Visual arts
Sarah Kent
When I visited Rachel Whiteread two years ago, there were two old sheds gathering dust in her basement as though waiting to be loved and put to use. Why was she cluttering up her studio with such large and intrusive objects, I wondered? “Things fester,” she told me by way of explanation. “I like to mull things over, so they might lie about for years. It’s to do with me noticing them; they need to relate to my train of thought and investigation. I’m drawn to things that are not too considered or self conscious like bathtubs, wardrobes and windows that are taken for granted as part of everyday Read more ...
Marina Vaizey
“I don’t like the family Stein; There is Gert, there is Ep and there’s Ein; Gert’s Poems are bunk, Ep’s statues are punk, And nobody understands Ein” (Anon).Jacob Epstein (1880-1959) did indeed sculpt Albert Einstein when the physicist was briefly interned in London on his way to America in 1933; Epstein’s bust of the quizzical shock haired scientist is currently on view at the Victoria and Albert. Epstein described his subject, already legendary, as humane, humorous and profound and was particularly struck by his hair going every which way. Henry Moore said Epstein was the pioneer in Read more ...
fisun.guner
The Rijksmuseum is reopening after 10 years. What took it so long? Escalating costs, contractual problems, a protracted battle with the cycling lobby (this is Amsterdam, after all). I’m sure there’s more, but one whole decade’s worth? It’s a long time to go without a national museum that represents the best of Dutch art to the Dutch people, and to the world.It’s easy to forget what a spectacular Medievalist fantasy the building actually isBut it’s all OK now. It’s been worth the wait. In fact, the improvement is staggering. The crepuscular gloom has been lifted and light has flooded in. You Read more ...
fisun.guner
There was a time when the art of the Low Countries was considered to be very lowly and base indeed. It was the high art of Italy that counted if you were a person of culture and breeding. Not for you the carousing common folk of Jan Steen, or those watery flatlands of Van Goyen, touched with too much bleak realism. It was the arcadian Campagna of Claude – like Poussin a Frenchman but with the Rubicon flowing through his veins – that you looked to.But that was all long, long ago, in the days when the Grand Tour didn’t allow for a quick stop-over and art-pillage in Leiden or Amsterdam, and when Read more ...
Marina Vaizey
Ambika P3 is a windowless, cavernous basement once used to test concrete for huge building projects – the Channel Tunnel among them – now ingeniously recycled as a kunsthalle gallery / performance space. Thus it is strikingly appropriate for its current incarnation.We are in a cinema, with rows and rows of old-fashioned, surprisingly comfortable, plush red seats. On the screen showing in that syrupy sticky colour of the 1930s-50s there are hordes of horribly happy peasants: handsome sweaty young men and kerchiefed lipsticked dewy-skinnned young women, all singing at the tops of their Read more ...
Jasper Rees
It’s an instinct of curators to put the pieces back together, to reintroduce works of art which time and market forces have scattered to the four winds. In recent memory, exhibitions have reunited in one space all of Monet’s haystacks, Cézanne’s card players and, in the case of the National Gallery’s momentous Leonardo show, both versions of The Virgin on the Rocks. A new exhibition opened this week in Florence which takes the business of synthesis to the next level.The Florentine Renaissance – as implied by the name conferred on it by Burckhardt in The Civilization of the Renaissance in Read more ...
Jasper Rees
The images in this gallery illustrate some of the links and juxtapositions made in The Springtime of the Renaissance. Classical statues which influenced Florentine artists, works reunited for the first time in centuries, sculptural forms reproduced in two-dimensional paintings (see main image) - you can find all of them below. The 20 images are arranged in 10 pairs, each of which represents a theme of the exhibition.Click on the images to enlarge, and read the full article about the exhibition here.Row 1: The Dawn of the Renaissance The first-century BC Boy with Thorn in marble (Galleria Read more ...
fisun.guner
"In the midst of life we are in death.” This is a line we may feel compelled to reverse as we encounter the first exhibits in the British Museum’s extraordinarily powerful exhibition, for this is a display vividly bringing the dead to life in the very midst of their extraordinary demise. But then, “ashes to ashes” conveys particular resonance, too, for we all know that Pompeii, a town situated in the Bay of Naples, and its lesser known, less populous neighbour Herculaneum, were both covered in a thick layer of ash when Mount Vesuvius erupted in AD79. In a single day, Read more ...
Louise Gray
It’s not often that a performance’s technological properties leaves you simply slack-jawed. Robert Wilson’s very long Swedish-language version of Strindberg’s A Dream Play did – at the same venue, though this time in 2001 – when the surtitle machines broke down (the audience gave an audible gasp of horror and then settled to its collective fate), but that was for altogether different reasons. Compared to what Ryoji Ikeda and his team are capable of, even the beautiful crispness of Kraftwerk’s stage shows fade into the realm of the bland.In superposition, the Japanese installation artist – now Read more ...
Marina Vaizey
Rodin’s The Burghers of Calais have decamped from their usual perch next to the House of Lords to cosy up to the work of Henry Moore. They can be found at Moore’s home and studio at Perry Green in Hertfordshire, in a tellingly succinct anthology of the towering giants of modern European sculpture. At first glance Rodin’s extraordinary evocations of energy and sensuality, literally embodied in the models he studied so intensively, and Moore’s semi-abstracted helmet heads and upright motives, don’t have much in common. But the compare-and-contrast thrust of this wide-ranging compilation, also Read more ...