pop
joe.muggs
Nineteen years, seven albums and untold side projects into their career, Hot Chip have for the first time enlisted outside producers: Rodaidh McDonald and French disco/house don Philippe Zdar. And it's worked. Over the course of the previous albums, the band had steadily evolved from ramshackle and rather self-consciously quirky writers and players to a far slicker operation. Notably this was informed by Alexis Taylor's broadening as a songwriter through various experiments and collaborations, and Joe Goddard's deep immersion in bittersweet deep house music, both solo and in 2 Bears – but the Read more ...
Lisa-Marie Ferla
They showed up with a 30+ song setlist, four costume changes and a floating platform, but the strongest moment of the Backstreet Boys’ tour was when they dispensed with all of that for an a cappella version of “Breathe”, from new album DNA.“Like we used to do it,” Howie Dorough explained. “Not a lot of people know we started out as an a cappella group.”More than a quarter of a century after their formation in Orlando, Florida, the Backstreet Boys’ live show draws more from their recent two-year Las Vegas residency than doo-wop or harmonies. Unlike contemporaries such as Take That who, a Read more ...
joe.muggs
Sadness abounds in Avicii's posthumous third album. In context, even the plaintive single syllable of the title is full of pathos. It reminds of the real person, the Swede Tim Bergling who as a teenager discovered he had an unerring ability to hit the commercial sweet spot with his dance productions, and rocketed to global giga-fame. There, in the heart of the seething spectacle of pyrotechnics, screaming crowds, private jets and oafish “EDM” culture was sad, lost Tim: socially awkward, unsure of his own abilities, worked relentlessly by a voracious industry and eventually drinking himself to Read more ...
Barney Harsent
Over the past two decades, Brighton’s Fujiya & Miyagi have managed, without fanfare or fuss, to amass an enviable back catalogue of linear, krautrock driven grooves dresses in slinky, drop-shouldered pop melodies. It’s a formula that has served them well and has proved elastic enough for them to grow without it ever seeming to give at the seams. This is, in part, due to an admirable sense of simplicity that reached a peak on 2017’s self-titled near-masterpiece (in fact a compilation of three EPs). On Flashback, however, there is a distinctly different cut to their cloth. Certain Read more ...
joe.muggs
Carly Rae Jepsen is a brilliant pop star. Her music pure and unashamed radio pop, full of the excitement of living and loving, but her status with her audience and relationship with them are a bit more like what you'd expect from a cult indie act. As Canadian Idol runner up through her earnest singer-songwriter debut album she was charming enough.But when the perfect bubblegum of 2012's “Call Me Maybe” exploded as an enormous international hit, she went with it and parlayed the energy of the single into a career. Embracing her wonderfully unhinged fan community, and particularly the LGBT+ Read more ...
Kathryn Reilly
Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour? Or both?In these unprecedented times, receiving political commentary from near-pensioners seems strangely apt (remaining original members frontman Terry Hall, guitarist Lynval Golding and bass player Horace Panter are 60, 67 and 65, respectively). It’s a turn of events Read more ...
Lisa-Marie Ferla
Cuz I Love You starts with a big, bold, black-and-white soul moment, an album title hauled from the heavens via the lungs of an extraordinary pop star. It’s a stunning rush of feeling from Lizzo, the Minneapolis-based singer and rapper, alone in the spotlight before a brass band kicks in. It’s also, delightfully, the closest her major label debut album gets to letting anybody else dictate her feelings.Sure, the “you” of that opening track could be a third party – someone whom she promises, in a delicious deadpan, to “put on a plane” and “fly out to wherever I am” – but the “you” of the album’ Read more ...
Lisa-Marie Ferla
In an alternate timeline, Olly Murs - runner-up on a TV talent show a full decade ago - would have faded into obscurity by now. This, as the relentlessly charming performer on stage delights in reminding us, is not that timeline. Some internet commenter remarked, on the release of his first single “Please Don’t Let Me Go”, that it was what Murs would be telling his record company after they dropped him. “Well,” he says, with a gesture a little too rude for the kids in the audience, “I’m still here!”That’s Murs all over: a little lewd, very cheeky, perhaps the personification of the "Lord, Read more ...
joe.muggs
On his second album, Swedish star DJ Kornél Kovács has achieved the impossible and made “tropical house” interesting. Somehow, he's taken every cliché of that slow, lilting pop dance sound Drake and lifestyle influencers Instagramming from pristine beaches and tweaked them to find unexpected strangeness and depths. All the tinkling marimbas, autotuned crooning (from pop duo Rebecca & Fiona), loping Latin/dancehall rhythms and pristine cleanliness you'll know from a million radio hits are here, but there's also an insidiously hallucinatory approach to the fine detail.Tiny little bleeps and Read more ...
Lisa-Marie Ferla
This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what would turn out to be the UK’s most successful pop act. It is fitting, then, that what they are billing as the Odyssey tour features 25 hits from across three decades - and more than a few callbacks.The trio - Barlow, Howard Donald and an increasingly hirsute Mark Owen - may keep promising to take us “back to the 90s”, but there’s a decidedly futuristic look to the stage with a giant, glowing orb proving the pre-show focal point. As their band take their places in the shadows, Read more ...
joe.muggs
There's a remarkable lightness to the way Norah Jones has glid through her career. She once told theartsdesk that even in her early 20s, faced with the global hyper success of Come Away With Me, “I think I was smart enough to know at the time that it was money in the bank: ‘You can do what you want now, so do it.’” And what she wanted, fantastically, was essentially to be the musician she already was only more so: steadily getting deeper into country melancholy, lounge jazz dreaming and other romantically-lit hinterlands of the American psyche. And now, 17 years on, well Read more ...
Lisa-Marie Ferla
You’d be forgiven for thinking, in the age of streaming, that the promotional single was a dying art. And yet there’s already something familiar about Sigrid’s long-awaited debut album. It’s almost two years since “Don’t Kill My Vibe” was the song of the summer, propelling its young Norwegian protagonist to the heady heights of Glastonbury and the BBC Sound of 2018 title making its inclusion, along with fellow 2017 track “Strangers”, on her first full-length appear a little cheeky. Consider them the advance guard - or perhaps a Trojan horse - for a collection of bittersweet bangers with just Read more ...