England
Tom Carr
Last year, Brightonian metal outfit Architects were propelled into new territory with For Those That Wish to Exist, achieving their first UK number one album. In all measures a roaring success, they sonically edged into the uncharted too. Their first album recorded entirely without Tom Searle’s influence since his passing, with For Those… Architects bridged their metalcore style into something cinematic and larger-than-life.Freed of covid restrictions they return already with their 10th effort: The Classic Symptoms of a Broken Spirit. For Those… saw the band turn their gaze to existential Read more ...
Kathryn Reilly
They've been away for a long time, not just due to that virus. Sisters Rachel and Becky have been busy with other projects including a score for Mackenzie Crook's Worzel Gummidge and works inspired by Emily Bronte and Molly Drake. So this album feels overdue. There are many who will revel in this delicious scoop of accessible and enjoyable folk. There is no fustiness here, no shanties or jigs. But the anticipated harmonies are as moving as ever – cutting through 2022's nonsense to deliver something achingly pure. Opener "The Great Selkie of Sule Skerry" is an old song from Orkney Read more ...
Veronica Lee
Richard III is a controversial figure, and will remain so after this film, which tells the remarkable story of how Philippa Langley, a woman with no background in academia, archaeology or as a historian, led the search to find the grave of the “usurper king”.It comes with a slew of accusations and counter accusations; some historians believe it wrongly absolves the king of any blame over the murders of his nephews, the young “Princes in the Tower”; Leicester University (whose archaeologists performed the successful dig) say they led the excavation, while Langley says she did but was sidelined Read more ...
Jaminaround, Ancient Technology Centre, Cranborne review - contemporary sounds in an archaic setting
mark.kidel
The most unlikely venue: an extraordinary, authentic-as-can-be replica of a large Iron Age roundhouse. There’s a turf and grass roof, and the structure, made of immense roughly carved oak trunks, defies belief.You walk in, there is a kind of half-light, the feeling of entering a sacred space or a cathedral. The small circular performance area is set in the middle with gently raked seats rising all around. This is the centre piece of a brilliant and atmospheric evocation of an Iron Age settlement, the site of the Ancient Technology Centre in Cranborne, on the south east edge of Dorset.Although Read more ...
Helen Hawkins
From underneath the messy ash-white thatch of hair, a strange mooing suddenly issues: Sir Kenneth Branagh is wrestling with Boris Johnson’s odd way of saying the “oo” sound. It’s a brave attempt but ultimately a bit wayward, rather like the drama series Branagh is starring in, This England, Michael Winterbottom’s six-part reconstruction of Boris’s early days as PM, Covid, lockdown and all. Branagh has certainly captured the former PM’s stance, arms held unnaturally behind him, shoulders hunched, trousers at risk of dropping as he shuffles in and out of a quick succession of government Read more ...
Helen Hawkins
It’s only nine years since Moira Buffini’s Handbagged had its premiere at Kilburn’s Tricycle theatre (renamed the Kiln in 2018), but it triumphantly returns to the same venue as a copper-bottomed classic. Its timing is uncanny: Margaret Thatcher was dying the year it made its debut; now it resurfaces just as its other protagonist, HM the Queen, has passed away.Here they are again, handbags at the ready (black patent for the younger and older Thatchers, what looks like a black Launer for the two versions of the Queen), as they square up to slug it out in telling the story of their 11 Read more ...
Nick Hasted
Suede were both prototypes and outliers of the Britpop pack, and their 2010 reunion managed a rare, creatively substantial second act; given their resurrection after guitarist Bernard Butler’s fractious 1994 exit, this may even be the band’s epic, open-ended Act 3.Where their first three reunion albums restored Suede’s sense of conceptual art, Autofiction brings back the pop, the glamour and fizz of their early singles and feverish gigs. Rather than rehash that past, it looks to post-punk for its attitude and sound, imagining a Suede born into the hard monochrome of 1979, not the hedonism and Read more ...
Nick Hasted
Road movies in England work better by foot. Slowing down finds the scale to explore our small island, tramping Chaucer’s pilgrim paths, not Kerouac’s roaring highway.Visual artist Larry Achiampong’s debut feature accordingly sends its heroine from Hadrian’s Wall to Margate, during the already fantastical year when lockdowns left the landscape vacated. Wearing priestly red robes akin to Red Riding Hood penetrating the forest or an Atwood Handmaid, the Wanderer (Perside Rodrigues) is an sci-fi tourist, exploring a post-imperial country through a post-colonised immigrant lens.Wayfinder is Read more ...
Gary Naylor
What will get audiences back into theatres? Revivals of old favourites. Works from popular genres like musicals. Pantomimes. This production of Into The Woods kinda ticks all those boxes, but it also ticks the box that matters most. It is a unique experience – not podcastable, not downloadable, not multiplexable. Co-directors, Terry Gilliam and Leah Hausman, have worked together before and it shows in a vision that is both coherent yet also continually surprising, even a press night audience (who’ve seen it all – or think they have) going full “Wow” time and again, as the Read more ...
Graham Fuller
Give Them Wings is the biopic of Paul Hodgson, who seven months after he was born in 1965 was diagnosed with meningococcal meningitis. If that wasn’t bad enough, he survived his precarious childhood to become a devout fan of Durham’s hapless Darlington FC – it’s criminal that this low-budget British indie wasn’t titled Give Them Wingers.An ex-civil servant and now a screenwriter and producer, Hodgson has spent his life confined to a wheelchair and hampered by a speech impediment. Directed by onetime Bond heavy Sean Cronin (who cast himself as a football thug), the film version of Hodgson’s Read more ...
stephen.walsh
Once upon a time the Three Choirs Festival conjured up a single image, that of the English Oratorio – the grand choral solemnification of everything that was most profound in Anglican thought (though ironically its greatest exemplar, Elgar’s Dream of Gerontius, was irretrievably Catholic, and one Anglican bishop is supposed to have said he wouldn’t allow it into his cathedral). Today the festival’s image is more diverse, but it still sometimes hankers after the good old days, with their smug serenities and flowing pieties, and this revival of George Dyson’s 100-minute long Quo vadis, Read more ...
Graham Fuller
Porcupine Tree’s members have said they don’t know if their 11th album and this autumn’s North American–European tour will conclude their 35-year career. If it does, it would be typical of the progressive rock trio – as averse to standing still as King Crimson – if they bowed out with a record that doesn't suggest a grand finale. As its title hints, Closure/Continuation sounds like a work in progress.Less dependent on singer-guitarist (and here bassist) Steven Wilson’s compositions than its predecessors, the project was jammed into life by him and drummer Gavin Harrison, and composed with Read more ...