rock
Thomas H. Green
Swedish-American four-piece Blues Pills are new to this writer but have been around since 2011. Their fourth album makes me wonder why.Of its 11 songs, judged purely on sheer pop-rock chops, nine have real legs. If a friend had put Birthday on and told me it had topped the charts in the US for three weeks, I wouldn’t have blinked an eye. Mind you, I might also have asked if it had been a hit some time between 1977 and 1982.That’s not quite fair. Birthday has a production sheen and feel that flirts with the modern. “Top of the Sky” sounds akin to Lady Gaga doing one of her lighters-in-the-air Read more ...
Thomas H. Green
Ever since their 2013 album Now What?! hard rock veterans Deep Purple have been on a roll, both creatively and commercially. They’ve seemed a revitalised force. An album of covers aside, their output since has also sold/streamed multitudes. Not bad for a unit that’s been going for 56 years, with a stable line-up for well over 30. Their latest album is more enjoyable and feistier than cynics might imagine. It’s business as usual, of course, but Deep Purple wear their heritage with aplomb.Deep Purple, at their best, have always combined widdly guitars and hefty riffs with a pop sensibility, Read more ...
Guy Oddy
Orange Goblin have been flying the flag for exuberant biker rock for the best part of a generation. Yet, somewhat incredibly, their latest and 10th album, Science Not Fiction may come to be viewed as a career high for these hard rock lifers.Coming on like the soundtrack to a thundering berserker raid, Orange Goblin’s incendiary riffing and boisterous grooves tip a hat to iconic rockers like Motörhead or Venom at their most rabble rousing with man mountain and vocalist Ben Ward leading the charge. Indeed, while Science Not Fiction may not be especially original or inventive, it’s seriously Read more ...
caspar.gomez
SUNDAY 30th June 2024It’s late. But not really. Not by the standards of this place. Photographer Finetime and I are in Block9 in the South-East Corner. The so-called “naughty corner”. We take turns juggernauting quomble off a pinecone. Finetime’s right eyelid is twitching. This tic developed today. Nearby is a gigantic head. About the size of a large Victorian house. It’s at an acute angle to the ground. Instead of eyes it has a kind of welders’ mask blitzing white-noise light. Like the haunted, detuned television in the 1982 film Poltergeist.We all know what happened to the little blonde Read more ...
Tom Carr
For a band as creative as St Albans’ own electronic-hardcore-rock fusion pioneers, Enter Shikari, the last thing you would expect them to do is sit on their hands.And that’s exactly what’s come to pass, as only a year after achieving their first UK number one with A Kiss For The Whole World, they follow up with companion album Dancing On The Frontline.There is always a risk with remix albums that they either end up feeling superfluous. Or, they go too far down the rabbit hole away from the original. Here, Enter Shikari thread the needle somewhat and limit the remixes, and include live Read more ...
Thomas H. Green
Great bands’ output can, famously, be predicated by the intense interaction between members, often between a central creative pairing. This can be a harmonious mutuality but, more often, music is built from tension, from difference, from the frisson between two individuals.Such was the case with Kasabian for many years, with the gradually increasing disparity, between Kasabian guitarist and primary songwriter Serge Pizzorno and bullish frontman Tom Meighan. On their first album without the latter, 2022’s quirky The Alchemist’s Euphoria, they just about got away with his absence. On the Read more ...
Jonathan Geddes
There was a point in this stadium spectacular when P!nk gave her fans two choices. They could either “make out with their partners or go queue for a beer” she suggested, prior to one of the first slow-paced numbers of the evening, but the latter choice was a dangerous one. Few shows, even among big pop jamborees, feature as much going on as Alecia Moore’s current Summer Carnival jaunt.The stunts, choreography and pyro were relentless, to the extent that my friend pondered if every single number would feature fireworks accompanying them. It wasn’t far off that, and the overall result was an Read more ...
Tom Carr
Having propelled to stardom with their debut album Night Visions back in 2012, the Nevada pop-rock giants Imagine Dragons have reigned supreme on charts and airwaves.Their blending of elements from a wide range of genres into one melting pot, from rock to reggae, hip-hop to metal, has meant they’re a band with a little bit for everyone. Though their debut largely stayed true to a pop-rock foundation that was listenable and full of anthemic sing-a-longs, the boundaries on each album since have been pushed somewhat more noticeably.Take their 2014 follow up album, Smoke and Mirrors, which has Read more ...
Tim Cumming
She has one of the most distinctive voices in folk and contemporary British music, impossible to forget once heard, and impossible to ignore. Even – or especially – as Linda Peters, singing, aptly enough, “I’ll Show You How to Sing” on a fairly obscure 1968 single with Paul McNeill.A lot of songs have gone under the bridge since then, and Thompson’s standing as one of our great singers has not been diminished by the singer’s struggles with spasmodic dysphonia, a condition that robs her of her voice, but not her music, spirit, wit, love or humour, all of which are in abundance in this new set Read more ...
Thomas H. Green
Out on the perimeters where there are no stars, in a void full of bong-smoke and synesthetic noise… there, in a greasy biker hovel full of gigantic amps, there live Wytch Pycknyck. Some say that place is called Hastings. Whatever it’s called, this four-piece arrive to reinvigorate heavy rock with a demented energy, zigzagged to the gills with lysergic spirit and a belief in gutter-punk rock’n’roll.Their debut album’s opening lines, on the speeding, riff-tastic smasher “Rawkuss”, are “I wanna party with the animals and live in the zoo”. It’s not metal, although the music tips its hat that way Read more ...
Jonathan Geddes
The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the theatrical angst of Billy Corgan’s crew and Rivers Cuomo’s indie trendsetters united by a shared love for guitar histrionics, 90s nostalgia for those who remember MTV2 and not much else.Fitting both bands in required an early onstage time (pity support act Teen Mortgage, who trundled onstage at 6.30pm), while the night’s format presented a few quirks that resembled a festival, from the heavy turnover of people moving about between sets to a clear need for Read more ...
Thomas H. Green
VINYL OF THE MONTHAriel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen The Girl With No Skin (BB*Island)Two offbeat albums from the uncategorisable Hamburg label BB*Island. They are home to the literary indie outfit The Burning Hell. The central figures of that band are Canadian singers Mathias Kom and Ariel Sharratt (assuming the latter is Canadian as Google wouldn't tell me). Together, their second album is a concept affair loaded with brilliant, poignant freak-folk responses to contemporary capitalism, the gig economy and similar. These include the inspiring title track “ Read more ...