CDs/DVDs
Kathryn Reilly
Sometimes magic really can’t be recreated. However hard it’s strived for. The incendiary magic that was Dr Dre and Snoop Dogg three decades ago has not been conjured again in this long-awaited reunion. There are sparks of genius, for sure, and some notable beats and samples but it’s certainly no Doggystyle. Maybe the clue is in the “cheeky” title and painfully obvious condom packet imagery on the cover. So far, so teen.One might expect a more mature vocabulary and smarter ideas from the now 53- and 59-years-olds but, sadly – and predictably – we are served liberal sprinklings of effing Read more ...
graham.rickson
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the songs should advance the narrative and express characters’ feelings, that singing, dancing and acting are integral elements, and that the story is rooted in real life.Director Ladislav Rychman and co-screenwriter Vratislav Blažek get all three elements right in The Hop-Pickers (Starci na chmelu), a Czech musical which was a huge critical and commercial success on its release in 1964. Blažek first conceived the project as a theatrical production Read more ...
Harry Thorfinn-George
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz drummer Shun Ishiwaka, Magnificent Little Dudes Vol. 1. It’s an album I stumbled upon, not being familiar with either artist, but which has taken me down many rabbit-holes and soundtracked my year. Hatakeyama is a prolific minimalist composer with over 70 albums to his name. His signature sound consists of slow, sustained notes of modular synthesisers, warped guitars and field recordings that shimmer and dissolve. The glacial pace of Hatakeyama’s music evokes Read more ...
Ibi Keita
Mk.gee has been an unexpected thread in a year of music that’s pulled me in many different directions, punctuating the need for unique, sonically interesting music alongside the huge pop and rock albums that we’ve also been treated to in 2024.Music, this year, isn’t worth mentioning without the surprising jump in sophistication that Fontaines DC took with Romance, which captured a perfect mix of love and hatred for the world and the people in it. The band has matured since their last album, Skinty Fia, evolving the gritty post-punk sound that started with Dogrel in 2019, and abruptly Read more ...
Nick Hasted
Young eldritch junkie Nick Cave would have struggled to predict his maturity as a font of wry and sacred wisdom, or the fathomless loss he reckoned with en route.Wild God followed the harrowed Skeleton Tree and grief-illumined Ghosteen, necessary steps towards the new album’s explosion of hope. The Bad Seeds returned in full, though compressed by Dave Fridmann’s controversial mix to one more forceful layer among a gospel choir, orchestra and Cave’s ecstatic voice. The sound could seem superficial at cynical first glance, the lyrics uncharacteristically rough, the whole project a bid to secure Read more ...
Mark Kidel
Beth Gibbons’s latest album touched me more deeply than most of what I heard in 2024. She’s true to herself and honest in a way that’s extraordinarily disarming. Her vulnerability matches, in a microcosmic and yet authentic way, the unutterable pain and suffering that has coursed through the year, amplified by the media-boosted repetition of horrific news cycles.This isn’t a time for celebration, but for empathy and the homeopathic healing that comes from songs that speak directly from the heart. Like cures like, so they say, and shedding layers of protective skin, the former singer from Read more ...
Ellie Roberts
From the iconic Pop anthems that dominated this Summer, to the Pop Punk resurgence that is still going strong, it’s been an exciting twelve months of new music. I haven’t struggled to choose an album of the year, but I acknowledge that my choice is in great company. To Dream of Something Wicked by Mat Kerekes deserves a mention before I continue, the solo career of the Citizen lead singer receives a criminal lack of attention, and his latest album is a perfect addition to his growing catalogue. It is melodically and lyrically fascinating, gentle, and captivating, and would have been a strong Read more ...
graham.rickson
Someone told me recently that Netflix subscribers can view just 22 films made before 1980. I've no idea if this is true (please correct me if not), but it’s certainly a reason to continue watching and collecting films on physical discs. Plus, there’s the bonus features, booklet notes, commentaries and deleted scenes, all things which you won’t find on streaming services. Here’s my pick of the year’s Blu-ray releases, in no particular order:Jerzy Kawalerowicz’s Pharaoh (Second Run) is an eye-popping Egyptian epic from 1966. Filmed mostly in the deserts of Uzbekistan with scores of Soviet Read more ...
Tim Cumming
Back in November Katherine Priddy released a winter single with the Poet Laureate, Simon Armitage, “Close Season”, wrapping the spirit of winter and snowfall into the uncertainty and possession of attraction, possession, desire – warm things that glow in the seasonal dark.It’s a good song, Priddy is in fine voice, the musical setting a little more emphatically ‘rock’, but the Poet Laureate’s lyrics, smart and succinct as they are in their character sketching and double-edged evocation of the ‘closed season’, do not quite reach Priddy’s lyrical depth and prowess on on her second album, The Read more ...
Tom Carr
There are some years where my pick for album of the year is obvious; something stands out so clearly amongst the crowd, something that takes a hold and doesn’t relent for a sustained length throughout the year. For me, 2024 was not one of those years.There are a few worthy contenders that came close to clinching it, each having their time dominating my Spotify listens. There’s Pearl Jam rolling back the years with their highly energetic and driven Dark Matter, a heaping dose of solid, earnest alternative-rock. Or, there’s Bring Me The Horizon and the second instalment of their Post Human Read more ...
Graham Fuller
There's a tension in Alfred Hitchcock’s early films between misogyny and condemnation of the patriarchal suppression of women. The suppression was inherent in the original sources from which The Pleasure Garden (1926), Easy Virtue (1927), Champagne (1928), The Manxman (1929), Blackmail (1929), Juno and the Paycock (1930), and The Skin Game (1931) were adapted. Unconscious or not, the gynophobia that also flickers in these films is shared by The Lodger (1926), Downhill (1927), and Rich and Strange (1931). That it's intensified in Hitchcock's mature work, culminating in Psycho (1960) Read more ...
peter.quinn
From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been nothing short of meteoric. Joy’s third album, Portrait – an astonishingly good collection which saw the vocalist, songwriter, arranger and bandleader reach ever greater heights of artistic expression – is my Album of the Year. The splicing together of “Peace of Mind/Dreams Come True”, the first co-written by Joy and tenor saxist Kendric McCallister, the second a song from Sun Ra’s felicitously titled album Sound of Joy, was one of this year’s most Read more ...