Sheridan Smith
Helen Hawkins
ITV continues its passion for docudramas about injustice, which you can’t blame it for after the rip-roaring success of Mr Bates vs the Post Office. The issue in I Fought the Law is, from one angle, of national (even International) importance, though compared to the persecution of hundreds of innocent postmasters, some of whom committed suicide, its cause is a rarer bird.The person fighting the law is Ann Ming (Sheridan Smith), a feisty mother from Billingham, near Middlesbrough, whose daughter Julie, her oldest child, goes missing in 1989. It takes over two months for her body to be Read more ...
Mark Sanderson
It takes a certain kind of perversity to make a true-life drama about a missing girl (Shannon Matthews) who wasn’t missing at all – the danger is that drama will be the only thing that’s missing. Neil McKay’s answer to the problem is to take a leaf out of Shane Meadows’s book of tricks and treat the whole sorry affair as a black comedy.The Moorside takes us back to the housing estate in Dewsbury, West Yorkshire, that became so familiar in the winter of 2008 when the nation’s media descended upon it in search of the truth behind the disappearance of a nine-year-old girl. What they found – a Read more ...
Marianka Swain
Vaudeville is having quite the West End moment, with Funny Girl inheriting the Savoy from Gypsy and Mrs Henderson Presents over at the Noël Coward. Gypsy is the pick of the bunch dramatically, delivering theatre history with real psychological heft, but Sheridan Smith’s luminous Fanny Brice gives Funny Girl a fighting chance. She’s such a natural vaudevillian that you begin to wonder if she’s somehow been transported from another age.Smith isn’t a vocal match for original Fanny Barbra Streisand (who is?), though the loss of otherworldly balladry actually makes for a more convincing Read more ...
edward.seckerson
It's hard not to invoke the B word - Barbra, that is, not Brice - and I speak as one who bunked off school to catch her at a midweek matinee when Funny Girl first played London almost 50 years ago. It was standing room only at the Prince of Wales Theatre but by then she was pretty much phoning in her performance, and only the thrill of that voice (smaller than one expected but laser-intense) carried her through. It's quite the reverse with the very talented Sheridan Smith, who is a funny girl and probably closer in spirit to the real Fanny Brice than Streisand could ever be. And with Read more ...
Jasper Rees
Drama is all about secrets revealed, discoveries unfurled. Black Work was straight into that territory from the first scene. A man and a woman sat in a car, taking the solace from each other that they couldn’t find at home. As ever in such a scenario, you promptly wondered if or when they’d be caught in the act. This was especially so given that the woman was played by Sheridan Smith, who starred in just such an adultery drama not that long ago.She sounded keener on rescuing her marriage to a mostly absent husband. But the next time he went out to work he failed to come back. The sight of a Read more ...
Adam Sweeting
Perhaps only Sheridan Smith could have played the role of Lisa Lynch in The C Word [***], not just because of the no-messing directness she brought to the role, but because Lynch nominated her for the job. Lynch had attained a particular kind of celebrity as author of the blog, Alright Tit, about how she was coping with a diagnosis of breast cancer. This became the book, The C Word, and when a tv adaptation was mooted, Lynch tweeted Smith and said "only you can play me".The bitter twist in the tale was that Nicole Taylor's original C Word screenplay ended when Lynch had been declared Read more ...
Adam Sweeting
With Cilla Black still fighting fit and eminently telly-worthy at 71, it feels a bit odd to find a three-part dramatisation of her life popping up on ITV. Black apparently gave the project her blessing and has hailed Sheridan Smith's performance in the title role, but all this does is to tacitly suggest that it's a fairly harmless piece of entertainment which is unlikely to go poking about in any dark or controversial areas. Team Cilla would surely have had the scheme quashed otherwise.Thus it was no great surprise to find the first episode (of three) of Cilla bringing us a fluffy, comical, Read more ...
Lisa-Marie Ferla
There are times us northerners watch your typical London-set big-budget BBC drama and think, well, this really is another world. Whether it’s the two-hour commutes or the estate agencies where there is so much business that nobody has time to sit and watch cat videos on YouTube, there’s little about the world of The 7.39 familiar to those of us lacking three-bedroom semi-detached suburbia and a job in the City.That said, there’s probably little about David Nicholls’ vision of London that seems familiar to those who live and work in the capital either. As in the screenwriter’s novel-turned- Read more ...
alexandra.coghlan
It’s a nothing of a line – “Hail mortal” – spoken by nobody important, but in Michael Grandage’s A Midsummer Night’s Dream it becomes the basis for an entire concept. A trivial bit of linguistic sleight of hand turns it into “Inhale mortal” and there you have it, a fairy troupe high on waccy baccy and the most sexually and socially anarchic of Shakespeare’s comedies transformed into the toothless fantasy of a bunch of New Age stoners. It’s magic alright, but of the clumsiest kind.Christopher Oram’s designs and costumes set us temporally adrift, slipping between a quasi-1940s Athens and a Read more ...
Jasper Rees
There’s a song in the musical version of Legally Blonde, in which peroxide ditz Elle celebrates her impending good fortune. “Oh my god, oh my god, you guys,” she sings exultantly as she prepares to accept her beau’s proposal of marriage. Since leaving the role at the start of 2011, Sheridan Smith has continued hollering the words more or less non-stop. Oh my god Trevor Nunn just texted to offer her a part. Oh my god Dustin Hoffman just left a voicemail. Oh my god look who’s been cast as Titania in A Midsummer Night’s Dream by Michael Grandage.Smith can make the rare claim to have won Olivier Read more ...
Adam Sweeting
The idea of writing nine 30-minute dramas (or more like 26 minutes when you take the ads out) about the thrills and calamities of first-dating might have been asking for trouble, but seems to be working out unexpectedly well so far. The crafty part about the concept (dreamed up by Bryan Skins Elsley) is that instead of having to explain the setup and establish the characters' relationships, you just watch two strangers starting the process from scratch, so they're doing the job for you.After a persuasive start on Monday with David and Mia, starring Oona Chaplin and Will Mellor, the ante edged Read more ...
Karen Krizanovich
Assured, warm and comfy, Dustin Hoffman’s directorial debut Quartet is a tasteful farce of froths and strops. Hoffman’s always wanted to direct and it’s not like he hasn’t tried. Dead Poets Society slipped from his hands, both starring and directing, when he didn’t say yes quickly enough (Robin Williams got the part). In the 1970s Hoffman bought the screen rights to Edward (Runaway Train) Bunker's No Beast So Fierce, intending to direct. After a few weeks, he gave the job to his friend Ulu Grosbard. Things turned bad: Hoffman wasn’t happy with Grosbard’s vision of "his" film, with Grosbard Read more ...