Reviews
aleks.sierz
Some plays are game-changers. When Jonathan Harvey’s Beautiful Thing opened at the tiny Bush Theatre in 1993 the joy that radiated off the stage was ample affirmation that this tale of puppy love had changed the face of gay plays for ever. Gone was dreary soul searching; gone was guilt; gone was militancy. Instead, we got fun, laughter and real heart.Then came the culture clash. When, the following year, the play transferred to the West End, along with Kevin Elyot’s My Night with Reg, the London Evening Standard inveighed against the corrupting “plague of pink plays”. Two plays — some plague Read more ...
David Benedict
They’re back, and this time it’s Gorky. Dream team director Howard Davies, translator Andrew Upton, designer Bunny Christie and lighting designer Neil Austin have repeatedly attached tragicomic jump-leads to the unfamiliar (Bulgakov’s The White Guard) and the well-worn (The Cherry Orchard) to explode the myth encapsulated by Ira Gershwin’s lyric: “I’ve found more clouds of grey/Than any Russian play could guarantee.” But despite the welcome return of their vision and some juicy performances, it’s increasingly obvious why they didn’t stage Children of the Sun before now.With a lobby opening on Read more ...
Jasper Rees
South Korea begging Washington for protection as the dread threat of nuclear apocalypse looms? As Graham Norton recently twitquipped, the news headlines are no more than the publicity campaign for Olympus Has Fallen. Most amusing etc, but that was before a bomb on an American street killed three and injured many others.The latest excrescent live action video game from Anthony Fuqua has a fortuitous kind of oafish currency, what with those freaky North Koreans brandishing fists at the neighbours over the fence. But without wishing to rain on anyone's parade of braindead jingoistic fervour, Read more ...
Sarah Kent
When I visited Rachel Whiteread two years ago, there were two old sheds gathering dust in her basement as though waiting to be loved and put to use. Why was she cluttering up her studio with such large and intrusive objects, I wondered? “Things fester,” she told me by way of explanation. “I like to mull things over, so they might lie about for years. It’s to do with me noticing them; they need to relate to my train of thought and investigation. I’m drawn to things that are not too considered or self conscious like bathtubs, wardrobes and windows that are taken for granted as part of everyday Read more ...
Nick Hasted
Down in the cellar where the monsters were in Sam Raimi’s 1982 debut The Evil Dead, you glimpsed a poster for Wes Craven’s 1977 film The Hills Have Eyes, ripped symbolically in half. The bar for gruelling low-budget horror, Raimi was saying, had just been raised.In employing another debutante, Uruguayan Fede Alvarez, to remake The Evil Dead, Raimi, these days the unlikely Hollywood insider behind the Spiderman trilogy and Oz the Great and Powerful, invites him to raise the stakes again.The original’s fireproof premise is kept: five friends spend the weekend in an isolated cabin in the woods ( Read more ...
Jasper Rees
Where will it end? Inspector Morse keeled over all the way back in the year 2000. Then the faintly unimaginable happened. Morse’s plodding sidekick Lewis got a promotion and started solving Oxford’s apparently inexhaustible supply of murders himself. When Lewis retired this January, the logical choice would have been to hand the baton on his lanky junior.  Hathaway sounds like a series, doesn't it? But no, ITV have long been hatching other plans for the brand that keeps on printing money.A year ago we were spirited back in time to look in on the junior Morse as he made his first Read more ...
garth.cartwright
Remember the Brass Band Battle of a couple years ago? The one that pitted Romania’s Fanfare Ciocarlia vs Serbia’s Boban & Marko Markovic Orkestar on CD and stage? The concert at London’s Koko was great fun, less a "battle" and more a good humoured showcase for two great Gypsy brass bands to tear it up.Balkan Brass Battle was such a success it toured for two years. Then Boban pulled his Orkestar out. He has now broadened the brass battle by lining up against Mexico’s Banda Estrellas de Sinaloa de German Lizarraga. Mexico and the Balkans share a popular brass band tradition that stretches Read more ...
Adam Sweeting
The 1988 uprising in the French colony of New Caledonia, in the Western Pacific, is apparently unknown to most French people, let alone we rosbifs, but director Mathieu Kassovitz has used the episode as a scalpel with which to probe issues of colonialism, race and political cynicism. It's something of a return to issues Kassovitz explored in La Haine (1995), following his excursions into the supernatural and sci-fi with Gothika and Babylon AD.The setup is pretty simple. A group of Kanak separatists launches a surprise attack on a gendarmerie on the island of Ouvéa, killing four French Read more ...
Matthew Paluch
In String of Rites, Sadler’s Wells has commissioned three works as a tribute to Vaslav Nijinsky’s 1913 Le sacre du printemps. It opened with the Fabulous Beast Dance Theatre’s double bill, The Rite of Spring and Petrushka. Both scores are by Igor Stravinsky, created for the original choreography by Nijinsky and Michel Fokine respectively. Michael Keegan-Dolan’s Rite is dark, both visually and in emotion, and stems from the same concept as Nijinsky’s - pack mentality and what fate this can project onto the "chosen one". But Dolan’s look is visually different. The 10 dancers are Read more ...
mark.kidel
In spite of a text that feels at times like Shakespeare by numbers, Andrew Hilton’s tightly-knit company has once again pulled off an evening of captivating theatre. As in other productions from Shakespeare at the Tobacco Factory, the casting is pitch-perfect and the acting first class, down to the star performance of a hilariously mournful black dog.Two Gentlemen of Verona is an early piece, and although there are plenty of the touches of the genius that will illuminate the bard’s greatest plays, this tale of love, friendship, inconstancy and betrayal is almost too smoothly constructed. The Read more ...
Kieron Tyler
 Sandie Shaw: Sandie/Me/Love Me Please Love MeThe former Sandra Goodrich probably would have emerged in the Sixties as an embodiment of the era. She could have been a model, actress or a TV presenter. But it was music that found her, and it suited her a treat. The reissue of her first three albums – each supplemented by the relevant singles and B-sides – is a powerful reminder of her potency. When The Smiths brought her on board for “Hand in Glove”, it further stressed her pivotal role in British culture.Her naturalness obscured the fact that she was a great singer. Ease of delivery did Read more ...
alexandra.coghlan
Sunken Garden is described officially as a “film opera”. Two words. Emphatically unhyphenated. No attempt made to neologise or fashion some third-way genre terminology. It’s not a symbol that bodes well for mutually-informed, sensitive interdisciplinary thinking, but in Michael Van der Aa and David Mitchell’s work English National Opera have come one tiny, shuffling step closer to realising that elusive multimedia idée fixe that has so preoccupied the company under John Berry.First we had the atrocity that was Mike Figgis’s Lucrezia Borgia (soft-core rompings on screen and wooden barkings on Read more ...