody’s cup of tea, there's certainly more to Knopfler than just melancholy ballads. For much of last night he treated the O2 to tantalising glimpses of his former, more rocking, self.Knopfler came on looking lean and casual in a floral shirt and jeans. His hair was close cut (he still looks Read more ...
graham.rickson
Bach: Brandenburg Concertos Florilegium, dir. Ashley Solomon (Channel Classics)This is a predictably satisfying pair of discs, another outstanding set of period-instrument Brandenburgs from a crack British group. It did prompt me to sample naughtily inauthentic performances from the likes of Karajan and Klemperer, both indecently enjoyable but sounding so anachronistic that it's hard to believe that we ever learned to love these pieces played in such a manner. The joy of Bach is that he's almost indestructible, as long as the spirit and intention are right – as they are on an entertaining new Read more ...
Nick Hasted
François Ozon’s sly fascination with radical family units takes another, surprisingly gentle twist here. Based on a Ruth Rendell story but equally inspired by French protests against gay marriage, this is an affecting romcom starring a secret male transvestite and a woman, brought together by their love for the same dead person.A nine-minute prologue sketches in Claire’s deep friendship with Laura, from childhood till the latter’s death from cancer. The only person to mourn Laura as much is her widower David (Romain Duris). Surprising him in his home one day, Claire is shocked to her core to Read more ...
alexandra.coghlan
Fashion is a funny thing, in opera no less than the sartorial trappings that go with it (everything from tight, hipster trews to billowing ballgowns at last night's Glyndebourne season opening, in case you were wondering). Donizetti's classical tragedy Poliuto is historically a miss rather than a hit, never quite finding its footing in the repertoire, despite some early success. But on the strength – and strength of appropriately gladiatorial proportions it really is – of Glyndebourne's exceptional cast, Poliuto may yet make its case as a classic: a sober meditation on Read more ...
Thomas H. Green
Benjamin Clementine’s idea of repartee with the audience is producing a clementine orange and smiling shyly. Clad in his trademark greatcoat-over-naked chest, with bare feet and outrageous pompadour hair, he sits at a spotlit grand piano and manoeuvres the fruit gently about before setting it down. It’s hardly even a gag but, given his between-song demeanour the rest of the time, this is the Clementine equivalent of prat-falling on a banana skin while making farting noises. His audience, however, are onside and audibly respond with affectionate laughter. He has created a consensus bubble of Read more ...
bella.todd
There’s an extraordinary moment, in Peter Strickland’s deeply sensual, desperately funny and feverishly powerful S&M love story, when a camera travels slowly into the darkness between a woman’s thighs. It’s an extraordinary moment in the soundtrack, too. In place of the golden strings and softly hovering choral notes, Brighton Dome suddenly fills with a monochrome electronic pulsing, as if an army of giant moths is flying over with wings of black sheet metal.Your eyes finally flick back to the other half of Cat’s Eyes. Faris Badwan has spent the performance tucked away behind a synth, Read more ...
Marianka Swain
“All children, except one, grow up.” So begins J. M. Barrie’s iconic tale of arrested development, given new power and poignancy in this high-flying production. A century after one of Barrie’s youthful collaborators, George Llewelyn Davies, was killed at Ypres, it tells their familiar story through the prism of the brutalising First World War, in which context Peter’s neverending youth becomes an escapist beacon.Timothy Sheader and Liam Steel’s rich reimagining opens with wounded soldiers, far from home, tended by reassuringly maternal nurses – there are enough mother issues in Barrie’s Read more ...
Simon Munk
In short, Game Of Thrones the videogame. The Witcher 3 sees this epic role-playing fantasy series truly rival its key competitor, the Elder Scrolls series. The Witcher 3 particularly scores on delivering a huge, credible and complex world with incredible granularity – it's real go anywhere, do loads of things stuff.The game sees Geralt of Rivia, the series' hero, out to hunt down a younger Witcher who is being chased across the kingdom by a mysterious bunch of rather nasty-looking ghosts called the "Wild Hunt". The Witchers are monster-hunters who'll rid a town of infestations such as ghosts Read more ...
Sarah Kent
Glasgow-based Corin Sworn is the fifth winner of the Max Mara Art Prize for Women. Every two years a British artist is chosen on the basis of a proposal, rather than existing work. The fashion house then supports the project with funding, a bespoke, six-month residency in Italy and, following the Whitechapel Gallery show, an exhibition at the Collezione Maramotti in Reggio Emilia, where the HQ of the family-run business is located.It's an extremely enlightened form of patronage, but its emphasis on process rather than product is risky. Since artist’s projects are likely to change course en Read more ...