France
Marina Vaizey
It can be given to few commercial galleries to have sustained a relationship with the same artist for over 130 years, but such is the link between The Fine Art Society and James McNeill Whistler (1834-1903).The FAS was founded in 1876, and is still in its purpose-built original home in New Bond Street. The frontage was designed by EW Godwin, who also designed Whistler’s White House in Chelsea. It has many firsts to its credit, including commissioning Whistler to produce his superbly atmospheric etchings of Venice, which were published by the gallery in 1880. In 1883 Whistler’s monographic Read more ...
Marina Vaizey
The BBC opened its examination of the history of European togetherness with presenter Nick Robinson beaming at us from the top of those White Cliffs, looking out at the glistening sea which made us an island (until, of course, Mrs Thatcher supported the Channel Tunnel).This inconclusive history of Britain in and out of Europe began at the very end of the Second World War, when the eloquent proposer of a united Europe which definitely included West Germany was Sir Winston Churchill. This first episode of two, subtitled "An Island Apart", set the scene with two ex-politicians, Hague and Blair, Read more ...
Tom Birchenough
Traumatic obsession is hard to get right in film, to draw us as viewers into a situation far beyond our usual experience, make us believe in it, and fix us there. Sometimes it means pushing towards the frenetic energy of madness, which can bring a degree of moment-to-moment tension – no small dramatic advantage. Or there’s the opposite: when we’re invited deep into the withdrawal of catatonic grief, which can come with almost stuporous slowness and silences.The second is surely harder to engage with, and Belgian-born director Tom Geens faces up to the challenge head-on in his debut for the Read more ...
Jasper Rees
Migration is the lead story of modern geopolitics. So it’s surprising – even baffling – that so few films tell the migrant’s tale. British and French films across the broadest spectrum have dramatised the quest of colonial incomers to assimilate – from Bend It Like Beckham all the way across to La Haine – but Jacques Audiard’s Dheepan goes right back to the source.It opens in the northern region of Sri Lanka where the Tamil Tigers have been defeated and refugees are clamouring to leave. The narrative alights on three of them as they make their way to Paris. The twist is that the man, woman Read more ...
joe.muggs
There's an area in American music that is oddly under-reported given its scale. Somewhere between the garish mania of mainstream dance music, “EDM”, and the cool cachet of more underground sounds is a kind of “festival electronica”: very musical, often subtle and sophisticated, acts detached from nightclubs and often far more visible on the live circuit, where lasers and LED displays create epic backdrops for their sound. Acts like Tycho, Pretty Lights, Ratatat and British export Bonobo have, mostly through hard touring, built highly lucrative careers, and increasingly form a layer within the Read more ...
Paul Higgins
A man and a woman live in a hole in a forest. We don’t know how they got there, though a homespun ceremony they perform suggests some kind of loss. She has difficulty leaving the hole, while he, a creature of the forest, ranges freely, foraging for food, steering clear of the rest of humanity until an emergency forces him to visit a nearby town. We realise, though the couple are British, that we’re in France. A local farmer recognises the man and the story begins to unfold.Though I always wanted to play the man, I wasn’t sure the film would work, the premise being so strange. The first Read more ...
Tom Birchenough
You may never have heard of Florence Foster Jenkins, although she has definitely earned a certain renown among music-lovers. For all the wrong reasons: the American soprano, who performed at private recitals in the early decades of the last century, before a climactic Carnegie Hall appearance a month before her death in 1944, was famous for the sheer awfulness of her voice.More a phenomenon than an artist, she was certainly a paradox: her dedication to classical music was all-consuming, as total as her inability to perceive that she had none of the technical accomplishment required to perform Read more ...
Marianka Swain
“Murder is hilarious,” quips Zawe Ashton’s scheming maid, and in Jamie Lloyd’s high-octane, queasily comic revival of Jean Genet’s radical 1947 play, it really is. It’s also lurid, strange, bleak and powerfully transcendent, as befits a piece that locates hunger for creation and liberation in the imitation and destruction of another. Lloyd employs Benedict Andrews and Andrew Upton’s salty new translation – the latter’s wife, Cate Blanchett, led a 2013 Sydney Theatre Company production – to emphasise the unflinching modernity of Genet’s piece, which uses and unmasks theatrical Read more ...
Jenny Gilbert
Given that Edmond Rostand’s 1897 tragicomic verse play Cyrano de Bergerac gave the word "panache" to the English language, it’s an irony that panache is the quality most woefully lacking in Russell Bolam’s production of Glyn Maxwell’s adaptation. It ought not to be so. With its all-female cast and stripped-down staging, it ought to feel radical and fresh, stimulating new lines of enquiry into the nature of role-play and what constitutes maleness and male heroism, shedding new light on a familiar text.The story of Cyrano de Bergerac, the soldier-poet who selflessly uses his literary gift to Read more ...
David Nice
It was another Davis, the late Colin rather than the very alive Andrew, who used to be master of Berlioz's phenomenally inventive opera for orchestra with its novel explanatory prologue and epilogue. I like to think he'd have been looking down fascinated by last night's very different miracle of pace, clarity and ideal blend of instrumental and vocal song.Shakespeare might have approved of what he'd inspired, too, though like rather a lot due to happen in the 400th anniversary year, hardly any of his words are to be found here; this is Berlioz's "What I feel about Romeo and Juliet". Once past Read more ...
joe.muggs
Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was made becomes readily available, gets sampled by new musicians, and passes into the current vernacular. Modern musicians play archaic styles day in day out until it becomes so worn into their musculature that it reflects their natural way of being. Tiny snippets of time that were once meaningless become memes that are shared and snared into the post-post-modern digital tangle.And in the thick of all Read more ...
Veronica Lee
Walter Presents, Channel 4's clever and welcome strand of foreign, subtitled drama for broadcast both on television and online, is already throwing up some interesting titles. It launched with the Cold War-set Deutschland 83, and now second in the series to be given a broadcast run is Spin, first seen on French television in 2012 under the title Les hommes de l'ombre (The Shadow Men).Like many French serials (including the fantastic police procedural Spiral), Spin likes to take its time. By mistake (All 4's or mine, I don't know which) I watched the second episode first and then the opener; Read more ...