CDs/DVDs
Joe Muggs
This is the most gorgeous Finnish Krautrock album I've heard in ages. Yeah, I know, how wacky, how alternative, how off-piste – but bear with me. If you associate Krautrock with over-serious record collectors it might sound like damning with faint praise, but yes, this mostly instrumental record is made by a trio of demented Finns; yes, it is rooted in the psychedelic repetitions of mid-1970s German hairies; and yes, it is really, really gorgeous.Or, OK, parts of it are gorgeous: there are rather darker tracks too, like “New World” which sounds pretty much like a lost Joy Division Read more ...
Russ Coffey
The name King Creosote conjures up an image of an old jazz player, lips cracked from cigarettes smoked and horns played. In actual fact it’s the stage name of Kenny Anderson, a prolific Scottish folk and indie singer with more than a passing resemblance to Bill Oddie. On recent form there’s every chance that he may be about to become best known for his work with indie supergroup The Burns Unit. But he’s also made more than 40 albums over 20 years, and Diamond Mine is a project where he’s looked back over and re-imagined some of the less obvious moments of his back catalogue.It’s the Read more ...
Adam Sweeting
Hailed by swarms of critics for its wit, warmth, compassion and daring challenge to conventional notions of gender and matrimony, Lisa Cholodenko's The Kids Are All Right strikes your correspondent as an exhaustingly solipsistic exercise in Californian smugness. The supposedly bold notion of casting two senior Hollywood dames - Annette Bening and Julianne Moore - as lesbian couple Nic and Jules does raise an eyebrow when Moore supposedly pleasures Bening under the bedclothes with a vibrator, while male gay porn plays on the TV.Yet otherwise, Nic'n'Jules's relationships with each other and Read more ...
Kieron Tyler
Anyone expecting the 1977-style foghorn-voiced Poly Styrene from Generation Indigo is going to be disappointed. Instead, this album is sweetly delivered, melodic and driving modern pop with a Euro electro-dance sheen. She’s not bellowing “Oh Bondage! Up Yours!” over bee-in-a-jar guitar and caterwauling sax, but embracing something much more friendly.Of course, this review is tempered by the recent news that Poly has been diagnosed with cancer. Produced by Youth, Generation Indigo isn’t for those sporting punk blinkers, although she’ll always be defined by having fronted X-Ray Spex between Read more ...
Thomas H. Green
Anyone remember Haddaway? Or Dr Alban? These were flash-in-the-pan early-Nineties pop stars who combined European dance music with tints of R&B and Afro-Caribbean pop. Who'd have thought their sound would be the template for mainstream American pop for the early 2010s. From Black Eyed Peas to Jennifer Lopez, everyone's into low-calory trance-house cheese with a side order of gutless electro.And now here's Chris Brown riding the tepid gravy train. The US R&B superstar's fourth album is overflowing with under-par rave leftovers, vocoders everywhere but flavour and bite duly neutered, as Read more ...
bruce.dessau
Follow that. It's the inevitable two-word mantra after a band has released a defining debut. The Strokes delivered their seminal statement of intent with Is This It in 2001, proving that a decent leather jacket, attitude and a rock riff will never let you down. Well, a decade on and with their fourth album out on Monday, there is much muttering of rock letting you down. Can Angles do anything to stop the rock rot?The simple answer is no. The more complex answer is maybe, if only the New York quintet would pull their fingers out and deliver something more cohesive. The opening track, “Machu Read more ...
Jasper Rees
The Czech New Wave sprouted out of a fertile collaboration between film and fiction. Milan Kundera started out as a lecturer in film, lest we forget; one of his pupils was Miloš Forman. Both flew the communist nest to live and create abroad, which is why their names reverberate down the decades much more than those of the director Jiří Menzel and novelist Bohumil Hrabal, whose collaboration on Closely Watched Trains won the Oscar for Best Foreign Film in 1967. They followed it with the delightful Larks on a String but, the Soviet invasion of Czechoslovakia having put an end to the Prague Read more ...
Joe Muggs
Googling for academic articles about Britney Spears is one rabbit hole I've managed to avoid falling down thus far, but one imagines there are reams of the things. From demonically driven Disney child star via pigtailed Lolita and sex-droid air hostess to shaven-headed loon lunging aggressively towards her public through the paparazzo's lens, she's provided no end of provocative and iconic images, and stirred up all kinds of problematic issues around post-feminism, celebrity and voyeurism, while remaining an odd non-presence at the centre of it all.
Not an obvious provocateur like Madonna or Read more ...
Kieron Tyler
Judging by the ballyhoo London’s Vaccines generated at the beginning of the year, it seemed a dead cert that they’d be pretty spiffy. If not the best thing since sliced bread, then they’d at least be fairly toothsome. Based on this, though – their debut album – it’s impossible to see what the fuss was about. What Did You Expect From The Vaccines? is alright, a bunch of familiar indie building blocks reassembled in a way that neither thrills nor surprises.Of course, there’s nothing wrong with music that reconfigures existing templates. If it sparkles, has verve and panache, and – cut-up Read more ...
james.woodall
Andrea Dunbar’s story was extremely grim when first told in her 1980 play The Arbor (I’m unable to explain why, for a leafy retreat in so English a context - however decimated - the American spelling is used) and it remains so: a medieval catalogue of domestic abuse, alcoholism, racism, stupidity and misery bordering on caricature. Was it really so bad in Bradford in the 1970s? Apparently so. Is it still? I’ve no idea.For that species of ignorance, I’d be accused in many quarters of wilful, southern, middle-class self-protectionism. Yet I’m not so sure. We all have our crosses to bear. Most Read more ...
Adam Sweeting
This impressive debut from the Devon-born Bray teems with allusions to a raft of classic British songwriters, not least Nick Drake and John Martyn, though Bray also claims to have had his synapses jangled by everyone from Led Zeppelin and Nirvana to Crosby Stills & Nash and Joni Mitchell. It's his English Pastoral mode which leads off the disc in the shape of opening track "The River Song" (obviously no possible relation to Drake's "Riverman"), with its wistful acoustic guitar, strings and harmonica.
It's followed by the gorgeous "Rise", a rolling elegy to memory, nostalgia and Read more ...
david.cheal
There’s a gorgeous song on this album called “With Love”, on which singer Guy Garvey rhymes “dentures” with “adventures”. And there, in a nutshell, you have Elbow: juxtaposing grubby, prosaic earthbound reality with soaring romance, finding magic in the everyday. And what accentuates this gift of theirs is Garvey’s habit of singing in his native Lancastrian vernacular (why, apart from the Arctic Monkeys’ Alex Turner, don’t more English singers sound like English singers?); his accent summons up images of mottled northern townscapes and lowering skies, while lyrical flourishes such as the “ Read more ...