CD: Meghan Trainor - Title | reviews, news & interviews
CD: Meghan Trainor - Title
CD: Meghan Trainor - Title
US singer's chance to prove she's about more than that bass
Meghan Trainor may not yet be a household name, but you’ll be familiar with her feelgood hit of last summer. “All About That Bass” is many things: insistent, catchy, possibly anti-feminist body-shaming – but it also sparked a little debate on my Twitter feed in the hour or so leading up to the Bells on New Year’s Eve.
Before you start to wonder whether Title delves deep into such existential questions, I’d better make it clear: what the label would like you to believe is Trainor’s debut album sounds exactly like you think it does. Ten songs in various shades of pink (11, if you count the calculatedly retro-flavoured 24-second “interlude” that opens the album; and a whopping 15 if you spend a week convinced that you’ve been sent the most bloated pop album of all time and not the "deluxe" edition); melodies like nail bar karaoke; lyrics like ladette culture didn’t die an undignified death at some point in the early ‘00s. Themes covered include drunk-texting, early morning “walks of shame” and one of the most spectacularly crude misdirections modern pop has enjoyed in a while. None of the others, with the possible exception of “Dear Future Husband”, match that first single in terms of sheer ubiquity – although admittedly this is based only on the fact that I have woken up with “All About That Bass” in my head every morning this week.
There are plenty of reasons to be cynical about Title. We could start with the label-mandated disappearance of Trainor’s three previous albums in the run-up to its release, move on to the juxtaposition of her wholesome image with bawdy humour and doo-wop beats with too-clean production – often in the same songs – and end with the easy slating of the album’s insipid duet with John Legend. Yet there’s something about Trainor – a talent for a catchy hook; an emotive voice not dissimilar to Adele’s award-winning one – that prevents me from writing her off entirely. Any tips for removing the bass from my brain gratefully received, though.
Overleaf: it's "All About That Bass". You're welcome.
rating
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Add comment