Album: Linkin Park - From Zero

California metal icons mark new era with captivating eighth album

share this article

Graceful and well-earned: California metal icons eighth album

The return of Linkin Park has been a long, winding path. The seven years since Chester Bennington's passing have swirled with speculation over what the long term future for the California nu-metal icons would look like.

The picture suddenly became clear in September as a 100-day countdown ended (after mysteriously counting back up for another week), revealing a five-hour livestreamed event confirming the bands return, new vocalist, new drummer and new album: From Zero, the band's eighth overall.

With the introduction of Emily Armstrong as a new vocalist, an air of contention has followed since the reveal. Anyone stepping into the space left behind by Bennington was going to face a mountain of scrutiny and decent amount of fan backlash, but with Armstrong some controversy has also followed relating to parts of her personal life.

However, the response to their return and lead single "The Emptiness Machine", a juggernaught of listenable, yet powerful rock, coupled with tour dates selling out world wide, has been a marked success. And Armstrong proves herself more than adept to handle the variety, as throat searing screams abound on "Two Faced", meanwhile she demonstrates her power on the dramatic pop ballad "Over Each Other".

With the album overall, there is an energy and intention that signals this is no half-baked comeback. Mike Shinoda and crew mark this new era by iterating on elements of what came before, but succeed in forging something new and avoiding it coming off as a pale imitation.

Instead, From Zero steps forward with intent. Though there is much that feels familiar, or can be traced to something in the band's back catalogue, such as "Heavy Is the Crown" which echoes the band's classic track, "Faint". Or, "Overflow", which takes on the electronic rock sheen of 2012's Living Things.

In all, From Zero – a nod to the band's original name, and recognition this new chapter is also starting over – does so much in its only 30-minute run time. Its defining quality is how well the band have balanced this reintroduction and also continued on their trajectory. Graceful and well earned, From Zero captivates with newness but is true to the band's heritage.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Graceful and well earned, 'From Zero' captivates with newness but is true to the bands heritage

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

Despite a mostly seated venue, the dance veterans got fans on their feet with ease
Extreme noise terrorists double up their fire power to great effect
The quietly poetic singer-songwriter finds an impressive way to get louder
The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe
Damon Albarn's animated outfit featured dazzling visuals and constant guests
A meaningful reiteration and next step of their sonic journey