Reviews
Matt Wolf
One isn't long into the latest weather-related doomsday movie before a nagging question occurs: did the script for this late-summer image of elemental Armageddon at some point blow away? We all know that you don't go to these kissing cousins of Twister and the like expecting Chekhov or Mike Leigh. But Into the Storm is so peremptorily written that it's borderline hilarious. I would imagine it's not easy to effect ceaseless variations on "we gotta get outta here" and "is everybody okay?" - to cite just two of screenwriter John Swetnam's defining lines - but rarely does one get the sense that Read more ...
Hanna Weibye
In keeping with the trends of recent years, the Edinburgh International Festival is showcasing a small but eclectic dance programme, light on classical ballet and heavy on contemporary, international and fusion. After choreographer Mark Baldwin’s collaboration with Ladysmith Black Mambazo last week, the festival is now playing host to what may be the final performances of Akram Khan’s bill Gnosis, which was a huge hit when it premiered at Sadler’s Wells in 2009.The first half starts with two long solos in the classical Kathak style, Polaroid Feet and Tarana. Khan dances with ghunghru bells on Read more ...
Matt Wolf
For an actor whose post-Potter CV has been so wide-ranging - an Irish cripple on stage one minute, a young widowed lawyer in a period horror film or the poet Allen Ginsberg the next - Daniel Radcliffe has developed a highly distinct acting style: self-effacing, somewhat shy, his head often downturned as if to deflect attention away from someone who, after all, was catapulted into stardom before he had even reached puberty. And then there's the stubble, itself an apt visual reminder that the onetime boy wizard is now a man.Such modesty has its charms, to be sure, but also its limitations, as Read more ...
Lisa-Marie Ferla
Britain, as Tamsin Greig’s soothing voiceover told us at the top of this hour, is a nation in love with its animals. Still, it’s unlikely that BBC Two is betting the house on this docu-soap, which will follow the lives of 10 students through their final year at the Royal Veterinary College and which is screening every night for the rest of this week. The cynic in me expects that the channel had a few too many episodes and not enough weeks before the next series of The Apprentice was due to begin.Which is a bit of a shame because, although Young Vets is hardly reinventing the genre - unless Read more ...
edward.seckerson
The Russians were coming - and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does a Boris Godunov on us, had the promenade queue fast stretching towards South Kensington. And if ever music replicated the excited buzz of something in the air Stravinsky’s Scherzo fantastique did, raising the curtain almost imperceptively through the scurrying of muted strings and surprised woodwind punctuations.Here is music that redefines the idea of airborne until, Read more ...
emma.simmonds
The positioning of Oscar-winner Marion Cotillard (one of the few actresses to have confidently made that tricky transition from French darling to Hollywood leading lady) at the centre of the Dardennes' latest says less about the artistic integrity of the filmmakers - which remains beautifully intact - and more about the approach of the actress, who continues to do remarkable work in challenging fare despite her starry status.The premise is strikingly simple: Sandra (Cotillard) has returned to her job at a solar panel factory after a spell of depression. Soon after, she's told that they can Read more ...
Veronica Lee
Chris Turner: Pretty Fly, Pleasance Courtyard ****This is Chris Turner's debut show as a stand-up, although his previous experience in improv group Racing Minds gives him a wonderful assurance on stage and an easy rapport with his audience.Turner, 24, is an impressive gagsmith and Pretty Fly is packed with jokes and puns, and displays his obsession with Roman numerals - “I've got literally MMs of them” - and the Periodic Table. Well he is, by his own admission, a nerdy archaeology and anthropology graduate.He tells an autobiographical story, about growing up obsessed with hip-hop, his student Read more ...
Christopher Lambton
It is easy to be blinded by the sensational history of Shostakovich’s Seventh Symphony, the “Leningrad”. We cannot forget the famous performance by a starving makeshift orchestra in August 1942, at the height of the siege of Leningrad, or the dramatic way in which the Soviet authorities spirited the microfilmed score out of Russia to America via Tehran. Inscribed by the composer “To the City of Leningrad”, the symphony has been laden since birth with political meaning, much of it contradictory. Does the notorious, all-consuming march in the first movement represent the advance of the German Read more ...
Tom Birchenough
Calcutta director Satyajit Ray was a colossus of cinema whose work often bridged the gap between his native Indian – specifically, Bengali – culture and that of Europe. He wrote that his 1964 film Charulata (alternatively titled in English “The Lonely Wife”) was his favourite, saying “it was the one film I would make the same way if I had to do it again”. Ray’s script is based on a novella, “The Broken Nest”, by one of the most profound cultural influences on the director, Bengali writer Rabindranath Tagore.Charulata is a film of intimate concentration, as well as an immaculate recreation of Read more ...
Hanna Weibye
It sure feels like longer than three weeks since the Mariinsky rolled into town – at least if you’re one of London’s ballet fans. Non-balletomanes might be wondering whether the feverish intensity with which the company’s doings are followed, its form analysed, its health diagnosed, is disproportionate, a case of collective hysteria stoked by cultural stereotypes about Russians and the absence of other ballet offerings in late summer.After all, most touring companies are seen for what they are, a collection of more or less good artists, under a more or less good artistic director with a more Read more ...
Tom Birchenough
The best thing about The Great War: The People’s Story is the variety of intonations and accents that reveal the characters of the individuals whose letters, memoirs and diaries are collected in the programme. Last week’s opening episode caught all the gung-ho excitement that followed the declaration of war as men streamed along to join up. This second one brought us something darker, as we moved forward to 1915, with the “machine of death” already reaping its toll.The People’s Story will run to four episodes, each of which concentrates on four individuals whose stories last as long as their Read more ...
Kieron Tyler
Wire: Document and EyewitnessEven when taking account of the elasticity brought by punk splintering into the myriads of left turns, new directions and dead ends of what became post-punk, the trajectory of Wire was eccentric. Document and Eyewitness was the final and fourth album they issued before their reformation in 1985, having first split up in 1980. Ostensibly a live album, Document and Eyewitness captures Wire’s final show, on 29 February 1980, at Camden’s Electric Ballroom. It was an evening which continued what they had begun during a residency at The Jeannetta Cochrane Theatre Read more ...