1970s
Markie Robson-Scott
“Do you know why I’m respected?” demands Ursula (Carmiña Martinez), a Wayuu matriarch in La Guajira in northern Colombia, of Rapayet (José Acosta), who wants to marry her daughter Zaida (Natalia Reyes, soon to star in James Cameron’s Terminator reboot). “Because I’m capable of anything for my family and my clan.”Directed by Ciro Guerra and his ex-wife Cristina Gallego – their Embrace of the Serpent, in which he directed and she produced, was nominated for an Oscar in 2016 – the mesmerisingly beautiful Birds of Passage covers the decades between 1960 and 1980 and the bonanza marimbera era of Read more ...
Kathryn Reilly
Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour? Or both?In these unprecedented times, receiving political commentary from near-pensioners seems strangely apt (remaining original members frontman Terry Hall, guitarist Lynval Golding and bass player Horace Panter are 60, 67 and 65, respectively). It’s a turn of events Read more ...
Thomas H. Green
Due to exciting matters beyond theartsdesk on Vinyl’s control there’s been a slight delay to this month’s edition but, never fear, to ensure we cover all that’s juicy, we’re doing a special two-volume version, with Part 2 coming next week. Watch this space. As ever, all life on plastic is here, from new to re-issued, from pop to techno to Northern soul and far, far beyond. Dive in.VINYL OF THE MONTHBlack Flower Future Flora (SDBAN/N.E.W.S.)Here at theartsdesk on Vinyl we’re fans of knitwear-loving Belgian five-piece Black Flower. Why wouldn’t you be? Their output so far, three albums and a Read more ...
Saskia Baron
Why make a feature film about Ted Bundy, the notorious 1970s serial killer when you’ve already made Conversations with a Killer, a four-part factual series for Netflix about him? A charitable explanation would be that it offered documentarian Joe Berlinger a chance to explore aspects of the story that could only be told with drama. A more cynical explanation would be that features outsell documentaries at the box office. Zac Efron plays the law student turned rapist and murderer who became as infamous in America as Jack the Ripper in the UK. It's thought that he killed at least thirty Read more ...
Thomas H. Green
For Brits below a certain age Leo Sayer is the curly haired middle-aged chap who swearily walked out of the Celebrity Big Brother house in 2007 and disappeared. However, for those around in the 1970s his diminutive dancing form, ever-ready grin and wild coiffure were a constant presence as he had pop hit after pop hit, notably the contagious, disco-friendly “You Make Me Feel Like Dancing”. He’s taken a couple of shots at returning this century, notably on the chart-topping club remix of his own “Thunder in my Heart”, but Selfie has a particularly personal sense of engagement.This is because Read more ...
Kieron Tyler
Abbey Road Studios and the anarcho-punk legends Crass seem an unlikely pairing. The new, vinyl-only reissues of The Feeding of the Five Thousand (The Second Sitting), Stations of the Crass and Best Before 1984 each bear a sticker saying “Remastered by Alex Gordon at Abbey Road Studios, as close as possible to the sound of the original release. ‘as it was in the beginning’.”“Unlikely” springs to mind because of the disconnect between the apartness and individualism of this most wilful of bands and the historic, national-fabric nature of the North London studio: the place where The Beatles Read more ...
Thomas H. Green
“I don’t know if I’m going to recognise any of it,” I say to my accomplice as we drain a couple of light ales amid the sea of grey beards in The Old Market’s bar. “I don’t think they’ll play the hits,” he replies, deadpan, “but don’t worry, there should be some onstage banter that’ll give you a couple of the titles.”“The hits” he refers to are composer Terry Riley’s seminal works, such as the totemic minimalist masterpiece In C and the 1969 electronica milestone A Rainbow in Curved Air. He’s right; they do not turn up. Alas, he’s not so right about the banter which is limited to a couple of Read more ...
Kieron Tyler
The sticker on the sleeve says “Marvin Gaye’s Lost Album.” A prime internet sales site states “You’re The Man was the album that was proposed to follow-up the monumental What’s Going On.” According to the marketing and promotional material, You’re The Man is “Marvin Gaye’s never-released 1972 Tamla/Motown album” and that it’s the “music legend’s shelved follow-up to What’s Going On.”Let’s be clear: the new double album You’re The Man is not an unreleased album.Instead, it marries the 1972 single “You’re the Man” with recordings taped the same year at separate sessions with various Read more ...
joe.muggs
There's a remarkable lightness to the way Norah Jones has glid through her career. She once told theartsdesk that even in her early 20s, faced with the global hyper success of Come Away With Me, “I think I was smart enough to know at the time that it was money in the bank: ‘You can do what you want now, so do it.’” And what she wanted, fantastically, was essentially to be the musician she already was only more so: steadily getting deeper into country melancholy, lounge jazz dreaming and other romantically-lit hinterlands of the American psyche. And now, 17 years on, well Read more ...
Kieron Tyler
This new collection, compiled by Bob Stanley and Pete Wiggs of Saint Etienne, aurally delineates a period when much that was British had an edge of bleakness. Accordingly, Three Day Week – When the Lights Went Out 1972–1975 ought to be a grim listen, a slog during which the mind is improved and new outlooks are brought on board but is as lively as a tractor reversing through swiftly setting concrete.Glam rock and sparkly soul may have been on the chart menu, but as the back cover puts it: “In 1973 Britain was still a nation of outside bogs; tens of thousands were housed in wartime pre-fabs. Read more ...
Kieron Tyler
Until now, Rema-Rema’s only release was a 12-inch EP released in August 1980. It had hit shops after the band fell apart at the end of the previous year. Negotiations with 4AD, a new offshoot of the Beggar’s Banquet label, were underway towards the end of 1979 but then guitarist and future Adam and the Ants-man Marco Pirroni left. They rehearsed without him but called it a day in November. Yet 4AD issued that EP, titled Wheel in the Roses.Pirroni’s presence is partly what rescues Rema-Rema from being a post-punk footnote. Over their lifespan – the band formed in May 1978 – the band played Read more ...
Kieron Tyler
Writing in 1980, the musician and musical theorist Chris Cutler said that “without the support and patronage of the culture-establishment, The Residents were able to exist, continue to exist, grow, find their public, hold that public – and expand it – until the pop establishment was forced to take notice.” He contended that as they were neither musicians or part of music sub-culture they “exemplified a new type [of development], specialising in nothing, turning their hands to anything: a type whose aims were no longer conceived in terms of music, theatre, film, writing or the visual arts, but Read more ...