Reviews
Thomas H. Green
A band are doing well if they have their audience laughing and cheering before they’ve even hit the stage. Such is the case with Public Service Broadcasting who show a creaky public information-style animation, with a distinct 1970s feel, prior to their appearance. In it we’re presented with Calman-esque cartoons Ralph and Geoffrey who each have contrasting approaches to using their mobile phones at concerts. Suffice to say things don’t end well for Geoffrey, who spends the whole concert waving his iPhone about taking dodgy blurred footage and getting in everyone’s way. Regular concert-goers Read more ...
Kieron Tyler
If A Pigeon Sat on a Branch Reflecting on Existence induces reflections on the nature of existence, the resultant mood could initially be very glum indeed. Swedish director Roy Andersson’s meditation is the self-declared “final part of a trilogy about being a human being”. It opens with three vignettes focusing on unexpected deaths and is, overall, grey in tenor. It is also, though, laced with humour and a very precise eye for changes of mood, the subtle differences between each of us and the tenderness which can bond even those who seem directly opposed to each other.A Pigeon Sat on a Read more ...
David Nice
Poised vibrantly enough between the buried-alive monotony of Philip Glass and the dynamic flights of John Adams, Steve Reich’s Three Tales deserves a special place in music-theatre history ("opera" it is not). Ironically, since it deals with the two-edged sword of the 20th century’s major scientific developments, the video work with which the music interacts so brilliantly – by Reich’s former wife and long-term collaborator Beryl Korot – has been left looking a bit dated by rapid progress in that field since its 2002 premiere.Besides, after the pioneering speech-melodies of Different Trains Read more ...
Tom Birchenough
You haven’t had to actually watch the brutal executions staged by Islamic State (IS, or ISIS or ISIL, as it’s also known) to register them: just a single image registered has been more than enough to horrify. Managing to penetrate the world’s consciousness to such an extent has surely been one of the terror group’s most singular achievements. As one contributor to This World’s latest bulletin from the frontlines of Islamism, World’s Richest Terror Army, put it, the organization combines an ideology drawing on seventh-century principles with a 21st-century grasp of social media technology. In Read more ...
Gavin Dixon
Gasps of surprise were heard across the country last month, when Richard Morrison on BBC Radio 3's "Building a Library" announced Daniel Barenboim and the Staatskapelle Berlin as his library choice for Elgar’s Second Symphony. That recommendation proved timely for the conductor and his orchestra, who yesterday completed their short London residency with the same symphony. The performance demonstrated a genuine intimacy with Elgar’s music. Enthusiasm as well, perhaps to excess, with many cherished details overpowered. An evening of passionate music-making, though, with real emotional Read more ...
fisun.guner
There’s no doubting the precocious talent of Laura Marling. At just 25 she recently released her fifth album, Short Movie, which matched the spiky introspection of song-writing previously driven by folk melodies with a new rock-orientated sound. Inspired by her two-year sojourn in LA, from which she returned late last year, the album tells of the usual romantic yearnings and scorned or broken love affairs, mixed with tales of everyday encounters with new age Californian mystics. A sense of both the expansive West Coast landscape and of cosmic space meets altered consciousness, prevailed. Read more ...
Kieron Tyler
The pupils at a girl’s school are afflicted by fainting. It’s spreading. A teacher is affected too. The epidemic began after Lydia and Abbie's friendship has irrevocably ended. Lydia became the first to faint. The school’s headmistress, Miss Alvaro, is determined to ignore what’s going on and ascribe it to baseless hysteria. The stern teacher Miss Mantel is equally unyielding. When medical examinations are finally undertaken, no causes are determined. Lydia is isolated and then expelled as a Typhoid Mary figure.The Falling is, after Edge, director Carol Morley’s second fiction feature. She is Read more ...
Marianka Swain
Coming-of-age comedy, moonlit romance and a gentle folk soul: can this really be Eugene O’Neill? The master of darkness makes a surprising departure with semi-autobiographical 1933 work Ah, Wilderness!, which visits staple tropes – addiction, family strife, responsibility and regret – with a marked lack of rancour. Like its youthful protagonist, world-weary cynicism is a mere pose, abandoned in favour of beguiling, hopeful innocence.Though tonally divergent, the play’s setting identifies it as a prelude to Long Day’s Journey Into Night. We’re once again transported to the small-town coastal Read more ...
David Nice
It looked like a potential misalliance between performers used to looking at the stars and a programme of earthly, ideally rather broadly humorous delights. In the event, Martha Argerich, who can turn her high, lucid playing to most ends, sought out a sharp-edged wit if not a relaxed warmth in Beethoven’s First Piano Concerto. The real magic came later in the first half. But in the second, Daniel Barenboim seemed to have a very strange concept indeed of Strauss’s Ein Heldenleben (A Hero’s Life), a work which can seem oddly repellent without lashings of exuberant epic parody – there was Read more ...
Aleks Sierz
The NHS is us. Early in this new verbatim play about the National Health Service, one of the characters says that when a sample of Britons was recently asked what the most important institution in the UK is, six per cent said the monarchy, 12 per cent said parliament, but a whopping 48 per cent said the NHS. It is central to our national identity, and arguments about its condition are a vital part of the general election campaign – which explains why the Royal Court has programmed this show now.Michael Wynne’s verbatim documentary about doctors, nurses and hospital staff has an epic feel Read more ...
Adam Sweeting
The title is, of course, ironic. The house in question is a rambling refurbished dwelling deep in the Lake District, reached by driving through lonely wind-blasted valleys and across rain-thrashed hillsides. It's where a former policeman, known only as Robert (Christopher Eccleston), has come to heal himself after a traumatic near-death experience.Writer Michael Crompton hasn't been squeamish about mixing up a bubbling cocktail of favourite thriller ingredients – murder, revenge, terror, isolation – and this first of four parts sped along urgently, conveying a sense that it knew exactly where Read more ...
alexandra.coghlan
You only have to look down the list of recent winners of the Handel Singing Competition – Andrew Kennedy, Elizabeth Atherton, Ruby Hughes, Sophie Junker – to see its pedigree, its knack for spotting serious talent. Yet you also only have to look down the list to realise that Handel gives sopranos an unfair advantage in a competition which gives them so much more repertoire to choose from than certain other voice types. Pity especially the tenors and baritones whose operatic choices all too rarely extend beyond walk-on roles. All of which makes this year’s winner – Spanish baritone Josep-Ramon Read more ...