Reviews
Louise Gray
In 1991, the Basque performance artist Esther Ferrar wrote a letter to modern music’s inventive genius, John Cage, on the future of anarchism. Ferrar’s letter – written in the year before Cage died – was in fact a reply to a question about anarchy’s prospects that the composer had thrown out to the wider world (typically, in the form of mesostic poem called “Overpopulation and Art”), and it’s true to say – as this last event in the short Cage Rattling season made clear, that two streams of anarchy were being addressed: on the one hand, the unfettered possibilities flowing from Cage’s chance Read more ...
Karen Krizanovich
The last gasp of the Twilight franchise is really quite good, fugueing on the idea that if vampires live forever, wouldn’t it be great if a vampire fell in love with a human being - and didn’t drink her to death? As irresistible as that seems, there are times over its run when the Twilight franchise seemed to work against itself - what with huge idiotic CGI wolves that are neither scary nor realistic, etc. Nevertheless, the fifth and final (so far) film for the Twihards (Twlight hardcore fans) impresses: it knows exactly what it wants to achieve and sets out to do it - with one huge surprise. Read more ...
Veronica Lee
Alan Davies used to be a regular on the stand-up circuit, before acting and other television work, including ad campaigns and being a panellist on the long-running quiz QI, took him away from live comedy. But now, after a break of more than a decade, he's back on the road and the rest has clearly served him well.He got the mentions of Jonathan Creek and QI out of the way fairly quickly as he did some chitchat with the audience. He appeared unfazed by the largely unresponsive audience at the Hackney Empire, where I saw the show, but he turned a friendly heckle - which considerably disrupted Read more ...
Marina Vaizey
This compilation of nearly 90 photographs by 30 photographers from 13 different countries of the Middle East is literally and metaphorically illuminating. The Paris-based Iranian photographer Abbas puts it thus: “I write with light.”Framed in three different labelled sections - Recording, Reframing, Resisting – the exhibition is an unusual and welcome collaboration between the Victoria & Albert and British Museums, with support to the tune of £100,000 from the Art Fund. The gift was shared between the two museums who each bought for their own collections. The results, dating from Read more ...
terry.friel
There was a memorable, very French moment in a television series hosted by the great British wine writer, presenter and Master of Wine Jancis Robinson. A French winemaker, asked to taste an Australian wine, swills in disdain and pointedly walks outside, on camera, to spit it out. It’s not good enough even to slosh the floor of his traditional wineshed.That was just a few years ago. Chateau Chunder showed how Australian wine went in two generations from a joke and "plonk" fit only for the poor, the alcoholic and the desperate to some of the best wine in the world. It opened with the famous Read more ...
Matthew Paluch
The Jasmin Vardimon Company bring their latest creation, FREEDOM, to Sadler’s Wells this week for two nights only. The work is best described as a collection of vignettes (supposedly) discussing the subject of freedom, and any conflicting conditions. The programme literature confirms that Vardimon is assessing “political systems, social conditions and personal philosophies” within the piece – which is seriously fighting talk that wasn’t necessarily backed up.The work starts well with a diversely textured set (by Guy Bar-Amotz and Vardimon) suggesting a natural locale, all tactical green moss Read more ...
joe.muggs
At the beginning of last night's show, Herbie Hancock looked like he was going to perform with the dignity and serenity befitting a 72-year-old with some 50 years playing experience. The improvisation that launched from a base of Wayne Shorter's “Footprints” was elegant, charming, tasteful and often very beautiful. The synthetic instrumental loops that he triggered via a couple of iPads mounted on his grand piano as backing were unobtrusive to begin with and had a delightfully loose groove.Hancock's playing over some 15 minutes of that piece ran through a meandering narrative that took in Read more ...
Laura Silverman
Not even a cameo by Tamsin Greig can redeem this painful adaptation of Euripides' The Trojan Women. For an hour and a half it screams with anguish, verging at times on the parodic. The production is a puzzle. Caroline Bird has updated the language, stripping the original of much of its poetry and adding expletives. Jason Southgate has designed a brilliantly claustrophobic modern hospital ward as the set, and Noelle Claude has chosen simple, if sometimes bland costumes that could pass for modern outfits (those worn by Helen of Troy are designed by Sonia Rykiel). Yet these are Read more ...
Thomas H. Green
So, another programme about Hitler and the Nazis. They mock the Brits all over Europe for our obsession with this subject. During the summer, I worked on a project with Italian associates who found this intense interest roundly bemusing. They subscribed particularly to the old joke that to create the British market’s most successful ever book, it would need to include cats certainly but, most of all, Nazis. So is there anything left for historical writer and documentary maker Laurence Rees to say in his new three-part series?The answer is, “A little, yes”. Having created the gripping The Read more ...
peter.quinn
For the way it combined mercurial, on-the-fly interplay, seismic textural shifts and listening of the highest order, this gig was remarkable. In the space of two continuous sets there wasn't a longueur to be found, such was the incredible union of Black Top #5's boundary-pushing improv and fine-tuned musicianship.Saxophonist Steve Williamson, trumpeter Byron Wallen and vocalist Cleveland Watkiss joined Black Top founders, pianist Pat Thomas and vibist/sampler Orphy Robinson, to explore the intersection of live instruments and the technology of dub, reggae and dance floor.You would search in Read more ...
garth.cartwright
Britain has a grudging relationship with country music – we’ve never produced a successful country singer (although the likes of guitarist Albert Lee and several songwriters have prospered in Nashville) and our love for the likes of Johnny Cash is tempered by a contempt for much of what is marketed as country music. I’m often surprised by how blues, soul and jazz lovers can admit ignorance of a musical form so closely related to other American genres.That this weekend found two major US country stars performing in London – one male and comfortable as a Nashville mainstream icon, the Read more ...
Veronica Lee
The 12th series of the jungle fun is another gathering of micro-celebs, wannabes and has-beens, and a smattering of people you have never heard of - and indeed by the end of the series would still have difficulty identifying in a police line-up, so interchangeable and unremarkable are they.The 10 “celebrities” are the usual suspects: people you vaguely remember from a soap - Helen Flanagan (Coronation Street) and Charlie Brooks (EastEnders); a popster (ex-Pussycat Dolls' Ashley Roberts); and a couple of actors of a certain age - former Doctor Who Colin Baker and Linda Robson of Birds of a Read more ...