One novel and two movies, but the BBC cheekily claims that this three-part series was inspired by Deborah Moggach’s 2004 novel These Foolish Things, and the pair of films The Best Exotic Marigold Hotel – but not related. How did the programme-makers come up with this, and keep a straight face?

We have been here before – literally. Morse and his colleagues discreetly observe a gangster’s funeral in Kensal Green cemetery – just as they did in Promised Land, one of the best episodes of Inspector Morse, first broadcast in March 1991. A quarter of a century has passed (along with John Thaw) yet ITV are still trying to breath new life into the ratings warhorse.

Sky are making a big deal about the fact that this new fantasy-drama is based on an idea by Marvel Comics superhero Stan Lee, but the "lucky man" is surely the 93-year-old Lee himself. "They [Sky's production team] went back to England to do the work," said the LA-based Stan. "I stayed here to take the credit."

China’s tumultuous recent past attempted to selectively obliterate the history of one of the world’s great and ancient civilisations, with the neatly complementary result in the past several decades of a huge upsurge in Chinese studies, East and West, from publications to exhibitions to enormous advances in archaeology.  At the same time, a sense of preserving the material past has been threatened by urban development, a habit copied perhaps from the West.

A year ago, Channel 4 aired Jamie Roberts's documentary Angry, White and Proud, the result of a year Roberts spent getting to know members of far-right splinter groups. Now here's the follow-up, this time the result of two years' research into Islamic extremism in Britain.

Created and written by the abundantly talented Phoebe Waller-Bridge, who also stars, Crashing is set among a group of twenty- and thirtysomethings living in a disused hospital in London, which the characters are “protecting” – sort of legalised squatting, where the sanctioned occupants pay a small rent and protect the building from being taken over by, well, squatters. It was filmed in an actual disused hospital, with lots of rooms and shared spaces such as bathrooms, which lends bags of atmosphere and allows the story to have several strands.

Even the most glazed-eyed Europhile must have begun to notice that the EU's righteous halo is dimming a tiny bit. Against a backdrop of currency chaos and uncontrolled immigration, issues of sovereignty and national self-determination are beginning to loom large. This is the aiming point of this new drama series, created by Norwegian novelist Jo Nesbø, though it comes in at a slightly different angle.

“Finding the Light”, the second episode of this four-part series, took us to the period when Scottish intellectuals led the world in innovative and revolutionary thinking, Edinburgh’s neo-classical architecture in the leafy streets of the New Town made for new standards of civic architecture, and Scottish education could be of the highest quality.

Tracey Ullman is, I suspect, virtually unknown to anybody who either wasn’t around in the 1980s or isn’t a student of that decade’s comedy. For those in either camp, she was a very big name in British television before she left the UK to live and work in the United States – where, incidentally, she became part The Simpsons story (its creators worked on one of the shows she did in America).

The miracle of galloping digital technology has become a mixed blessing. We have iPads, space stations and self-parking cars. On the other hand, we also have what might be perfectly good TV programmes made ludicrous by absurd CGI monsters.