rock
howard.male
JuJu: The new progressive rock? Only in the best possible way
Over the past five years, Justin Adams and Juldeh Camara have made two albums and an EP together, but it’s only now that they’ve got round to doing what most bands can’t wait to do, which is give themselves a groovy band name. Even though I’m a poo-pooer of most band names (they’re usually either stupid or pretentious, or both) I actually rather like "JuJu". The double “ju” represents the first two letters of Adams’s and Camara’s first names, and the resulting word has a nicely sinister black-magic ring to it. It also has the onomatopoeic bonus of sounding like the band sounds, with their Read more ...
david.cheal
Wolfmother: Riffery, proggery and big hair
Did Wolfmother spring from outer space, or drift down to Earth from the tail of a comet? Did they slip into our age from another dimension, burrowing through a wormhole in the space-time continuum to land in Sydney, Australia in the 21st century? Where did they come from? Never, except for tribute bands, have I witnessed a group performing in one era whose music owes so much to another. These hairy Australian rockers are steeped in the lore of late-Sixties psychedelia and early-Seventies hard rock, their singer Andrew Stockdale shrieks like Ozzy Osbourne, Ian Gillan and the rest of Read more ...
matilda.battersby
Music folklore has it that this band from Seattle changed their name from Pineapple back in the hazy days before their debut album went platinum because frontman Robin Pecknold thought Fleet Foxes sounded like a weird, outmoded English sport - a bit like fox hunting. Seeing them live at a teeming Hammersmith Apollo last night, the sense of something anachronistically older, somehow simpler and just a touch esoteric that their name suggests seems wonderfully appropriate. After all, the band’s success rides on their mellifluous Sixties sound. Every note they play feels familiar, like Read more ...
matilda.battersby
"I poured my aching heart into a pop song/ I couldn't get the hang of poetry": a line from the title track of the Arctic Monkeys' fourth studio offering, Suck It and See, pretty much sums things up really. The new album is a poppy selection of songs about being in love and the perils of youth, which showcases Alex Turner's distinctive vocals - but the lyrics are terrible.Songs such as "Piledriver Waltz", "The Hellcat Spangled Shalalala" and "Library Pictures" sound like they've been assembled using literary fridge magnets, so random are the descriptive couplings of words. Naturally, Read more ...
Thomas H. Green
Wiley's hectic schedule pauses briefly to drop a contagious pop nugget
At one level the day of the single is gone - the 7-inch, the CD, the physical format - and yet, at another it's more relevant than ever. Sure, any track can now be downloaded from an album and hit the charts but singles, downloads - chosen representative songs - still give the best snapshot of what an artist is capable of. With this in mind, theartsdesk gleefully tucked into the latest batch of releases which includes Depeche Mode, Arctic Monkeys, pop, rave, folk and a whole lot more besides.Wiley, Numbers in Action (Big Dada) Sometimes it's hard to separate tracks by the jester-king of Read more ...
Adam Sweeting
Despite selling 300 million albums, being memorialised in stage musicals and computer games and with a feature film about their early career in the works, Queen are still moaning about the press. It's a theme that simmered steadily through this two-part history, with drummer Roger Taylor especially splenetic about the cruel and unusual treatment doled out to his band by first the music papers ("the evil empire"), then later the tabloids.It's true that, in Britain, they did get regular kickings in print (though it's difficult to believe that any rational adult could get seriously upset about Read more ...
Adam Sweeting
The story goes that Eddie Vedder first picked up a ukulele in Hawaii in the mid-Nineties, since when the instrument has become his constant travelling companion and a handy songwriting tool. A whole album's worth of songs written on the funny little stringed thing might sound like he's pushing his luck, but in the event it's an effective way of presenting a simpler, more introspective side of Vedder, a million miles from the roar and bluster of Pearl Jam. Though having said that, it arrives in a sumptuously tooled hardback book package decorated with arty portraits and landscapes, which Read more ...
howard.male
The grit and the spirit of camaraderie make this an excellent album
What do you get when you cross a Swiss Cajun punk band with a London garage rockabilly band? Well, if it’s not a contrived record company manoeuvre, but instead came about because the two bands just happened to bump into each other at a festival and got along like a house on fire, you get a wonderfully organic, rough-edged party of an album which makes you suspect that the genre of Cajun punk garage rockabilly has always been with us.Perhaps part of this record’s success lies in the fact that both bands are only trios, so Hipbone Slim brought a double bass to the table, and Mama Rosin a Read more ...
Russ Coffey
Explosions, 40ft flames, light shows and back projections. It may have been at the Dome but at times it felt more like being in a music video. A mini-film opened the concert. Rush circa 1973 were boys called Rash, and they’d play only when professor Alex Lifeson operated his music machine. The contraption also had a button marked “Time Machine”. When pressed this catapulted the band, on stage, back and forth through their 37-year career. Every time the trio played songs from a different era, screens announced the year. Hours later, when we shot forward to the song "2112", several thousand Read more ...
Jasper Rees
'Quid Pro Quo': Status Quo are now recording in Latin. Not much else has changed
After 29 studio albums, eight compilations, four live albums, amounting to a total of 41 at pretty much one for every year of their existence, the denimosaurus we know as Status Quo has issued a release the title of which is entirely, and for the first time ever, in Latin. Unless you count Quo (1974). Quid Pro Quo, one very much suspects, does not translate in Rossi-Parfitt speak as “this for that”. Indeed “quid” looks to be a reference to lucre, which the Quo have been raking in for what feels like centuries on an unvarying diet of three- and, when they can get away with it, two-chord Read more ...
Ismene Brown
It's time to dust down your tent and ice-box and plan some summer breaks with theartsdesk's definitive clickable festival guide - listings and links for all the UK festivals this summer, from rock by the lochs to DJs in London parks, and catching classical and opera on the way. See theartsdesk's invaluable European festivals 2011 guide too. SCOTLAND Knockengorroch World Ceilidh, 26-29 May, Drumjohn, GallowaySecret Scottish streams and woods resound to roots music sounds, with Adrian Edmondson & the Bad Shepherds, Salsa Celtica, Horace Andy & Dub Asante, DJ Yoda, Russkaya Read more ...
Russ Coffey
Kate Bush’s musical legacy may speak for itself, but she’s more than just her songs. Her persona seems woven into the nation’s consciousness, and her time-lapse approach to making albums makes her every move an event. Her last record was in 2005, and before that 1993. Now she's made an album of covers of her own work. The question is, can it possibly live up to the expectations?Director’s Cut is a reworking of tunes from the The Red Shoes and its predecessor, The Sensual World. You can see why she would want to revisit them. As albums they always seemed patchy, but equally within those 25 Read more ...