1970s
Tim Cumming
Red Shift is a fascinating, if flawed, gem of ambitious and disturbing 1970s TV drama. It was adapted by Alan Garner (The Owl Service) from his own novel, and set in the south Cheshire landscape he grew up and lived in. Its director, John Mackenzie, also helmed Play for Today dramas by Dennis Potter (Double Dare) and Peter McDougall, and would go on to make Bob Hoskins a star in The Long Good Friday.We begin in present time – the late 1970s – and the teenage travails of clever, wound-up Tom (Stephen Petcher) and calm, preternaturally knowing Jan (Lesley Dunlop), who’s about to leave for Read more ...
Kieron Tyler
“Are you going to be to Canada what Ingmar Bergman is to Sweden?” “Oh, I think so.” David Cronenberg’s response to a TV interviewer at the time of Shivers’ release must have seemed like unwarranted boastfulness in 1975, but he did indeed become one of cinema’s most significant filmmakers and remains such. After his first full-length feature had hit screens, Cronenberg’s chutzpah was enviable.Originally conceived as the schlokily-titled Orgy of the Blood Parasites to attract as much attention as possible, Shivers became a box-office (but not instant critical) success. It was followed by Rabid Read more ...
Kieron Tyler
Black Widow: SacrificeIt wasn’t John Lennon’s fault, but things weren’t the same after the “bigger than Jesus” scandal of 1966. Pop music had been connected to religion in a way slightly edgier than Cliff Richard or the Salvation Army's The Joystrings' happy celebrations in song. The doors were now open to a darker take on faith.The Rolling Stones waxed about evil in 1968’s “Sympathy for the Devil”. The B-side of the same year’s “Jumpin' Jack Flash" was "Child of the Moon", which referenced Aleister Crowley’s magical novel Moonchild. The Crazy World of Arthur Brown’s “Fire”, with its “ Read more ...
Kieron Tyler
For someone who tags himself rock and roll's greatest failure, John Otway hasn’t done too badly. Anyone attempting to navigate their way through a career in rock ‘n’ roll wouldn’t do badly looking to Otway as an example to follow. He’s had chart singles, headlined the Royal Albert Hall, written two autobiographies and has a massive, loyal fan base. At age 61, he’s still at it over 40 years after the 1972 release of his first single. Judging from Otway the Movie, he does what he does full time, has a roof over his head, has a wife and an enviably articulate daughter. Failure? Hardly.The Read more ...
Caroline Crampton
Richard Bean has had a busy year, and it isn’t over yet. Great Britain, his bawdy play about press ethics and police corruption, is transferring to the West End after hitting the spot at the National. Pitcairn, a new piece about the aftermath of the mutiny on the Bounty, will shortly arrive at the Globe after turning heads at the Chichester Theatre. And Made in Dagenham, a musical version of the 2010 film for which Bean has provided the book, looks likely to be one of the West End highlights of the autumn.Given all that, it’s fitting that we should take a step back and remember where it all Read more ...
Kieron Tyler
“It looked like Dresden after the bombing.” Blondie’s Chris Stein may be a member of one of pop’s most-loved bands, but he also has a way with words. Describing 1970's New York City in this way is offensive to the memory of the 25,000 who died in the World War II air raids on Dresden. More pertinently for New York-dweller Stein, his comment also chimes badly with the destruction of the twin towers of Manhattan’s World Trade Centre in 2001.Blondie’s New York and the Making of Parallel Lines unquestioningly celebrated the band’s massive-selling, breakthrough third album but some care could have Read more ...
Kieron Tyler
Fantastic is the only word for The Changes. Fantastic as in fantasy, and fantastic because it's a television drama that's brilliantly conceived and impeccably executed – and also because it tackles issues of social cohesion and fragmentation head-on without using a sledgehammer. Broadcast by the BBC in 1975, The Changes was a ten-part series adapting Peter Dickinson's trilogy of novels The Weathermonger, Heartsease and The Devil's Children.The series tells how a sudden, inexplicable change transforms British society. Made with serious intent, it was for children and broadcast in a tea- Read more ...
Kieron Tyler
Various Artists: Front Line – Sounds of RealityA month after The Sex Pistols sighed their last in San Francisco in January 1978, their label boss Richard Branson flew ex-frontman John Lydon and his entourage to Jamaica. Sid Vicious would hurtle towards oblivion while fellow former Pistols Paul Cook and Steve Jones headed to Brazil to trash their legacy by larking with on-the-lam criminal Ronald Biggs. Lydon’s mission was to scout talent for Branson’s new reggae imprint, the Virgin subsidiary Front Line.Front Line was launched in March 1978. Over its less-than two-year lifespan, it Read more ...
Andy Plaice
We all love a good guitar riff and so a whole hour devoted to this one simple pleasure sounds like a surefire hit. BBC Four is the go-to channel for the rock‘n’roll documentary and this latest offering boasted a dazzling line-up including Brian May, Tony Iommi and Johnny Marr. The message was clear: if the riff was good enough for Beethoven, then pop and rock could learn a thing or two as well. From "Johnny B Goode" to "Smoke on the Water", crossing "Apache" to "Back In Black", the short repeated phrase we call the riff is the DNA of rock‘n’roll, we were told; the “skeleton of the song Read more ...
Kieron Tyler
Crosby, Stills, Nash & Young: CSNY 1974Considering that their 1974 tour was the world’s first series of dates limited to outdoor stadia since the Beatles in 1966, it’s appropriate the long-gestating collection chronicling Crosby, Stills, Nash & Young’s mammoth jaunt is an all-encompassing three-CD box set which also includes a DVD and a hefty, copiously illustrated booklet with a definitive in-depth essay on the tour.Although previously bootlegged and not hard to find, the dates did not – curiously, since it was a landmark tour designed to rake in cash – spawn a live album Read more ...
joe.muggs
Chris Carter and Cosey Fanni Tutti are a living lesson in the rejuvenating power of remaining experimental in art. Their music holds its own alongside the young guns of electronica, who indeed frequently idolise them, and in person they frequently seem as excited about possibilities and open to new ideas as artists just starting out.The set they played at Sónar festival in Barcelona last weekend was based on the Chris & Cosey songs they wrote throughout the 1980s and 1990s, but deliberately done in the more abstracted electronic style they took on as Carter Tutti from 2000 onwards – Read more ...
Kieron Tyler
Various Artists: Too Slow to DiscoToo Slow to Disco is about the five years from 1975 onwards when men and woman alike sported billowing white shirts, had wind-swept, pouffed-up hair and sang frozen-nosed, freeze-dried songs in sensitive voices about love, love and more love. Fleetwood Mac defined the mellow, cotton-wool-shrouded sound of a California-dominated wave of singers and songwriters who weren’t going to break a sweat about anything despite being strung out on coke. The by-word was mellow.This fascinating compilation makes the case that the cocaine cowboys and lush ladies Read more ...