Reviews
David Nice
Or, The Lord and Lady Macbeth of the Seizième, as imagined by a bourgeois teenager who fancies himself to be Bougrelas, heir to the Polish throne. That's one way of looking at the concept so dazzlingly carried through by Declan Donnellan and Nick Ormerod with the French wing of their Cheek by Jowl Company. It’s a chaotic tale told by a big kid, as the 23 year old Alfred Jarry still was when he part-engineered a scandal for the 1896 Paris premiere of Ubu Roi, a platform at last for the savage, potty-mouthed and pot-bellied anti-hero Jarry had dreamed up years earlier in revenge against a Read more ...
aleks.sierz
The family can be a knot of hatred as well as a cradle of love. Rather late in this new play by Tanya Ronder comes a scene in which a separated husband and wife try to untangle this knot, and end up by tightening it. And this takes place around a table, which is silent witness to this epic tale which spans more than a century, and uses nine actors to create some 23 participants over six generations.By a happy coincidence, this story of a wooden table takes place in a new wooden theatre which the National Theatre has built in its riverside front yard (pictured below, © Philip Vile) as a Read more ...
Lisa-Marie Ferla
Does Caroline Aherne hate women? Surely not, but given that there have been plenty of painfully humourless so-called comedies over the years with this heavy a reliance on recurring jokes about older women’s breasts you could be forgiven for hoping that one of the country’s most high-profile comediennes might use her position to produce something a little less puerile than The Security Men.Aherne and Pope's foursome at least seem to be having funThe flimsy hour-long programme was co-written with Jeff Pope, who worked with Aherne on 2009‘s The Fattest Man in Britain. The Security Men reused a Read more ...
graham.rickson
Rachmaninov: Piano Concertos 1-4, Paganini Rhapsody Valentina Lisitsa, London Symphony Orchestra/Michael Francis (Decca)Read the press notes before listening to this double CD and you’d be forgiven for feeling some trepidation; Valentina Lisitsa is a Ukrainian pianist who was catapulted to megastardom via the medium of, er, YouTube. Then you find out that time constraints prevented Lisitsa from meeting conductor Michael Francis before the sessions. He had to make do with emailled video clips. So it’s a delight to report that much, though not all, of the music making captured here is Read more ...
emma.simmonds
Director Joseph Kosinski's second film feels dispiritingly like his first, the bastion of excitement and originality that is TRON: Legacy. That film was an empty shell which at least managed not to be catastrophically irritating. Oblivion stars Tom Cruise, proving yet again that his ego is in inverse proportion to his physical stature. He plays "one of our best" in a soulless film which has the gall to place tangible cultural pursuits on a pedestal whilst clonking you round the head with sterile CGI.The year is 2077 and, yes, Tom Cruise is still an action-man. His Jack Harper bounds about Read more ...
David Nice
"You know that I am as sincere in my faith, without any messianic screamings, as I am in my Parisian sexuality," declared Francis Poulenc, who died 50 years ago this January at one with his God and his cheerful, not exclusively but mainly gay, promiscuity. Alas, the Revd Richard Coles and Anne Atkins, nearly scuppering all the joy of the CLS's mini-festival finale in a “discussion” before the concert proper had even begun, didn't seem to know at all .Having proposed some sort of imaginary tussle between God and sex for the soul of our lovable Frenchman, the two went off at a waffly, self- Read more ...
Jasper Rees
The cup of tea is a national institution that brings comfort and good cheer to millions. So is Victoria Wood. Blend them in a pot and you’ve got a pleasing brew called Victoria Wood's Nice Cup of Tea. It might not have been so. When Wood last ventured out into the former Empire it was to visit all the places in the world named after Queen Victoria. The concept felt slightly stewed. Not here.Broken down into two distinct chapters, Victoria Wood's Nice Cup of Tea spent the first hour explaining precisely where the humble cuppa came from. Put very reductively, its precious leaves were originally Read more ...
Simon Munk
The bassline starts, "1979" flashes up on screen and, over a scratchy recording, the voice intones "Walking down the street, I get punched; you're walking down the street, you get punched".PunksNotDead's not going to hold your attention for more than a few minutes, but in those few minutes, this hyperkinetic, luridly day-glo explosion of punk attitude and violence encapsulates everything that's great about the indie games scene – it's the ideas, stupid (and they're free).PunksNotDead sees your stickman ambling along a street filled with fluoro-pink people, cars and lampposts, except some of Read more ...
Adam Sweeting
I don't know how accurate Scott & Bailey is as a portrayal of the daily experiences of policewomen, but screenwriter Sally Wainwright is enjoying herself hugely with the chaotic private lives of her protagonists. Quite a bit of this echoes back to the death of barrister Nick Savage (the ineffably sleazy Rupert Graves) in series two. He was DC Rachel Bailey's lover, though he'd failed to mention that he was already married with two children. To heap insult on injury, she then discovered he'd had an affair with a juror during a court case.Anyhow, in this mostly-retrospective episode, we saw Read more ...
Ismene Brown
Yok is a fine Turkish word meaning “there isn’t any”. You use it for “no”, as in, say - is Midnight Express any good? Yok.The hot news surrounding this production was all in the scarpering of its two stars a week before opening, both exceptional Russian artists with stellar reputations to lose. While Britain was agog at the latest fleeing from responsibilities of the wayward tyro Sergei Polunin - slated to play Billy Hayes - probably the more indicative evacuee was the senior Igor Zelensky, Polunin’s mentor and boss at the Stanislavsky Ballet, but better remembered over here as a king of Read more ...
David Benedict
People sneer at musicals for endless reasons: they hate Broadway brashness, non-naturalistic lurches in and out of song, the sentimentality. One of the least acknowledged reasons, however, is because their plots – predictability plus songs – have zero tension. And you know what? Placed in the witness box, many a musical emerges guilty as accused. But the quietly astonishing Once is innocent of all those charges. Deftly exploding just about every myth about musicals, it’s simply riveting.The tension maintained throughout John Tiffany’s bewitching production is all the more remarkable Read more ...
aleks.sierz
Anthony Neilson is the wild man of new writing. However, this reputation, which has been provoked by shock-fests such as Penetrator (1993) and Stitching (2002), belies the fact that some of his best work, such as The Wonderful World of Dissocia (2004), exudes a warm humanity and offbeat humour. But perhaps the most significant thing about some of his recent work has been his concern with process.Instead of writing a play and then handing it over to a director and actors, Neilson creates his stories in rehearsal. So his latest 110-minute piece, Narrative, began life with the bald title of A Read more ...