Simon Cowell
Lisa-Marie Ferla
It’s an easy joke to suggest that James Arthur needs an editor. By this point, the 31-year-old singer is almost as famous for his lyrical mis-steps and ill-advised use of Twitter as his 2012 The X Factor victory. You, his third album, seems to have been subject to the longest roll-out in history (first single, “Naked”, was released almost two years ago), and arrives at 17 tracks and over an hour in length. Prune away at least four soporific ballads, though, and you’ll find a decent pop-soul album; the insincerity of previous releases replaced with often gut-wrenching takes on broken Read more ...
edward.seckerson
The names have been changed to protect the guilty but half the fun of I Can’t Sing! - the so-called X-Factor musical - lies in the relentless spoofing of a show we love to hate and a format so unremittingly predictable that its contestants, judges, and host now read like characters from a, well, musical. Put Harry Hill on the job and you know he’s going to throw enough gags at the subject for at least a handful to stick and were this an anarchic fringe offering with a cast of six and a budget low enough to render it inventive by necessity then you’d have more chance of leaving the venue with Read more ...
Natalie Shaw
Cher Lloyd first appeared aged 16 on The X Factor with a storming cover of an unofficial bootleg version of “Turn My Swag On” - a song that peaked at just number 48 on the UK singles charts. Knowing so much about music at such a young age set her apart from the entire competition, and it’s no surprise that her debut album Sticks + Stones is the most feverish and bold set that anyone from the show has yet produced. Some 18 months after that first appearance, the singer headlined her first London show at a 2,500-capacity venue. Keeping it relatively intimate served a little too much as Read more ...
Natalie Shaw
The X Factor has made it far easier for fans to connect with artists from the get-go - as far as the viewer is concerned, the life story of each auditionee starts at episode one. Following JLS from that first audition to a third sold-out arena tour in the space of just four years has instilled a sense of pride in even the youngest of fans. Unusually for the television talent contest, JLS arrived pre-formed - they stood before Simon, Cheryl, Dannii and Louis with matching outfits unprompted, four savvy members seemingly set on becoming the next Boyz II Men. In spite of their strengths, Read more ...
Natalie Shaw
The X Factor has been rewriting the Gregorian calendar since its inception in September 2004. It’s now more acceptable (nay, expected) for major label pop acts’ careers to fall like dominos after the first year, while at the other end of the scale we’re sped into an accelerated, broader-spanning nostalgia - a longing sensation triggered mere minutes after the ITV1+1 broadcast. It’s with this in mind that the staging and characterisation of The X Factor Live caused such intrigue.Last year’s finalists were largely paraded before us, styled exactly how we saw them on television and singing songs Read more ...
joe.muggs
And we're done. As you'd expect for a grand final, everything was pumped up yet further. A guest spot by Coldplay came over like a Nazi rally styled by kindergarten teachers who once took an E, all rainbow squiggles and brain-obliterating strobes. The fact that the TV sound mix revealed Chris Martin's vocal weaknesses and the flimsiness of the songs beneath the band's bombast couldn't ruin the gloriously dumb spectacle.And talking of gloriously dumb, the “roving reporters in the crowd” Caroline Flack and previous X Factor runner-up Olly Murs really pushed the boat out to make Dermot O'Leary Read more ...
joe.muggs
Well, there we go. Another series of The X Factor about to splutter and crunch to a halt. Seventeen-year-old shouter Amelia Lily has been voted out despite actually turning in the finest performances of the night, leaving delightfully rough-round-the-edges girl group Little Mix and lovable Scouse cheeselord Marcus Collins (pictured below) in the running to “win an amazing recording contract” - in the full knowledge that, given the last couple of years' evidence, pretty much anyone in the final six or so contestants is guaranteed a contract and a good shot at chart success.Unpicking the layers Read more ...
bruce.dessau
It is probably just wishful thinking from the haters that The X Factor is going into meltdown. Pop might be the sound of a bubble bursting, but the Class of Cowell is still having hits. Olly Murs is currently in a chart battle with Rihanna for the top spot with his single “Dance With me Tonight”, so don’t go sobbing for Louis Walsh just yet. In Case You Didn't Know is the second album from oily-haired Olly. I was hoping for something with the intrigue of Will Young. I got something with decent melodies and the lyrical complexity of Jedward.Proceedings kick off enjoyably with the Number One Read more ...
Jasper Rees
And so it begins again. Earlier this summer I attended what has become a regular British ritual, exactly like Wimbledon and Henley, the Chelsea Flower Show and Ascot, with only one or two small discrepancies. The forecourt in front of the O2 heaved with ticketed humanity, carefully caged into pens and queueing against the magical moment when the doors would open and officials in fluorescent jackets wielding digital barcode readers would usher them into that citadel of contemporary British culture. I refer, of course, to the X Factor auditions.One goes along to these things in the spirit of Read more ...
joe.muggs
Last week I suggested that The X Factor's rules may have been manipulated in order to lead to a more entertaining final week. I would like to apologise unreservedly for this suggestion, in the light of the absolute unremitting shower of dismalness that we had to sit through this weekend. Congratulations to the winner Matt Cardle and all - he seems like a nice chap, sings well sometimes, might even make a career of it – but sweet baby Jesus on a bendy bus, that was truly awful television. And, yes, millions of us sat absolutely glued to it for four hours of our weekends, hoping for some Read more ...
theartsdesk
And so we reached the climax of Series 7, long awaited by cognoscenti but greeted with mounting apathy by non-believers. Though some had held out hopes for boy - infant? - band One Direction, it was live poll favourite Matt Cardle who ultimately romped home to victory.It was hard to tell why - Cardle has the charisma of an apprentice photocopier salesman, and his performance on the night barely breached the frontiers of insipid. Hysterical supporters of Rebecca Ferguson, urged onwards by Coleen Rooney, thronged the streets of Liverpool to urge their girl on, but Rebecca's identikit soul-diva Read more ...
Veronica Lee
"Welcome to the new-look, high-risk, high-speed show,” said presenter Chris Tarrant at the top of the programme. Well, sort of new-look; the opening titles are new (although they still haven't managed to put the question mark in the logo), but the music is the same and the set appears to have had no more than a dust down since the last series. But let’s not quibble, as producers Celador have indeed rung the changes and in doing so have given the long-running show a much needed fillip.Who Wants to be a Millionaire? first aired in the UK in 1998 and is a broadcasting phenomenon. Its Read more ...