Reviews
Ismene Brown
The Bolshoi left it till last to be most itself, to dance a ballet that is truly of its blood, its seed - its closing on Alexei Ratmansky's The Flames of Paris will leave much happiness in the memory to override the problematic productions of classics, the unidiomatic Balanchine and the awful backstage events. Here at last, in a work by the most gifted of recent Bolshoi directors, you met on stage young people who dance, who act, who love the theatre, fresh in their performing, skilled in their means, open-hearted in reaching the audience, and loved right back.The previous night the visiting Read more ...
Tom Birchenough
The shipping forecast is never going to sound the same again after Southcliffe. Each time it came back over the four episodes of Tony Grisoni’s drama, set against a background of the limpid dawn sky of marshland Faversham, which stood in for the drama’s fictional market town, we knew that Stephen Morton (Sean Harris) was about to embark on his shooting spree. Terror came out of nowhere.Or did it? That seemed the opening episode’s question, as we saw the outsider Stephen’s already fragile state of mind pushed over its limit by a ritual humiliation that seemed all too in-character for the place Read more ...
Sebastian Scotney
In a couple of weeks Marin Alsop will become the first woman ever to conduct the Last Night of the Proms. Yesterday's programme of 19th century works by Brahms and Schumann, on the fifth of the eight Saturday nights of the season, thus had its Proms-specific raison d'etre, a signpost towards that history-making final Saturday. Just as the last night's high jinks have their own, ordered traditions, the Proms planners definitely enjoy giving a self-referential logic to the season.The programme, which Alsop conducted entirely from memory, was a cleverly constructed juxtaposition of works which Read more ...
Kieron Tyler
“Everything you think you are, you’re not,” pronounced Holly Hunter’s inscrutable GJ in the final episode of the chilly Top of the Lake. Certainties crumbled as the series progressed, with Elisabeth Moss’s Robin Griffin discovering that almost everyone in the remote New Zealand town of Laketop had something they would prefer to hide. Returning there to see her terminally ill mother, Griffin also found that what she had escaped was becoming far too close, threatening who she thought she was - and who she actually may be. Top of the Lake may have been framed around the search for a missing Read more ...
Kieron Tyler
R Stevie Moore: Personal AppealIt’s a brave person who whittles down the output of R Stevie Moore to one CD. Since 1969, he’s made at least 175 albums, a significant proportion of which he committed to cassette tape. There are also a similar amount of singles, live albums and collaborative efforts. Handily, the British label Care in the Community has taken up the challenge and, instead of releasing a compilation which darts off all over the place stylistically, has issued a disc which unfolds as a unified album. No mean feat considering that the tracks on Personal Appeal originally Read more ...
Adam Sweeting
Boldly not going anywhere near things like Grange Hill or Teachers, Big School is more like a throwback to the St Trinian's of the 1950s. Co-writer and star David Walliams plays a man known only as Mr Church, Deputy Head of Chemistry at Greybridge School (the nod to Billy Bunter's Greyfriars presumably being the whole point). He's repressed, uptight and sexually inept, and more than a tiny bit reminiscent of Rowan Atkinson playing the title role in Simon Gray's Quartermaine's Terms.A few grudging scraps have been thrown to the prevailing -isms of 21st century education, like a pupil Read more ...
geoff brown
Jeremy Paxman’s beard may have been a wonder and a talking point for five days, but Michael Tippett’s opera The Midsummer Marriage beats it by almost 60 years. Ecstatic, visionary, energetic music, yes indeed. But, oh, the composer’s libretto! The Magic Flute, T. S. Eliot’s The Waste Land, English folk lore, Greek myths, A Midsummer Night’s Dream, Carl Jung’s archetypes of the unconscious mind, wafts of wisdom from the East: all get crammed and overheated in the pot, cooked by someone with a soaring lyrical musical gift but only a talent for awkward verbiage when it comes to writing words. Read more ...
Kieron Tyler
Sandra, 14, has worked out what it will be like if she marries One Direction’s Harry Styles. “His morning voice would be amazing,” she says, thinking forward to when the first thing she hears each day is the croak with which he greets the morning and her. Pop groups with fans are nothing new, and with them come ranks of the obsessive. Crazy About One Direction's twist was to explore the fresh landscape of Twitter-aided, light-speed-connected fandom of girls and young women under the spell of One Direction, the world’s most popular boy band.The film wasn’t really about the X Factor-created Read more ...
Veronica Lee
John Lloyd, Underbelly Bristo Square **** John Lloyd is a comedy god to any aficionado of the art form. He has written or produced some of the best radio and television comedy of the past 40 years, including (and these are just brief highlights) Just a Minute, The News Quiz, Not the Nine O'Clock News, Spitting Image, Blackadder and QI. He was with the Cambridge Footlights but hasn't performed live for more than 30 years, yet in Liff of QI you wouldn't know it – he's a naturally gifted raconteur.Standing behind a lectern, he delivers a sort-of lecture, which is a very funny collection of Read more ...
Stuart Houghton
Hardcore First Person Shooter (FPS) fans have their own preferences for controlling their favourite 3D action games. This usually boils down to the little/big-endian dichotomy of analogue thumbstick controller or mouse+keyboard combo (WASD for movement and strafing, space to jump, click to fire. Obviously.) Rarely will you see anyone coming out in favour of mobile or tablet touchscreens as the One True Way and there is an excellent reason for this - without physical feedback, controlling an FPS using a touchscreen is almost always a frustrating experience marked by a lack of precision.The Read more ...
Tom Birchenough
It’s the women who keep things together in Umut Dağ’s debut feature Kuma, and you can see the weight of the burden that matriarch Fatma (Nihal G Koldas) has been carrying etched on her face. Fatma’s latest endeavour to preserve balance in her Vienna-based Turkish family goes further than before, and provides the first surprise in Dağ’s film.Opening with the colourful atmosphere of a village wedding in Turkey, we assume that Fatma and her husband Mustafa (Vedat Erincin, below right, with Koldas) have married off their good-looking son Hasan (Muruthan Muslu) to the innocently youthful country Read more ...
Hanna Weibye
For their first visit to the UK, Shanghai Ballet have brought a narrative ballet based on a Chinese theatrical version of Jane Eyre. It focuses on Bertha Mason, Mr Rochester’s mad wife in the attic, whose fate has often troubled readers, though the Shanghai narrative does not ask about the economic and social conditions of exploitation, the colonialism and sexism that have trapped her.Instead it presents Bertha, Jane and Rochester as three troubled souls in a kind of eternal love triangle. But Charlotte Brontë's classic is not a novel about a timeless dilemma, it is about a specific character Read more ...