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Guy Oddy
That Peter Perrett is still alive after the decades of bad habits that he inflicted on himself must be something of a surprise to those who’ve followed his career since the mid-70s. First there was England’s Glory, then the truly exquisite Only Ones and more recently an intermittent solo career – all of which have produced searing anthems from society’s seedy underbelly.At the ripe old age of 72, Perrett must surely be a poster boy for lovable scoundrels in their third acts and that he’s still turning out records of The Cleansing’s guilt-edged quality is nothing less than miraculous, Read more ...
Jonathan Geddes
The years may go by and the albums might change, but there are always a few constants with Public Service Broadcasting. There is the recorded message that precedes their arrival for one, a disembodied voice booming out to inform the crowd to put their phones away and not talk loudly. It’s greeted with wild cheers and mostly adhered to, which is welcome, because this was a gig rich with visual imagery that should be absorbed rather than simply observed. The stage set-up was inspired by Ameila Earhart's cockpit, footage of the aviator flickering on screens. Earhart provides the latest Read more ...
Joe Muggs
Londoner Ayman Rostom has been around the block and then some. For some 25 years he’s been a hip hop producer as Dr Zygote, for the past decade he’s made wiry and weird house music as The Maghreban – both of these aliases are still, it seems, fully functioning. Before that still he made jungle and drum’n’bass in the initial 90s boom. And now he’s got a new alias to write, as you may guess by the album title, some very sad songs.There has always been a deep strand of outsiderdom, of being the odd one out, of not doing things in the typically correct order, to his music. So it’s no wonder that Read more ...
Tim Etchells
Forced Entertainment is a theatre company based in Sheffield, touring original performances around the world. The core group of 6 artists has been working together for 40 years, often inviting others to collaborate on particular projects. From the outset we wanted to make a different kind of theatre, incoporating influence from music, cinema, visual art, stand-up and performance art as well as from experimental theatre. The idea was to make theatre to speak about the times in which we were living, in a language born out of those times. The shows vary: lots of talking or none, loud music or Read more ...
Tom Carr
From the very first chords of "Yellow" in 2000, Coldplay have been an ever present at the summit of popular music's hierarchy. Their uncanny knack of crafting sickly sweet melodies and soundscapes that dig deep and stay with you, willingly or not, has seen them through different styles in their now over 25 year long career.Having begun with a more straight-laced indie rock sound in their early days, the London quartet have shifted through modes and accents. With 2008's Viva La Vida, the group embraced a theatrical and expansive theme, while Mylo Xyloto saw the band delve into a Read more ...
Jonathan Geddes
Marie Ulven had not even stepped onstage and her fans were in raptures. Such was the level of excitement for her second night in Glasgow that sing-a-longs to Chappel Roan and Sabrina Carpenter were ringing out almost as soon as support act Nieve Ella had departed.Like Carpenter, Ulven was blessed with the backing of Taylor Swift through a support slot on the Eras tour, but as a live performer there is far less pop sheen and considerably more indie dancefloor sweat to her. From the start she was sprinting about the stage or running on the spot as if limbering up for a park run, and the Read more ...
Ellie Roberts
Reading Festival’s 2024 line up was the embodiment of playlist culture. Once a key contender in the UK’s Rock and Alternative market, then a rite of passage for students partying their way into their first year of university, it’s fair to say that the festival has experienced some uncertainty in its identity in recent years.Over the course of the opening day, it was clear to me that the feeling of transition had mellowed and that no group in the diverse audience felt ownership over the festival in a way that they once might have done. As it should be, it was all about the music, and the Read more ...
Thomas H. Green
The music of Brit alt-rocker Cassy Brooking, AKA Cassyette, comes from the emo school of pop-metal. Her 2021 debut single was, appropriately, called “Dear Goth”, she’s much-hyped by Kerrang, and has been tour support for both Bring Me the Horizon and My Chemical Romance. All these are apt reference points for the music on her debut album which is feisty, occasionally spicy, and – contradictorily – very precisely produced to suggest a gnarly aesthetic.The songs flip about between crunchy sampledelic wodges of metal riffage, Prodigy-ish electronic hammering, and howled, but polished vocal angst Read more ...
Joe Muggs
For a record whose subject matter involves unfaithfulness, ageing, loneliness, fear of death, darkness, sorrow, battles, haunting, sleeplessness and struggling to breathe, this is a lot of fun. But then Susanna Wallumrød has always leavened fathomless darkness with wry wit.Early on in her career she was covering songs like Dolly Parton’s “Jolene” and even Kiss’s “Crazy Crazy Nights” as icy ballads, and throughout she has always had an arch cool that has allowed her to gaze into the abyss and relay what its gaze says back to her as startlingly enjoyable music.On this album, that enjoyment Read more ...
Joe Muggs
Beatrice “beabadoobee” Laus provides strong backup for the common argument that, particularly in the mainstream, genre is no longer particularly important. From the outset, she has consistently dissolved the mainstream/indie binary, and pulled from a grab-bag of big time and obscure influences across decades while maintaining a distinct songwriting personality of her own.In this regard she resembles The 1975 (whose label she is signed to, and who have previously lent songwriting and production to her work) and Taylor Swift (who she has supported on tour), although one might argue that she’s Read more ...
Thomas H. Green
X, although beloved of music journalists, are one of American punk’s most under-acknowledged. They took a tilt at fame in the mid-Eighties with the radio-friendly Ain’t Love Grand album and its lead single “Burning House of Love”, but it wasn’t to be. They remained a connoisseurs’ choice (inarguable evidence of their abilities is the stunning 1983 tune “I Must Not Think Bad Thoughts”). Now they reach the end of the line, persuasively so, with a wistful but sonically punkin’ final album.Led by the vocal spar-harmonising duo of John Doe and Excene Cervenka, the Los Angeles four-piece were never Read more ...
Thomas H. Green
Out on the perimeters where there are no stars, in a void full of bong-smoke and synesthetic noise… there, in a greasy biker hovel full of gigantic amps, there live Wytch Pycknyck. Some say that place is called Hastings. Whatever it’s called, this four-piece arrive to reinvigorate heavy rock with a demented energy, zigzagged to the gills with lysergic spirit and a belief in gutter-punk rock’n’roll.Their debut album’s opening lines, on the speeding, riff-tastic smasher “Rawkuss”, are “I wanna party with the animals and live in the zoo”. It’s not metal, although the music tips its hat that way Read more ...