rock
Jonathan Geddes
As Bloc Party singer Kele Okereke noted at one point in this gig, his band have now been visiting Glasgow for nearly two decades. Yet few of the shows played in that 18 year span, which have touched upon nearly all of the city’s main music venues, have been as contrasting as this one. By the night’s end, when the band blasted out a rare outing of their very early single “Little Thoughts”, the audience were a jubilant and sweaty throng, but it was hard work getting there.Okereke noticed it as well. Clad in a bright multi coloured shirt that possessed more vibrancy than the early part of the Read more ...
Jonathan Geddes
It is a testament to the enduring appeal of My Chemical Romance that this show was credited with having sold the most tickets in the OVO Hydro’s history, and yet still formed one of the group’s smaller dates on the UK leg of their reunion tour.Then again, it’s been over a decade since the group last toured here, and continual postponements had evidently only heightened anticipation. Every dimming of the lights or movement onstage prompting wild cheering from the Glasgow faithful, desperate to see their idols once again.When they did arrive, it was in unflashy fashion, a theme that ran Read more ...
Guy Oddy
Rock’n’roll has been credited with incredible powers of rejuvenation many times before, but if there are two men who seem to have seriously benefitted from its mystical power, it’s Alice Cooper (74 years old) and Ian Astbury (60 years old). These are two men who would be eligible for free bus passes in the UK but who can still get down with the best of them – and are still in miraculously fine voice.The Cult were the first of the main acts to hit the stage in Birmingham this week and, despite whispers of a new album being on the horizon, restricted their set to the band’s '80s purple patch. Read more ...
joe.muggs
This album starts and ends so brilliantly. It kicks off with a salvo of three tracks that remind you exactly why Def Leppard became one of the biggest bands in the world in the mid Eighties. They distilled the things they most loved growing up – T Rex, Mott The Hoople, Queen, ABBA – down to their rawest essences, then built up a sound using the most elaborate studio technology available at the time that was in tune with the current post-Van Halen US rock world but actually belonged entirely to them. “Take What You Want”, “Kick” and “Fire it Up” are archetypes of that process. They are Read more ...
Thomas H. Green
While Britpop was a retrogressive media construct, Oasis were a genuine socio-musical phenomenon (albeit also retrogressive!). And at their heart was, of course, Liam Gallagher, bullishly Manc, sneeringly rude and pugnaciously charismatic, a proper rock star, perhaps the last before the oncoming generation of coffee-drinking, fleece-wearing nice-boys-next-door.He’s mellowed with age; the 2019 documentary As It Was revealed a more self-aware, likeable fellow, yet retaining just enough truculent edge. It’s a shame that more the latter is not present on his third solo studio album.Gallagher told Read more ...
caspar.gomez
My friend George claims to have nightmares about The Great Escape. In them he’s standing in an endless queue, never reaching the front, never entering the venue, and never seeing the band he wants to see. That was his experience the only time he attended, and he consequently reckons The Great Escape is rubbish.“I’ve been going for years and that’s never happened to me,” I said to him.“Yeah, well, you’re press, aren’t you,” he responded, with only a smidgeon of bitterness.“I s’pose so,” I replied, with only a smidgeon of smugness.But now photographer Finetime and I are standing outside Horatio Read more ...
Thomas H. Green
Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “Summer Fling”, they transfer it to the flies of their trousers, let it hang there, all mischief. They explain that this is the result of the band becoming obsessed with “a mad coven of witches in Italy”.Whatever, it certainly adds to the freeform conviviality. Blanco (pictured left) no longer adopts a draggy look. The non-binary MC first enters wearing Read more ...
Nick Hasted
The mystifying chasm between Van Morrison’s personality and music became total with last year’s Latest Record Project Volume 1, as masterfully sung, textbook R&B rolled under biliously paranoid words. This 28-song more than double-album was loaded with the likes of “The Long Con”, which found Van “targeting individuals” who are “pulling the strings” and “trying to erase me”, as he came out fighting mad at lockdown, and the pandemic’s temerity in keeping him offstage. Despite singing “Why Are You On Facebook?”, Van seemed to have swallowed the social media Kool Aid.Now, here are 15 more Read more ...
Nick Hasted
Nick Cave’s cinematic progress has been unexpectedly, catastrophically personal. 20,000 Days On Earth (2014) introduced Bad Seed Warren Ellis as his droll, wild-bearded foil, with scripted, semi-fictitious revelations. Andrew Dominik’s One More Time with Feeling (2016) was a compassionate crescendo of grief at the death of Cave’s son Arthur, alongside sessions for the album Skeleton Tree, finding the singer suddenly raw and defenceless, searching for balance and a way forward.Dominik returns here to film lockdown performances of songs from Ghosteen, the record which truly reckoned with Arthur Read more ...
Tim Cumming
In a little over two week’s time, the three remaining ones will kick-start their 60th year as The Rolling Stones by taking to the stage at a stadium on the edge of Madrid on June 1, around the same time that Elizabeth Windsor marks her own @70 jubilee across the UK.The Stones will stop by in Munich’s old Olympic Stadium, which dates, like quite a chunk of their set list, from the early Seventies, before SIXTY’s opening UK date in Liverpool, the band’s first gig there since 1971. That was the year they bade farewell to Britain before decamping to the south of France to make Exile on Main Read more ...
joe.muggs
This album starts with an unfortunate sound. Its title track begins with the kind of drum loop that rock bands from U2 on down adopted in the early 1990s having heard Massive Attack and Happy Mondays and deciding that they were going to get on the groovy train. It’s unfortunate because as with all those Nineties bands, it remains completely beholden to a very Eighties Big Rock production style with over-egged notions of “fidelity”. Every element is neat, tidy, separated, sparkling – completely missing the point of what dance and hip hop producers were doing by hacking the possibilities of Read more ...
Tom Carr
When the pandemic closed in, Canadian experimental indie rock troupe Arcade Fire were on the cusp of heading into the studio to record their new album. COVID had other plans. But rather than pause, the husband and wife duo of Win and Regine Butler continued to work on more songs together. As they admit, this has ended up being the longest time they’ve spent writing for an album.The result, WE, is a concise, 40 minute LP that explores the experience of living through a pandemic: the first side is emotive and dark, tinged with isolation and fear; the latter half brighter and celebratory, Read more ...