songwriters
Adam Sweeting
The bittersweet career of The Kinks is portrayed to surprisingly potent effect in this fast, funny and sometimes poignant musical, now transferring to the West End from the Hampstead Theatre. No mere "jukebox musical" – though it's crammed with songs – it finds space for some kitchen-sink drama, a bit of psychotherapy and a few smart insights into the Sixties pop business.Ray Davies wrote all the music as well as the original story, from which playwright Joe Penhall has spun a pacey and eminently performable script. The stage-show format has to skate briskly over issues like dubious Read more ...
Russ Coffey
Laura Mvula, despite her exotic-sounding name, is a quintessentially British artist. Not just because of where she comes from – Birmingham – but also how she stays humble and understated while dripping with talent. Her story is equally endearing. Mvula was working as a receptionist when her debut, Sing to the Moon, was released. Overnight, her world was turned upside down and over the next year she was nominated for nearly every major award going, taking home two MOBOs and one Urban Music Award.Still, Mvula is not ostensibly an r’n’b or soul artist. Her voice may owe a debt to the gospel she Read more ...
Adam Sweeting
Movies about the music industry often end up being bombastic or twee or merely idiotic. This one, written and directed by John Carney (who made 2006's not entirely dissimilar Once), picks its way carefully around the pitfalls to tell a story of love, loss and pop songs with sweetness and wit.You wouldn't automatically visualise Keira Knightley as Indie Pop Girl, but she steps up winningly as Greta, a budding songwriter who prizes her music and doesn't want it prostituted on TV talent shows or bastardised to fit marketing strategies. She's in a seemingly idyllic (uh-oh) relationship with Dave Read more ...
David Benedict
“God,” wrote Stephen Sondheim, “is in the details.” Of course, he didn’t actually coin the phrase but throughout his published collections of lyrics he cites it as one of his three guiding principles. But to witness detail you need to be up close. Last seen on Broadway in the 1,058-seat Barrymore Theatre, Putting It Together felt overblown and strained. In the 312-seat St James Theatre, its strengths – the delights of a deftly interwoven selection of 32 Sondheim songs – leap into focus thanks to a quintet of deliciously detailed performances.Unlike Side By Side by Sondheim, the much copied Read more ...
kate.bassett
Once upon a time, there were two cultures, and they were at odds. A forested wilderness stretches between the kingdoms of Sealand and Lagobel, as we glean from the childishly-drawn, giant map that serves as a front cloth for the NT's new musical spectacular – directed by Marianne Elliot and opening in the Lyttelton last night. The map shows, on one side of the wilderness, Sealand’s coastal realm with winding rivers and a chateau bristling with turrets, all in shades of blue. On the other side, inland, is Lagobel’s walled city of Arabian-style domes where everything is orange or yellow-gold.Co Read more ...
joe.muggs
This is an incredibly hard album to work out. One major clue comes, though, with its second track, “Maxim's 1”, the backing for which is a dead ringer for a lost track from Cocteau Twins's 1990 Heaven or Las Vegas album. Not that any of the rest of the album sounds like Cocteau Twins, but it does hit a very similar magic formula. That is, though it ostensibly comes from an “indie” milieu, it has vast sonic ambition closer to the biggest pop/soul/R&B records of its time than to any guitar-wrangling mitherers, but it is also psychedelically alien to the point of indecipherability.Los Read more ...
Kieron Tyler
Michael Hurley: Armchair Boogie / Hi Fi Snock UptownWith songs about werewolves, penguins, the English upper classes, trains, the police and more werewolves, these albums from surrealist folk maverick Michael Hurley are charming and occasionally disconcerting. His ramshackle delivery seems a little offhand but it brings an intimacy that can’t fail to worm its way in. Armchair Boogie (credited to Michael Hurley & Pals) was originally issued in 1971; Hi Fi Snock Uptown in 1972. Both originally came out Raccoon, the label run The Youngbloods.Armchair Boogie was the belated follow-up to Read more ...
Kieron Tyler
Burt Bacharach: The Art of the Songwriter - Anyone Who Had a HeartSometimes, greatness takes a while to surface. Tommy Sands’s 1961 single “Love In A Goldfish Bowl” didn’t return the hopeful teen idol to the charts. He’d had his day in 1957 with "Teen-age Crush", a slice of ersatz Elvis which rose to number two in the US. “…Goldfish Bowl” was hokum of the highest order, written by Burt Bacharach and lyricist Hal David for the film of the same name. “It’s love in a goldfish bowl” hiccups Nancy Sinatra’s then-husband. But it was less silly and less fun than 1958’s “The Blob”, by The Five Read more ...
Jasper Rees
“He who sings frightens away his ills.” Cerys Matthews has spent a lifetime heeding the wise counsel of Don Quixote. Born at the tailend of the Sixties, she grew up in the Welsh tradition of musical surroundsound before veering right into the heart of Britpop as the wailing amber-topped siren of Catatonia. Four albums and many stadium triumphs later, the painful break-up more than a decade ago was fed through the distorting prism of the tabloids. Since then Matthews has worked on a remarkable reinvention that reaches a new crest in 2013.The life of post-Catatonia Cerys has been built around Read more ...
joe.muggs
I have to admit I was That Hipster with Underworld: loved them circa 1991, stopped being intensely interested around the first album, diverged almost completely after “Born Slippy” went supernova circa 1995. It was wonderful the way that Karl Hyde bodged together torn up fragments of overheard conversations into his rave-dada lyrics to express the delirium of the rave era, but as the band's instrumental film soundtracks started to become the most interesting thing about them, perhaps foolishly I wrote him off as a one-trick pony, never again to repeat the inspiration of “Mmm Skyscraper I Love Read more ...
theartsdesk
We're extremely proud to be able to present this charming exclusive video by the London multi-instrumentalist singer-songwriter (and animator) BJ Smith - a ray of sunshine in the winter greyness. It comes from the forthcoming Dedication to the Greats release on the Nu Northern Soul label, which features Smith's acoustic covers of tracks by hip hop artists: The Pharcyde's "Runnin'", and the track featured here, Mos Def's "Umi Says".Smith has been a low-key but impressive presence in underground music for a while now, collaborating regularly with international festival favourites Crazy P, Read more ...
Lisa-Marie Ferla
There are, roughly speaking, two types of record. There are the ones that it is hard to consider as anything other than a complete unit - gimmicky concept records or complex themes, tracks that ebb and flow and blend together as if making a mockery of the single-track-friendly digital future. And then there are records like Deer Creek Canyon, from which any song could be plucked to form the centrepiece of a homely, autumnal mixtape.And “homely” is the operative word this time around for Colorado-born Sera Cahoone, who on this third album shines her songwriting lantern on the foothills of home Read more ...