pop music
Ellie Porter
Once pleasingly described on the Flight of the Conchords radio show as "the King of New Zealand", Neil Finn has a new gift for his subjects (and the rest of the world, happily) in the form of this album, which sees him recording with son Liam for the first time. Neil and Liam have toured together a lot, joining forces in 2015 and sharing the setlists. They decided to continue the collaboration in the studio, with the curious Lightsleeper the result. The family theme (in both personnel and thematic terms) goes beyond father and son, though, with Sharon Finn – Neil’s wife and Liam’s mum – Read more ...
Joe Muggs
This may be tempting fate, and minutes after publication of this she'll probably be arrested for stabbing a dog or something, but Ariana Grande seems like an abnormally benevolent presence in the superstar stratosphere. Even leaving aside her dignified and genuine-seeming reactions in the aftermath of the bombing at her Manchester concert, she generally has an air of unstarry, unforced enjoyment of what she does, which stands in stark contrast to the gimlet-eyed faux-sincerity of the Drakes, Taylor Swifts and Ed Sheerans of this world.She can also really, really sing. And not just in the way Read more ...
Thomas H. Green
Initially, this month’s theartsdesk on Vinyl began with the sentence after this one, but it's so dry readers might drowse off, so I started with this one instead and would advise moving through the next one, just picking up the gist quickly... Discogs, a key hub for global record sales in physical formats, recently presented its Midyear Marketplace Analysis and Database Highlights for 2018, which reckons vinyl sales are up another 15% over the last year. Very boringly stated but good news, right? The biggest seller was Pink Floyd’s Dark Side of the Moon which is predictable but it’s Read more ...
caspar.gomez
One of the biggest crowd roars of the night comes right at the start when Jake Shears runs onstage. He is wearing a grey top hat, a white tail-jacket with glittered lapel-edging, silver glittery trousers, a tight black sequinned vest top, and a bow tie on his bare neck. The 600 capacity Concorde 2, right on Brighton's seafront, is sold out. The audience had been singing along loudly with the immediate pre-show tune, “All That Jazz”, then cheered when the band walked on looking snappy in matching zig-zagged suits like tropical pyjamas. The bassist is songwriter/sometime pop star Mr Hudson and Read more ...
Kieron Tyler
Once heard, Wimple Winch’s “Save my Soul” is never forgotten. The A-side of a flop single originally issued in June 1966, it is one of the most tightly coiled British records from the Sixties and has sudden explosions of tension suggesting the band are ready to punch anyone within reach. Late the previous year, The Who’s “My Generation” had taken pop music to new, hitherto unexplored, levels of aggression. “Save my Soul” went much further. It is a landmark.Nevertheless, before 1984 the Liverpool group's single was barely known. It had been included – in lo-fi – on the 1983 bootleg compilation Read more ...
Thomas H. Green
Dance music duo Gorgon City exist within a fickle market. It’s all very well to mooch about on a Saturday night in Woking to house music merging into pop, R&B-tinted, smooth, garage-flecked, touched with just a whiff of Ibiza’s hedonic promise, but does anyone know who makes it or actively care enough to pursue them? Gorgon City fired out a run of Top 20 singles in 2014, but haven’t had such attention for the songs thus far released from their second album. It is, however, no worse - and may even be slightly better - than its predecessor.In any case, their market changed years ago. Read more ...
caspar.gomez
There are two schools of thought on the Scissor Sisters. One was that they were vapid, over-cheery retro-pop of the worst order. The other is that they were an extension of New York’s ever-mischievous underground in all its underground LGBT+ disco glory. While they certainly leaned occasionally towards the former, I very much valued them as the latter. The first solo album from frontman Jake Shears provides the same quandary and its relentless Labrador bounciness won’t be for everyone.Shears took time out when the Scissor Sisters went on hiatus in 2012 after their fourth album. Recently his Read more ...
Thomas H. Green
One of the banes of music culture is over-categorisation. It always has been. The statement that there are only two types of music, good and bad, has been apocryphally attributed to a wide range of figureheads – most especially Louis Armstrong – but whoever said it first, the reason it keeps popping back up is there’s a truth to it. The music nominees for this year’s Hospital Club h 100 Awards reflect a satisfying public swerve away from niche listening, away from those who would isolate via genre and background, a move towards opening all out to all, which can only be a healthy development. Read more ...
Thomas H. Green
A sight every music fan should see and hear once is The Proclaimers playing Scotland. Around 18 years ago I saw them play a giant marquee at the T In The Park Festival. It was like a rally, a roaring wall of joyful fanaticism (on which note, their autumn 2018 tour there sold out 30,000 tickets in 20 minutes!). If it was a rally, though, it was a righteous, tending-to-socialism one for The Proclaimers have a strand of activism in their blood. On their latest album, this is writ large.The title track sets the stage at the start, a two-and-a-half minute classic, one of their best, with punk Read more ...
Thomas H. Green
Gusting. It’s not a word I’ve ever given much thought. You hear it on weather forecasts but I’m not a farmer of a fisherman so when they say it’ll be windy “with possible gusting speeds of up to 45 miles per hour” my brain doesn’t really register what that means on the ground. Until now. Camp Bestival 2018 was eventually defined by gusting (that and, apparently, Mary “Irrelevant” Berry). It was the unstoppable gusting that finally cancelled the festival a day early, a sad development but I could understand why. And I could feel it too, for by the time we left all my senses deeply knew exactly Read more ...
Kieron Tyler
It might have begun with The Beatles espousal of Bob Dylan in 1964. There was also The Animals whose first two singles, issued the same year, repurposed tracks from Bob Dylan’s 1962 debut album. Before The Byrds hit big with their version of his “Mr. Tambourine Man” in summer 1965, Britain’s pop groups were already hip to Dylan and incorporating elements of his approach into their sound.Some acolytes like Donovan, who emerged in early 1965, even attempted to clone the Dylan look. Other were more subtle. The Searchers’ late 1964 single “What Have They Done to the Rain?” was an adaptation of a Read more ...
Barney Harsent
It starts with countdown to cacophony. A well-indicated pathway to absolute and total sensory overload. It’s calculated, clear and concise. The succinctly titled “Intro” hits like a sucker punch you never saw coming because it was never on the cards. The next thing that Sweden’s Echo Ladies presents is Kick-era INXS-level compression on “Almost Happy”, a track that answers the age-old question we’ve all struggled with – what would Peter Hook have sounded like with the Sisters of Mercy? This debut from Matilda Bogren, Joar Andersén and Mattis Andersson is awash with distorted synths, Read more ...