Visual arts
Sarah Kent
Darren Almond’s ongoing fascination with far-flung places where extreme weather conditions prevail provides the inspiration for his current show at White Cube. The Principle of Moments consists of over 10,000 tiny photographs cataloguing the ever-changing weather of the Faroe Islands and a three-screen installation of videos titled Anthropocene: The Prelude, filmed near the Siberian town of Norilsk, the most northerly city in the world. Facts about Norilsk speak for themselves. In winter, darkness prevails for six weeks and temperatures can plummet to -58 degrees C; snow storms rage 130 Read more ...
judith.flanders
Visit the room in the Louvre where the Mona Lisa hangs, and all you will be able to see is a glass-covered rectangle and hundreds of camera phones held high. Certainly you will be unable to examine the woman in the picture, or contemplate the work of the artist who painted her. Yet they - sitter and artist - are, finally, what matters: that one day, the (probable) Lisa Gherardini, wife of a silk-merchant, sat down in front of an artist, who began to paint her. Five hundred years later, another sitter, the art critic Martin Gayford, sits down in front of an artist, Lucian Freud, who likewise Read more ...
fisun.guner
To mark Pope Benedict’s controversial visit to Britain next week, the V&A have mounted an exhibition devoted to four of the 10 tapestries Raphael designed for the Sistine Chapel – the first time they’ve ever been seen in this country. Depicting the Acts of St Peter and St Paul, these bright, vivid works were made to hang on the lower walls of the Vatican’s principal chapel, below the older Michelangelo’s ceiling frescoBut even Raphael never saw the tapestries and his full-scale designs for them together: until now, they have never occupied the same space. Commissioned by Pope Leo X in Read more ...
fisun.guner
Few artists can creep you out like Gregor Schneider. His work is scary and it’s absurd. But even as you giggle nervously when confronted with its less than subtle deployment of shock-horror tactics, a more profound disquiet creeps up on you. Schneider knows how to tap into our visceral fears.You may recall his Artangel project a few years back, Die Familie Schneider. Two adjacent terraced houses in Whitechapel, east London, were identically kitted out. In each of these drably furnished, impoverished residences an “identical” family – twins - had been installed: Mother could be found Read more ...
theartsdesk
Sculptor and installation artist Cornelia Parker is our fourth guest to choose some favourite books for holiday reading. Born in 1956, she is known in part for her suspended sculptures that appear to capture the moment of explosion, as well as for her celebrated sleeping installation of actress Tilda Swinton (The Maybe) at the Serpentine in 1995.Her inquiring, deconstructing ideas that include wrapping Rodin’s The Kiss in a mile of string (Tate Britain, 2003) or dropping, crushing and variously destroying objects have brought Parker constant explosure in major galleries, from Tate Britain and Read more ...
fisun.guner
When Jake and Dinos Chapman first came to the attention of a wider public at the Royal Academy’s Sensation exhibition, their work came with a parental warning: a sign barring under-18s. After all, naked child mannequins sporting surprised-looking anal apertures for mouths and erect penises for noses were not, until then, the Royal Academy’s usual fare.But the Chapmans, whose works have always delighted in puerile humour, have never been convinced by the notion of childhood innocence. What's more, even at their most macabre and apparently shocking, their imagination has always had Read more ...
Markie Robson-Scott
When it’s 33 degrees and rising, boarding a ferry in New York has to be a good plan. One of the newest and weirdest of the city’s watery destinations is Governors Island (no apostrophe - it was removed in 1783 when the British, who used it to house His Majesty’s Governors, surrendered it to New York state). It’s just 800 yards and 10 minutes away from Battery Park, with a terminal next to Staten Island’s, though the free ferry only runs on Fridays and weekends, when the island is open to the public. When the last ferry boat to New York leaves at seven - that is when there’s no evening concert Read more ...
fisun.guner
A playful, subversive mood dominates the shortlist for Trafalgar Square’s Fourth Plinth. Most of the six proposals, in what is a very strong shortlist, play on notions of British identity, probing themes of heroism, heritage and conquest. The models, which include a cock (the winged variety), a cake and a kid on a rocking horse, were unveiled yesterday by Mayor Boris Johnson. Two winners will be selected next spring, with the first appearing on the Plinth at the end of next year. The six are: 1. Mariele Neudecker It’s Never Too Late and You Can’t Go Back A fictional mountainscape which, when Read more ...
mark.kidel
Bristolians were invited to make history last weekend. The city saw the opening of the Museum of Stokes Croft, a one-room cabinet of contemporary urban curiosities that includes fake neighbourhood relics and archaeological finds, an early Banksy T-shirt, a large, totemistic multi-coloured bear full of mirrored surfaces by street sculptor Jamie Gilman, a cheap plastic urn containing the ashes of “Bear” - a popular homeless street poet who died last year - evocative children’s drawings of local landmarks, quirky fragments of oral history, politically tinged poems, and a map of Bristol’s world- Read more ...
Ismene Brown
Life changes at such speed in cities that it seems as if all the world must move at the same pace. Photographs prove otherwise. Looking at the two portfolios of West Country photographs below, you could surely not readily believe that more than a century separates them. James Ravilious's Devonian sheepfarmers and John Wheeley Gutch's Cornish fishermen have worked natural resources for centuries - the fact that the images lie 130 years apart are purely an indication that while technique changes, human interest does not. James Ravilious The son of the renowned engraver and Read more ...
judith.flanders
Everyone likes a “lost treasure” story, a story where something missing for hundreds of years turns up in an unexpected place, bringing sudden riches to the lucky finder. In the 1970s, a purchaser of an old railway timetable found, tucked inside the book, eight hand-coloured etchings, which were quickly identified as rare images by William Blake. On top of the etchings Blake had used watercolour and then tempera, then pen and ink, thus making these one-off images that had been hidden for the best part of two centuries. Tate Britain acquired these images last year, and now they are Read more ...
josh.spero
What was originally a coincidence of reviewing – two dispatches from the Dark Ages, Treasures of the Anglo-Saxons on BBC Four and Domesday on BBC Two – in fact turned into a remarkably instructive diptych of how and how not to make history programmes for the television.In reverse historical order, Domesday is the exemplum of what not to do, which is turn an average idea for In Our Time on Radio 4 into an hour-long documentary for the television. This is the greatest sin: when given time on the television, fill it with interesting pictures. There is nothing – almost nothing at all – in this Read more ...