New music
Kieron Tyler
Although Marty Wilde will forever be inextricably linked with the late 1950s British rock ‘n’ roll wave he rode, his career did not peter out as musical styles transformed. While he didn’t have the high-profile mutability of Cliff Richard or claim a niche like the moody Billy Fury, he was enviably chameleonic. Wilde adroitly embraced folk-rock, wrote late-Sixties hits for The Casuals and The Status Quo – “Jesamine” and “Ice in the Sun” are his – and even tackled glam rock in the Seventies with his Zappo alter-ego. With his son Ricky, he co-wrote daughter Kim’s 1981 hit “Kids in America”.The Read more ...
Thomas H. Green
Here’s a strange thing: sit in a quiet room reading through the poems that make up Kate Tempest’s third album and her swirling collage of words drags you in. It’s an opaque concept work, mingling themes of a broken Britain, teetering on the brink of socio-political disaster, with the gritty, urban search for love in a time where sex is served up like fast food. However, listen to the album and the sheer density of gloom, against moody musical backdrops, eventually becomes just morose.Tempest’s journey has taken her from festival-friendly band Sound of Rum, with whom she made feisty music you Read more ...
Tim Cumming
A hushed expectation filled the Queen Elizabeth Hall on Friday night in advance of the return on stage of the legendary Le Mystère des Voix Bulgares (now rebranded as The Mystery of the Bulgarian Voices), who graced Kate Bush’s 1989 classic The Sensual World with their astonishing style of throat singing, combining drones, quarter tones and complex rhythms, harmonies combining in marvellous permutations, seemingly colliding into each other from different planes. It’s an otherworldly vocal sound, and very earthy at the same time, impressionistic and fantastical, the chosen lead vocalists Read more ...
Kieron Tyler
Anyone familiar with Calexico and Iron & Wine will be unsurprised by Years to Burn. The 32-minute album (one track of which is a short instrumental) showcases lilting, mid-paced, reflective, country tinged and acoustic-bedded songs fleshed out with piano and Mexican-styled brass. The strongest are those where the up-front vocal blend conjures Simon & Garfunkel (“Midnight Sun”) and CSNY (“The Bitter Suite”). Furthermore, the mostly Spanish-language “The Bitter Suite” is the album’s most striking track. A portmanteau composition, it resonates with the impressionistic approach Read more ...
Joe Muggs
Sadness abounds in Avicii's posthumous third album. In context, even the plaintive single syllable of the title is full of pathos. It reminds of the real person, the Swede Tim Bergling who as a teenager discovered he had an unerring ability to hit the commercial sweet spot with his dance productions, and rocketed to global giga-fame. There, in the heart of the seething spectacle of pyrotechnics, screaming crowds, private jets and oafish “EDM” culture was sad, lost Tim: socially awkward, unsure of his own abilities, worked relentlessly by a voracious industry and eventually drinking himself to Read more ...
peter.quinn
On one level it’s a paean to stylistic pluralism, on another it’s a love letter to his wife. First and foremost, though, Taller sees Jamie Cullum staking out new ground as a singer-songwriter, adeptly aided by his long-time collaborator and friend – the conductor, arranger, multi-instrumentalist and producer, Troy Miller.Propelled by a tight horn chart, strings, Miller’s crisp backbeat, plus a backing chorus that includes the stellar vocal talents of Brendan Reilly, LaDonna Harley Peters, Sharlene Hector, Sumudu Jayatilka, Xan Blacq and more, the title track’s compelling drop-out point at the Read more ...
Sebastian Scotney
Percussionist Pedrito Martinez is one of those musicians who forces you to re-think what instruments are capable of – while making you wonder if there is actually anything he can’t do. He plays congas, batá drums and bongos with breathtaking facility and flow. He sings everything from Yoruba chants to “Quizás”. He dances. And he can turn a side drum and a hi-hat (no sticks, all played with hand/foot) plus cajon drum as if by magic into a rock drum kit.Last night at Ronnie Scott’s was the first show of a duo tour with a fellow Cuba-born US-based musician, pianist Alberto Rodriguez, touring the Read more ...
Thomas H. Green
Only those who’ve just popped in from an early 20th century Tennessee cotton field will have recently observed more pairs of dungarees in one place than at Red Rooster. It’s a festival that prides itself on a rich diet of Americana alongside a defiantly retro aesthetic. Red Rooster offers up expertly curated, off-the-beaten-track sounds, but there’s a strong sense that it’s as much about hanging out, about having all day/all evening picnics soaked in bourbon cocktails while somewhere not too far away a banjo is twanged by a stetson-wearing someone you’ve never heard of.The festival runs from Read more ...
Ellie Porter
With thousands of people trooping in to see headliners including The Strokes, Bring Me the Horizon, Mumford and Sons and, tonight, Bon Iver, this corner of London’s beautiful Victoria Park has become a bit of a dustbowl – and the dust certainly gets kicked up as the 10-day festival concludes.A lot of that is down to energetic early main-stagers Kokoko!, a phenomenal, yellow-boiler-suited collective from Kinshasa whose instruments are made of everything from washing-up liquid bottles to tin cans, and an energetic solo set from The Tallest Man on Earth (aka Swedish singer-songwriter Kristian Read more ...
Liz Thomson
Outside the Palladium a couple of months back for Joan Baez’s farewell, I was given a flyer for this album – by Naomi Bedford herself it turns out. We had a brief chat which left me with a good feeling about the project and I was disappointed to see I’d be away for the London concert marking the launch of Singing It All Back Home: Appalachian Ballads of English and Scottish Origin. My intuition was correct for this, the third outing from Bedford and Simmonds and a talented group of confrères, among them Ben Walker on banjo, Rhys Lovell on bass and Ben Paley (son of the Read more ...
Kieron Tyler
Jeanette’s “Porque Te Vas” is a prime example of a type of Europop which – beyond a brief flirtation around 1968 to 1971: think Clodagh Rogers – Britain had little time for. It’s not quite schlager, but still has the tell-tale martial rhythm. The singing voice conforms with the breathy stereotype still favoured in France. Like the best bubblegum pop, the melody and brass-studded arrangement are instantly hooky.“Porque Te Vas” is a fantastic single. Issued in Spain in 1974 by Jeanette it got wider exposure after being heard in the film Cría Cuervos, which was screened at the 1976 Cannes Film Read more ...
Barney Harsent
You hear a lot about living legends, but there aren’t actually that many around – at least not since the first half of 2016. Carlos Santana, however, definitely fits the bill. From his early days stealing the show at Woodstock alongside drummer Michael Shrieve, to achieving bone fide icon status for his pioneering work in the field of fusion solos, he’s at a stage where he can do pretty much whatever he wants. This makes the intent and wide-reaching scope of Africa Speaks all the more impressive, and Santana’s claim that this is a project born out of a love and obsession for the music of Read more ...