CDs/DVDs
Thomas H. Green
Cosmo Jarvis’s welter of ideas is sometimes too much for him. He explodes in multiple directions at once, ebullient, madcap, raucous, goofy, the very antithesis of cool (hence a 1/10 score for this in NME). He simply cannot rein it in, thus beautiful melodic orchestration fights it out with sea shanty stomping, dodgy, heartfelt rapping, rugby club choruses and Jarvis’s inability to be serious for very long. Nothing, however, can disguise the fact that there’s raw talent here, discovering itself.The Devonshire 22-year-old’s second album is demented fun. His first was a blink-and-you-missed-it Read more ...
Ismene Brown
The clips as you load the DVD show women in extremis - women tied to the end of a rope, women being assaulted by mass male groping, women dancing on pointe with bleeding chunks of meat stuffed into their ballet shoes. Pina Bausch’s commentaries on women make her ballets disquieting viewing. Wim Wenders’ film, released as a 3D version in cinemas earlier this year, takes you into those deep, confused questions that Bausch’s dance works put.He had planned to make this film with Bausch, but her sudden death left him bereft. This film therefore became an elegy to her and her company, Tanztheater Read more ...
Thomas H. Green
First off Spank Rock, has nailed the second best album title of the year. It’s sweary, bleeds punk attitude and nails a point - rather than the usual focus-grouped opaquely resonant crap bands come up with (best album title of 2011, by the way: Mogwai’s Hardcore Will Never Die, But You Will – brilliant!).Secondly Baltimore MC Naem Juwan once again lives up to the hype, not easy to do when Tweet-trending futuroid numpties have been frothing over him non-stop for the five years since his debut album made them cream their jeans. Spank Rock brought a broken computer to the hip hop party in 2006 Read more ...
peter.quinn
Take the sounds of New Orleans brass, Prince-style funk, hip-hop beats and power chord axe-riffing. Stir them all together, add in an assortment of high-profile guests, and you produce the genre-defying greatness that is For True.At an age when most kids are developing a taste for solid food, Troy “Trombone Shorty” Andrews was lugging his horn around the Tremé district of New Orleans, where he was born and raised. This follow-up to last year's Grammy-nominated Backatown from the horn player and his wonderfully monikered Orleans Avenue band – Michael “Bass” Ballard (on, er, bass), Pete “Freaky Read more ...
david.cheal
It’s hard to imagine a director being able to make a film like More today. The plot could be written on the back of one of the soft-packs of cigarettes being constantly smoked in the movie; the characters are unlikeable; there’s little in the way of emotional engagement; the music, by “The” Pink Floyd, is used only as part of the action, ie, coming out of cassette players, record players, and so on, rather than as an actual soundtrack; the editing has a deliberately un-rhythmic, un-fluid, nouvelle vague quality; the camerawork is unostentatious; the acting and the dialogue are flat and Read more ...
Kieron Tyler
Scandinavia’s music is the gift that keeps on giving. Journeying through new releases from our friends in the north, this round-up encounters irresistible Danish electropop, absorbing Norwegian weirdness, hypnotic Finns, charming singer-songwriting from Sweden and Icelandic/Swedish jazz pop.Denmark’s Tiger Baby grab the pop crown here. They’ve been heard on the US reality show The Real L Word and are – inexplicably – popular in Indonesia, where they’ve charted and appeared on a film soundtrack. Open Windows Open Hills is the Copenhagen trio’s terrific third album. Its brilliant opening cut “ Read more ...
david.cheal
It’s been a while since Tori Amos did something as straightforward as writing a bunch of songs, recording them, and then releasing them as a CD. Her releases over the past decade or so have been, for instance, “themed” into horticultural compartments (The Beekeeper), or 12 cover versions of songs originally written by men but sung by Amos from the perspectives of 12 different female personae (Strange Little Girls).Now comes Night of Hunters, a song cycle with solely orchestral and piano accompaniment, which tells the story of a woman at the fag-end of a relationship (already I can sense the Read more ...
Kieron Tyler
Strings waft in, then coalesce like banks of fog. A piano picks out single notes. Space is left between them. With no immediate rhythmic patterns, the minimalist A Winged Victory For The Sullen make music for becalmed oceans. This collaboration between Adam Wiltzie and Dustin O’Halloran could have come form the deck of the Marie Celeste.There’s quite a lot of this around right now. Ólafur Arnalds, Peter Broderick Nils Frahm, Hauschka, Jóhann Jóhannsson, Nico Muhly and Radiohead’s Jonny Greenwood complement each other, creating minimalist pieces that draw on modern classicism. Varying degrees Read more ...
Kieron Tyler
Harmonies, psychedelia and soul were meant to go together. Chicago’s’ Rotary Connection realised this and pumped out what were later recognised as classics like "Memory Band" and "I am The Black Gold of The Sun". On their debut album, Brooklyn’s The Stepkids step up, taking the sound apart and restitching it patchwork-quilt style. They are, to their inspirations, what Sharon Jones and the Dap Kings are to their funk and soul roots.The Stepkids coalesced in 2009 after singer/guitarist Jeff Gitelman and drummer Tim Walsh began building a studio in Bridgeport, Connecticut. They’re completed by Read more ...
graham.rickson
Brahms composed trios throughout his life - these well-loved pieces contrast with the much rarer works of Hans Gal and the oboist Heinz Holliger, here exposed in his parallel career as a composer.Brahms Piano Trios, Horn Trio, Clarinet Trio Soloists of Villa Musica (Covellio Classics)Brahms’s B Major Piano Trio was originally composed in 1859 but was drastically revised and republished in 1889. Writing to his publisher about the later version, the one generally played today, Brahms felt that “although the old version is bad, I do not maintain that the new one is good!” It’s a fascinating Read more ...
Thomas H. Green
Many people think Kasabian are some sort of sub-Oasis lads' band. This is mostly down to gobby lead singer Tom Meighan. Also Q like them which doesn't help - they're on the magazine's current cover being cuddled by two naked ladies. The Leicester band don't fit the bill. Kasabian are no lame indie band, not that anyone is these days, now that it's terminally unhip. Kasabian, however, never were. One listen to their excellent eponymous 2004 debut album tells you that.With their first long-player Kasabian combined Happy Mondays' insouciant baggy drug-funk with something dark, electro and self- Read more ...
howard.male
Malian singer-songwriter Fatoumata Diawara produces guitar riffs that are like quiet musical mantras from which songs seem to blossom like exquisite orchids. Or at least that’s the effect achieved by a combination of the songs themselves and the exquisitely understated arrangements which one can imagine were a pleasure for Diawara to work on with regular World Circuit producer Nick Gold.Comparisons have already been made between the Côte d’Ivoire-born 29-year-old and the Malian legendary diva she has sung backing vocals for, Oumou Sangare (who Diawara pays tribute to here with “Makoun Oumou Read more ...