TV
Adam Sweeting
Looks like being a chilly autumn in Spooks world. In time-honoured fashion, the new series waved goodbye to another former stalwart with the funeral of Ros Myers (Hermione Norris), blown to bits in the last series and thus freed up to splash about in the moral squalor of ITV1's new Bouquet of Barbed Wire. Amusingly, that put her just a click of the remote control away in the same Monday, 9pm time slot. Can't say I'll miss Ros's stone face and rather lacklustre Terminator impersonations, but new addition Beth Bailey (Sophia Myles) looks poised to bring a refreshingly brash self-confidence to Read more ...
Jasper Rees
The last cast: Robson Green, Kevin Whately and Derek Jacobi in Alan Plater's 'Joe Maddison's War'
Alan Plater wrote to the end. When he died earlier this year, he had completed a final screenplay which found him returning whence he came. Joe Maddison’s War was set in his native North-East, and portrayed the impact of wartime on ordinary working-class lives. With the help of nostalgic singing and dancing, the tone was comic and affectionate, but with an undimmed glint of good old socialist indignation. They don’t make dramas like this any more. But whenever they do, the more senior couch potatoes are entitled to lament once more the passing of Play for Today.It’s quite a thing to Read more ...
Adam Sweeting
The double act between screenwriter Peter Morgan and his favoured leading man Michael Sheen has given us some of the most teasingly enjoyable dramas of recent years, but how much genuine insight they've given us into Tony Blair or New Labour remains a moot point. A typically sour Alastair Campbell told Radio Times this week that this third shot at Blair was well wide of the mark - "The gap between what actually happened and what is portrayed is even bigger in The Special Relationship than in The Queen." Maybe he's right, but since it's Campbell saying it, there's little incentive to believe Read more ...
Veronica Lee
“It was the best part of my life,” said one silver-haired lady in ringing tones, while another described it as “poetry” and a third as “the aeroplane and you were one”. What these doughty octogenarians were describing in this gem of a film was flying Spitfires during the Second World War. The three women – and a few more more tracked down by director Harvey Lilley – are among the last-remaining women who served in the Air Transport Auxiliary (ATA), a 1,000-strong male-only preserve when the war started, but which had 168 female members by its end. The ATA delivered aircraft from factories to Read more ...
Adam Sweeting
Trumpeter, businessman and artist Herb Alpert in his easy-listening heyday
I used to have a childhood fascination with the music of Herb Alpert, because I liked the tunes and always felt there was a hint of melancholy behind Herb’s breezy, nonchalant exterior. Everybody else found Alpert laughably cheesy, but happily, this excellent documentary proved that I was right all along by building a watertight case for regarding him as something of a neglected legend.Not neglected by the record-buying public, of course, because Alpert’s string of Tijuana Brass albums in the 1960s made him the top-earning act in the USA for a three-year period. In 1966, four of Alpert’s Read more ...
Veronica Lee
Formidable women: Tony Warren (David Dawson) and female company from 'The Road to Coronation Street'
A drama about Britain’s (and by the time Coronation Street reaches its 50th birthday in December, the world’s) longest-running soap starts with a huge advantage - its producers could just quote lumps of the brilliant original scripts, written by Corrie’s creator, Tony Warren, and be done with it. But Daran Little, himself a former writer on the show, resisted that urge (well, mostly) when penning The Road to Coronation Street, an affectionate and witty prequel that told us how the soap came about, or rather, how it almost didn’t.Although Corrie is now a staple of British TV (and many have Read more ...
Adam Sweeting
The tension mounts for Lieutenant Carter Shaw (Dylan McDermott) in Jerry Bruckheimer's latest law enforcement epic
Jerry Bruckheimer’s production stable has already given us a lifetime’s supply of law-enforcement stories. The hydra-headed CSI franchise has become more ubiquitous than I Love Lucy in its heyday, while Cold Case and the FBI missing-persons yarns of Without a Trace are probably showing on a set near you whether you’re in Saigon or Santiago. Now here’s Jerry’s latest brainchild, Dark Blue, the saga of a crew of undercover Los Angeles cops led by Lieutenant Carter Shaw (Dylan McDermott).Since this is a Bruckheimer product, you might assume you weren’t about to be plunged too deeply into the Read more ...
gerard.gilbert
Reach for the sky: Sam Heughan as Geoffrey Wellum prepares to intercept Battle of Britain cliches
How do you rescue a drama about Spitfire pilots from over half a century of cliché and pastiche, from Kenneth More in Reach for the Sky to Armstrong and Miller’s street-talking RAF officers? After all, put an actor in a flying jacket and a cravat, get him to smoke a pipe and read the paper as he awaits the call to scramble, and you’ve got a 24-carat stereotype. The answer, as the wholly admirable First Light illustrates, is to go back to basics – to find the authentic details amidst the stock scenarios, and the emotional truth behind the stiff upper lips.It helps if you have first-rate source Read more ...
David Nice
"The church shouldn't be interfering in the personal and private lives of people - we don't own them." The comment comes from a Catholic priest working with abused children in the Philippines, Father Shay Cullen. It would be good to hear from other men or women of God rather more liberal than Pope Benedict XVI, for whose visit to Britain later this week this programme sounds no trumpets. Apparently few priests or bishops would speak to human rights campaigner Peter Tatchell, so his is the talking head we see rather too much of here. But that's the personality-driven world of TV for you, and Read more ...
Jasper Rees
Part 2 @bbcproms. The madness begins. Ms Derham has not switched gowns in the interval. No sign of Titchmarsh, for which we must give thanks.The "traditional" necklace of laurels for Sir Henry Wood's bust. Wonder if he'd welcome his head being polished by a pink rag.How do they pick these pieces? Apols but the Marche joyeuse did not fill this tweeter with joy. On the other hand, here's Renée plus a mike.Not many sopranos can address an audience like Renée F. America's sweetheart sings Czech stuff now: back to her rootsWhile Renée continues blowing a hole in the Read more ...
Jasper Rees
Either it’s a bizarre accident. Or there’s something in the water. Port Talbot, the unlovely steel town in Wales where smoke stacks belch fumes into the cloudy coastal sky, has been sending its sons to work in Hollywood for decades now. Richard Burton was the first to put his glowering blue eyes and golden larynx at the service of Tinseltown. Anthony Hopkins, for all his American passport, has never shed the native tinge from his accent. And in recent years there has been Michael Sheen (b. 1969).Right from the start it was clear that Sheen was more suited to playing oddballs and misfits than Read more ...
Ismene Brown
That sobbing musical theme resumes, so does that hospital-white dreamlike cartoon of a male figure tumbling in a Hitchcockian fall from grace past huge ads of poster girls. Actually it’s almost as much Milton as it is Hitchcock. I say that to be deliberately pretentious, because the secret of Mad Men’s addictive draw is the human profundity you try to read into this fascinatingly surfaced drama about an empty man who doesn’t know who he is. This is the ultimate advert for TV, a series so slick and so moreish you don’t even know it’s an advert.If you are already hooked on Mad Men, you don’t Read more ...