pop music
Peter Culshaw
This week's birthdays include the impeccably funky Sly Stone and Wilson Pickett, manic Chopin played by the great pianist Sviatoslav Richter, lush orientalism from Rimsky-Korsakov, classic jazz from Bix Beiderbecke, and annoying pop from Clare Grogan.
15 March 1944: One of the funkiest beings ever to strut his stuff, Sly Stone (born Sylvester Stewart) and the Family Stone perform “Dance to the Music”. For the last 20 years he has been a virtual recluse, there are persistent rumours of a new album for 2010.18 March 1941: Wilson Pickett performs “Mustang Sally” in a classic clip from the Read more ...
Peter Culshaw
Our ongoing series celebrating musicians’ birthdays. This week’s include Lou Reed, in action in a stupendous version of "Venus in Furs" with the Velvet Underground, Chopin played by the wonderful Martha Argerich, archive footage of Miriam Makeba, Brian Jones and bottle-neck blues maestro, Furry Lewis. Videos below.2 March 1942: Lou Reed and the Velvet Underground, performing "Venus in Furs". Definitive proof that, contrary to speculation elsewhere on the site, you don't need more than three chords to make great music?
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Here' s Lou being contrary as ever, and Read more ...
Jasper Rees
Over the past couple of years, maverick photographer Gavin Bond has built up a contacts book that would be the envy of Rankin or Annie Leibovitz. He’s been shooting everyone who is anyone: subjects range from godfathers of rock such as Bono and AC/DC, through familiar acts like The Killers and Gwen Stefani, to fresh faces and emerging starts like Katy Perry and Vampire Weekend. Borrowing a vocabulary from the highly imagined and stylised world of the pop video, Bond’s photography largely concentrates on the impact of the artists as performers. However, "behind-the-scenes" shots of bands on Read more ...
Adam Sweeting
Naturally it would be impossible to reach an objective verdict on what is the worst programme ever shown on television, but it is at least safe to say that Popstar To Operastar is determined not to get left behind in the race to the bottom. This could also be said of some of its contestants, whose unfamiliarity with the concept of "singing" seemed surprising in people who perform music for a living, albeit of the non-operatic kind.Not that the concept is necessarily a bad one. The notion of recruiting a bunch of pop singers and bussing them over to the operatic sphere could have been a device Read more ...
Jasper Rees
In the next few weeks the wider public will be introduced to the charms of Rolando Villazón (b. 1972). Anointed as a star of opera houses around the world in the last decade, the Mexican tenor is about to participate in ITV1's Popstar to Opera Star. As singing celebs from the world of pop music take on the big arias, Villazón has been cast as mentor, panellist and figleaf. It is all a very long way from Covent Garden.His label Deutsche Grammophon is taking advantage of the exponential hoik in profile to release Tenor, a new CD of operatic favourites, some culled from his back catalogue, Read more ...
joe.muggs
In a pirate television (pirate television!) broadcast from 1992, a large group of Russian youths in flat top haircuts and leather jackets discuss Depeche Mode's appeal. “It's romantic style,” suggests one with absolute assurance, “it's music for the lonely.” It is just one touching, funny moment in a film packed with them, but it also sums up what The Posters Came From The Walls is about. This “music for the lonely” by a band of awkward blokes from Basildon has brought this group of young people together, as it has all the legions of devoted lovers of the band that we see throughout the 58 Read more ...
joe.muggs
"Depeche Mode," says Jeremy Deller, "have always been seen as a bit naff in this country, at least in the media. They could never shake off the image of their earliest Top Of The Pops appearances, so no matter how musically exploratory they got, they tended to be seen as this jumped-up rather silly pop band. This film hopefully redresses that a bit." This film – The Posters Came From The Walls, directed by Turner prizewinner Deller with Nick Abrahams, and screening in Britain this Tuesday night – is a view of the Basildon synth band's singular career through the eyes of some of their most Read more ...
Jasper Rees
The mechanism for securing a publicity still from the BBC is as follows. Go to the relevant website, log in, look for the photographs that illustrate the programme, then take your pick. For Dame Shirley Bassey: The Girl from Tiger Bay there wasn’t much of a selection. Only one image, in fact, at least that I could see. It finds Alan Yentob perching like a prize-winning schoolboy on the edge of the sofa, while the prize leans intimately on his shoulder. We need Imagine, especially now that the guillotine is slowly and insubordinately lopping Lord Bragg’s coiffeured head off over on the other Read more ...
robert.sandall
Martha Wainwright’s decision to perform and record a selection of songs by the late Edith Piaf is a bold, not to say high-risk strategy that made for a fascinating one-off concert at the Barbican last night. Plenty of pop divas from Minelli to Bassey and most recently Grace Jones have covered Piaf evergreens such as “Non, je ne regrette rien.” But none has dared to take the Wainwright route and build an entire concert and live album around interpretations of more obscure items from the soi-disant little sparrow’s giant catalogue.While tribute albums loom ever larger in pop’s rear view mirror Read more ...
robert.sandall
Before Matthew Herbert’s triumphantly anarchic appearance in the second half, stiflingly good taste ruled at last night’s concert at the Barbican. Middle-aged suits were out in force to celebrate the British Council’s 75th anniversary and a comfortable faith in liberal values permeated the hall, and the bill.Most of the acts featured were well-meaning collaborations designed to emphasise the spiritual and musical harmony shared by musicians from different continents or contexts. This is exactly the kind of cross-cultural exchange the august institution that is the BC has been promoting since Read more ...
robert.sandall
The success of Spandau Ballet's ecstatically received reunion lies in no small part in its impeccable timing. The band could hardly have chosen a better moment to re-form and revisit their well stocked catalogue of 1980s hits. Not only are their original fans now stuck firmly into middle age and feeling the usual nostalgia for the soundtrack of their youth, but a younger generation of listeners has at last decided that Eighties pop is cool.LaRoux, Florence and the Machine and Friendly Fires are just three of today's hot acts who derive their musical influences and fashion cues from Read more ...
robert.sandall
Even with the 20-20 vision of hindsight, the failure of the major record labels to grasp the implications of the internet seems extraordinary. As Rolling Stone contributing editor Steve Knopper explains in this pacey account of corporate greed and myopia, they certainly had enough warning.At the heart of Knopper’s story is the record industry’s longterm tendency to view technological opportunities as threats. When the recession of 1979-1982 reversed a 20-year boom which had seen record sales steadily quadruple in value, opposition to the introduction of compact disc was rife. The tech guru at Read more ...