New music
Russ Coffey
Sometimes it seems there's nothing less progressive in life than progressive rock. That was certainly once true of Marillion; during the Eighties critics were quick to pounce on their ponderous 20-minute songs, and Fish's painful sixth-form poetry. But after Steve Hogarth's arrival the band underwent an epiphany. Their music became increasingly focussed and succinct. And soon there was only one word for it – tasteful.As such, the format of FEAR (aka Fuck Everyone and Run) may, initially, seem a backwards move. It certainly looks a lot more proggy than most of the recent material, with the Read more ...
Kieron Tyler
Chicago’s Chess Records first made waves in the Fifties with a raft of records which included future classics integral to defining the urban slant on blues music. Early in the decade, the label issued singles by John Lee Hooker, Memphis Slim, Muddy Waters and Howlin' Wolf. They also issued Jackie Brenston’s “Rocket 88”, one of the building blocks of rock ‘n’ roll and brought Bo Diddley to a wide audience. The pioneering label issued different styles of music, but blues defined its early days. It moved with the times though and embraced soul in the Sixties.Little Richard is also easily Read more ...
Matthew Wright
It’s fair to say that vocal jazz ranks modestly in British awareness of Danish culture, certainly below the instrumental music and the phenomenon of the moment, the cable-knit-sporting detective Sarah Lund. Which is a shame, because this second event in Pizza Express’ week-long festival illustrated the variety and strength of that country’s scene very effectively. Sinne Eeg is a multiple award-winning performer broadly in the American tradition, while Cathrine Legardh exemplifies a Scandinavian, folkloric style.Eeg performed a tasteful and eclectic selection of favourite standards and Read more ...
Barney Harsent
The career of Evangelos Odysseas Papathanassiou, better known to us as Vangelis, has been as wide-ranging as it has influential. From his beginnings as one-third of the almighty Aphrodite’s Child, veering from light, classy psychedelic pop to triumphant, thundering progressive rock, to his later incarnation as a synth soundtrack wizard capable of being both visionary (Blade Runner) and unashamedly populist (Chariots of Fire).He has nothing left to prove, there is no need for him to grandstand, and so it comes as no surprise that his latest project, a composition written for and commissioned Read more ...
David Nice
"Total immersion", the term used for the BBC Symphony's one-composer days, takes on a whole new meaning in the Thames Tunnel Shaft now transformed – but fortunately not subject to makeover – under the mantle of Rotherhithe's Brunel Museum. All the more so with the pioneering Modulus Quartet, who presented the mostly consonant music of six collaborative composers with the main lights out, shifting colours on the performing space and films either to accompany three of the works or to let the creators speak in short, unpretentious introductions.The ambitious peripherals weren't perfect; Read more ...
Joe Muggs
There's a lot of neurosis these days about retro-ism and lack of innovation in music, as if the shock of the new is all that gives things value. Of course, this is something worth keeping in mind: we certainly don't want to end up in a Keep Calm And Carry On world of faux nostalgia for golden ages that never existed, ingested as an analgesic as the present crumbles around us. But taken as dogma, it becomes a very one-dimensional way of looking at things, and can stop us appreciating how much newness there is in our ever-complexifying relationships to the past.Many musicians mining the past – Read more ...
Thomas H. Green
You couldn’t make Yello up. They’re a couple of wry Swiss synth-pop ironists fronted by a suave, moustachioed, septuagenarian multi-millionaire poker-player, golfer and industrialist. Everyone and their uncle makes electronic music now, but when Yello began at the end of the Seventies, they were members of an elite club – Kraftwerk, Human League, Gary Numan, OMD, Yellow Magic Orchestra, and the rest of that relatively small crew of innovators.Yello’s use of sampling was ahead of its time, and singles such as “Bostich” and “I Love You” (and, a few years later, “The Race”) bridged the avant- Read more ...
Matthew Wright
Fantastic Negrito, aka Xavier Dphrepaulezz, is a singer from Oakland, California. His music is steeped in the raw and urgent spirituality of the early blues, especially Robert Johnson. Yet he refuses to be pigeonholed as a blues performer, disdaining all talk of genre, and infusing his compositions with the grit and anger of punk, hip-hop and hard rock as well as the mournfulness of the blues, not to mention political protest that’s bang up-to-date. His current musical persona is what he calls his third incarnation, after a teenage major-label signing turned sour, and he spent years out of Read more ...
Mark Kidel
Madeleine Peyroux made her name channeling Billie Holiday. White stars have never ceased to model themselves on African-American genius – Mick Jagger on Don Covay, Rod Stewart on Sam Cooke and Joe Cocker on Ray Charles. The resemblance is often uncanny, and yet there is always something missing - call it authenticity, roughness or soul. Peyroux has grown away from Lady Day, and found her own voice, but the jazz and blues that characterize most of the covers she sings with great skill and feeling, don’t quite have the edge of the originals.And yet, black vocalists have been as attracted to the Read more ...
Thomas H. Green
A couple of months ago the release of “Smile More”, the first song from Deap Vally’s new album, made it clear the female Los Angeles duo hadn’t mellowed. Almost all women hate it when blokes – especially blokes they don’t know – say, “Smile, love, it might never happen.” The song is a snarling response to such inanity. “I don’t want to be your reflection,” runs the chorus, “I don’t need your direction”. And if those clunky chancers didn’t get the point: “Everybody trying to tell me what to do/It makes me want to break some shit and sniff some glue.” The song boded well.Deap Vally’s debut, Read more ...
Kieron Tyler
In 1969, the Australian band Tamam Shud improvised as a film was projected onto the wall of a recording studio. The results were heard on the Evolution album. Playing original music live to accompany a film screening isn’t commonplace these days but eyebrows are no longer raised when it happens. Pere Ubu have played along with Carnival of Souls and It Came From Outer Space. Mogwai have done the same for the documentary Atomic. Of course, this was no surprise in the silent era and in the early Eighties Bill Nelson echoed the past by playing his soundtrack for Das Kabinett as the film Read more ...
Guy Oddy
While Nick Cave and the Bad Seeds’ last album, Push The Sky Away might almost be described as the closest to Easy Listening that the band are ever likely to find themselves, their new opus, Skeleton Tree is a different beast altogether. Written and recorded around the time of the tragic death of one of Cave’s teenage sons, it exudes all the hurt, terror and desperation that may be expected of such an erudite lyricist. Backed by droning blues that are loaded with apocalyptic imagery and creeping dread and piano ballads with ambient loops and down-tempo shuffles, Skeleton Tree sees Cave come to Read more ...