Visual arts
fisun.guner
Undines, mermaids, selkies, nixies, kraken. You’ll encounter such imaginary creatures in Aquatopia, an exhibition which delves into the myths of the ocean deep, and thereby to the murky, fathomless depths of our subconscious. But more often than imaginary beings you’ll encounter real ones who’ve touched our imaginations by their unearthly appearance and tapped into our deepest fears and desires, which means, naturally, our sexual desires. There’s a lot of octopus love going on.Katsushika Hokusai’s famous erotic print of 1814, The Dream of the Fisherman’s Wife (pictured below), shows a woman Read more ...
Thembi Mutch
The capital of Mozambique pulls no punches. Parked at the old airport among sheaves of wild grass are old MiG fighter planes, as sculpturally beautiful as the massive monument made from decommissioned weapons a few hundred metres away. The new airport, a multi-million pound effort completed last year with significant Chinese help, has Dom Perignon champagne for $230 a bottle. That’s twice the national annual wage. Sculptures made from decommissioned weaponry are known as war art. Mozambique’s most famous son is the war artist Gonzalo Mabunda, a sculptor in his thirties who has exhibited Read more ...
Marina Vaizey
Laura Knight’s wartime masterpiece Ruby Loftus Screwing a Breech-Ring (1943) is a subtly glamorous picture, strikingly composed. A frieze of blue-clad women at an armament factory workbench are in the background, highlighting the profiled figure of Ruby tending her elaborately complex machine, at an oblique angle to the picture plane. Unashamedly a celebration of a positive triumph over inescapable necessity, the image emphasises achievement, and doesn’t indicate the inescapable monotony, noise and general rough hub-bub of the working conditions.Ruby is beautifully made up with bright red Read more ...
Sarah Kent
Some artists seem to need a reality check. The Spirit of Utopia is billed as a show of artists “who speculate on alternative futures for society, the economy and the environment”; but anyone anticipating cogent analysis or visionary ideas will be disappointed. The exhibition consists of a bunch of dreamers who imagine that an art context gives social significance to weak or wacky ideas. It doesn’t.Theaster Gates believes a gallery “should be an open space that questions modes of production, systems of power, and access to the imagination for everyone” – a laudable goal that should inspire Read more ...
fisun.guner
I’m watching someone with a mic pacing the linking bridge on the second floor of the Arndale Shopping Centre. He’s repeating the same phrase over and over again, which he’ll do for the next 20 or so minutes. “We’re souls refreshed,” I think it is. Nearby, sitting cross-legged, Lotus fashion, is a girl who, like the man with the mic, is wearing white cotton gloves. In front of her are three stones, painted white, on a white handkerchief, and two hymnals. These props play a small part in the action, such as it is.Watching him, pacing, intoning imperfectly, catching his breath and Read more ...
Marina Vaizey
A one-room display at the Courtauld of seven paintings, a wall of woodcuts, some drawings and a sculpture by the passionate and volatile Gauguin: for all its modesty, this is a staggeringly powerful show, replete with exotic dreams and embodying the power of the artist’s lasting influence.Exotic landscapes and primitive interiors are infiltrated by scenes of languorous naked women, the colour of milk chocolate, cross-legged on the floor, stretched on a couch, bathing in a pool, awkward odalisques, impassive goddesses or acquiescent mistresses. Gauguin was one of the ultimate escape artists, Read more ...
Sue Hubbard
Artists love a good revolution. The social upheaval, the bubbling up of new ideas and the breaking down of old ones, attracts them like flies to fly paper. The Mexican revolution was no exception. During the years 1910-1940, Mexico attracted large numbers of international intellectuals and artists, seduced by the political maelstrom and apparent freedoms that beckoned in this culturally diverse and varied land.For many European artists Mexico seemed like a primitive (if somewhat fictional) Nirvana, with its stunning scenery, indigenous culture and mysticism that fed the modernist appetite for Read more ...
Marina Vaizey
Music and art have been intertwined for millennia, the static, frozen and soundless moment of paint capturing the feeling and the meaning of ephemeral time-based music. And nowhere can the act of making music have so thoroughly infiltrated a society at all levels than the Golden Age of Dutch culture in the 17th century.Music is emblematic of time passing and its accompaniment, mortalityMusic was part of the entertainment in brothels, bawdy houses, taverns, inns, part of the energetic goings-on of the working classes, and also profoundly integrated into the life and mores of the burgeoning Read more ...
Toby Saul
Paul Delvaux, the subject of a modest exhibition at the Blain Di Donna gallery in Mayfair, was JG Ballard’s favourite painter. The writer prized him for the creation of a complete world. Ballard found that world curious and inviting. He said he could spend hours gazing at the pictures wishing he could escape into their alternate reality. Ballard was made of sterner stuff than me. The places Delvaux paints seem quiet but harsh, not much happens but they feel menacing. They are sparsely populated and lonely. On the other hand, Ballard had a point about how compelling and intriguing he made his Read more ...
fisun.guner
It’s part of the Lowry myth – the myth of many famous artists, in fact, whether or not it actually happens to be true – that he’s never been taken seriously as an artist by critics or by cognoscenti. Even the co-curator of this exhibition, T.J Clark says more or less the same. Lowry isn’t taken seriously, Clark has said, because anyone dealing with working-class life in class-ridden Britain can’t be taken seriously. Perhaps we might qualify this by adding that anyone dealing with working-class life from within it can’t be taken that seriously. Perhaps.Throughout the Twenties and Thirties Read more ...
Sarah Kent
Her name sounds like a brand of cigarettes, and an aura of corporate anonymity seems remarkably apt for this American artist who specialises in replicating other people’s work and sampling clips from online video libraries. Borrowed from the BBC’s Motion Gallery, the ingredients for Rock & Rap Act 3 Simulacra (2012) include a hooting owl (pictured below right), a bright green tree frog, a predatory spider, buds unfurling into gorgeous blooms, gurgling water, and a sprinter, diver and weight lifter – the kind of feel-good images often found on glossy birthday cards. They are intercut into Read more ...
Laura Gascoigne
One of this summer’s seaside attractions in Margate is an overstuffed walrus, but day-trippers won’t find it in the town’s Museum of Monstrosities. The taxidermic freak, on loan from the Horniman Museum, is the star exhibit in the new show at Turner Contemporary. Against the backdrop of a North Sea painted by Turner, the adipose Arctic mammal is out of its element. The fact that it’s also uncomfortable in its overtight skin (thanks to an overzealous Victorian taxidermist who had never seen a live specimen in the sagging flesh) makes it doubly curious - and doubly qualified for inclusion in Read more ...