"It's mostly very clipped and formal, but parts of it have been getting wonderfully wilder and wilder in the last few years." William Christie, whom I’ve met several times in the last decade, is describing his famous French garden in La Vendée, which has featured in many a glossy magazine. But he could also be describing himself.

Go on, admit it. You’ve done it too. Someone is talking in your vicinity and you’ve turned round to give them evils. It’s a manoeuvre I’ve been perfecting for years. The classic rebuke is in the speedy twist of the neck, a withering glance in the perpetrator’s general direction (but not, crucially, into their eyeballs: too confrontational) followed by the slow, affronted turn back to face the front. For one night only, the gesture says, you are singlehandedly ruining my life. I didn't pay more than I can afford to listen to you whisper through Beethoven/Shakespeare/”The Great Gig in the Sky” (yes, they can strike anywhere, any time).

theartsdesk.com presents The Seckerson Tapes, a series of live and uncut audio interviews from acclaimed broadcaster Edward Seckerson. We start with Jamie Bernstein - Leonard Bernstein's eldest daughter - who has been in London launching the year-long Bernstein Project at the South Bank. Seckerson, a long-standing Bernstein devotee and disciple, sat down for a frank and open discussion about exactly who her "dad" was.

I Found My Horn is both an autobiography of sorts and a biography of sorts. It tells the story of those phases of my life, as a schoolboy and then again aged 40, when I happened to have a French horn in my hands. But it is also an account of the instrument's long and extremely colourful history. In the 20th century that history is inextricably connected to the name of Dennis Brain, probably the greatest soloist the instrument has ever known.