Opera
josh.spero
As anyone on the Royal Opera House's mailing list will no doubt be aware, today is the first day you can book for the new season. In theory. Why in theory? Because currently I am number 1087 in the queue to get onto the website. Not even to buy tickets - just to see what there is to buy tickets for. If you want to see anything in this summer's season (Manon with the divine Anna Netrebko, say), you may need to start queuing for returns now - or at least be prepared to pay for the most expensive seats, which are usually all that are left after such a scrum. Last I heard, Lady Gaga was not Read more ...
Jasper Rees
It is rare enough for directors to collaborate in theatre, even rarer in opera. Patrice Caurier (b. Paris, 1954) and Moshe Leiser (b. Antwerp, 1956) began their long collaboration in their 20s. They are now in their 50s, and since that first production of Britten’s A Midsummer Night’s Dream at Opéra de Lyon in 1982, they have never worked (or lived) apart. Cohabiting and collaborating, they are opera’s closest equivalent to Gilbert and George.As personalities they could not be more different from each other. Caurier is careful and reserved, Leiser fiery and voluble. While their work Read more ...
Jasper Rees
As co-directors of opera, Patrice Caurier and Moshe Leiser's fidelity to each other's artistic vision is one thing. Their devotion to Rossini is also relatively unusual. Their loyalty to and faith in their designers is almost as deep. In this ravishing set of photographs, memorialising five of their productions at the Royal Opera House, the set designs are all by Christian Fenouillat, costume designs are by Agostino Cavalca and lighting is by Christophe Forey. Click on the images to view them. Read theartsdesk Q&A with Caurier and Leiser. [bg|OPERA/Jasper_Rees/Leiser_Caurier]
Madama Read more ...
Adam Sweeting
To be born into the extraordinary Wainwright dynasty is to be born onstage, and Rufus has seized his birthright in a giant bear-hug. Mere weeks after the death of his mother, Kate McGarrigle, from cancer in January, the lanky, somewhat Heathcliff-like Rufus was back on the campaign trail with throttles wide open. In the pipeline for early April are his new album, All Days Are Nights: Songs for Lulu, and a new production of his opera Prima Donna at Sadler's Wells.Rufus has grown up in public, and that's where he feels most comfortable. More retiring personalities might have locked themselves Read more ...
Ismene Brown
French geography has a significant hand in the small but exuberantly formed opera and dance that comes out of that civilised country - scaled for the important theatres that lie far beyond Paris and which have a great deal to teach Britain about creating a vivid national landscape. Opera du Rhin’s smashing new production of Rameau’s Platée in Strasbourg is produced for small theatres but with not the slightest diminution of vitality and ingenuity, and if you didn’t catch it streamed live last week on arteliveweb.com or in its home theatre in Strasbourg, then you can still speed to Read more ...
igor.toronyilalic
I have no compunction laying into vastly overrated composers, crazily overpaid conductors or lazily over-employed directors. I feel slightly more guilty doing the same to struggling singers or musicians. But a cast of tiny children dressed up as bunnies? Now, come on, even I draw the line somewhere. Sort of.
Actually, they weren't all dressed up as bunnies. Some were caterpillars, some bugs, some cubs. There were adults too, kitted up as dragonflies, badgers, dachshunds and vixens, and some even playing others adults: a schoolteacher, priest, poacher and forester. Janacek's world is simple Read more ...
igor.toronyilalic
Filmed extracts of a fantastically vivid 1954 production of Janáček's The Cunning Little Vixen have been unearthed by the great blogger Doundou Tchil of Classical Iconoclast. Václav Neumann is the conductor; Berlin's Komische Oper is the house. Whets the appetite for tonight's Bill Bryden revival production at Covent Garden. Hard to imagine the sets or the acting (watch that singing vixen scrambling about before the poacher) being bettered. My friend says I'm setting myself up for a fall. But Sir Charles Mackerras will no doubt give Neumann a run for his money.
Book for The Cunning Little Read more ...
Ismene Brown
Jonathan Mills has announced the programme for Edinburgh International Festival 2010, on a theme of modern culture in the New Worlds of the Americas and Australasia. Ranging from California to Canberra, New York to New Zealand, from Santiago to Samoa, the festival opens on Friday 13 August with John Adams' oratorio El Niño and closes on Sunday 5 September with the traditional fireworks concert.World premieres include political writer Alistair Beaton’s exploration of Scotland’s futile attempt at establishing a colony in Panama, Caledonia, directed by Anthony Neilson and co-produced by the Read more ...
David Nice
It's amazing how much you can tell of what lies ahead from the way a conductor handles a master composer's first chord. Katya Kabanova's opening sigh of muted violas and cellos underpinned by double basses should tell us that the Volga into which the self-persecuted heroine will eventually throw herself is a river, real or metaphorical, of infinite breadth and depth. And that was exactly what Mark Wigglesworth conjured from ENO strings in a performance more alert to the value of every note and colour in Janáček's lightning-flash score than any I've heard. David Alden's production and a Read more ...
edward.seckerson
On the eve of his brand-new staging of Janáček's Katya Kabanova for English National Opera, David Alden - the one-time "bad boy" of opera - talks about first-night riots, Britten and Donizetti triumphs, and the dramatic potency of Janáček. Live and uncut.
Listen to this episode
Book for David Alden's Kátya Kabanová at the English National Opera
Check out what's on in the ENO season
David Nice
Britain's most communicative singing actor, lyric-dramatic tenor Philip Langridge has died at the age of 70. I offer a personal reminiscence, looking back on some of the greatest theatrical experiences of my life, and ask conductors Sir John Eliot Gardiner, Sir Mark Elder, Edward Gardner and Vladimir Jurowski as well as director Richard Jones what Langridge's example has meant to them. List your top ten operatic performances: it's an exercise some critics are asked to undertake by rating-hungry newspapers, and a task many of us like to indulge in simply to remind ourselves what's truly Read more ...
igor.toronyilalic
The new millennium shimmered into earshot with a musical masterpiece from a female Finn. Kaija Saariaho's L'Amour de Loin (2000) appeared to open up an enticing new operatic sound world, less dogmatic, more instinctive, colourful and intense, very much like the work's model, Debussy's Pélleas et Mélisande, had done a hundred years before. Ten years on, the critical establishment descended on Lyon for Saariaho's third opera, Émilie - which comes to the Barbican in 2012 - based on the last days of the life of 18th-century French intellectual, Émilie du Châtelet, to see if Saariaho could repeat Read more ...