Reviews
Nick Hasted
A film about an Aboriginal soul quartet in the Vietnam War should at least have originality covered. This adaptation of the hit Australian musical by Tony Briggs based on his mum and aunt's Saigon adventures rings most changes, though, in being a resolutely uplifting Aboriginal story. Australia’s deep racism in 1968 is well-caught when sisters Gail (Deborah Mailman), Cynthia (Miranda Tapsell) and Julie (Jessica Mauboy) powerfully harmonise at a spitefully rigged small-town talent contest. But with the help of cousin Kay (Shari Sebbens) and the dubious management skills of sozzled Irish Read more ...
Tom Birchenough
A story of six years of conflict in the West Bank set against more timeless details of life in the Palestinian town of Bil’in, 5 Broken Cameras brings the reality of resistance to the expansion of Israeli settlements – a conflict between unarmed locals and the Israeli army with its modern armaments - to the viewer in a far fuller way than we see in news reports. Palestinian co-director Emad Burnat shot hundreds of hours of footage in and around his home community, his only “weapon” his video cameras (which, as the title suggests, fell victim to bullets and violence in just the same way as did Read more ...
Jasper Rees
You suspected she was a goner the moment the doctors started to front up like King Kong and Godzilla. Having given birth to a girl, the rebellious bluestocking Lady Sybil got her marching orders last night on Downton Abbey and Jessica Brown Findlay’s husky larynx will be heard no more pouring oil on troubled waters. The rest of the cast can rely on a berth in Julian Fellowes’ gilded prison for all eternity. Ms Brown Findlay is available for work.Seasoned Downtonians should have known something of this order was on the cards. The second series was absolutely rife with death and doom and Read more ...
Nick Hasted
In case you doubted the title, the great Cream drummer Ginger Baker breaks director Jay Bulger’s nose with a crack of his walking stick, after Bulger’s lived at his subject’s South African ranch for four months. Like a zoo-keeper thinking for a fatal second the tiger was his friend, Bulger found that Baker still bites.There’s ample testimony in this hugely entertaining documentary to the enduring “Baker temper”, both from former bandmates (“It wasn’t the knife thing” that bothered Cream bassist Jack Bruce during a blade-wielding beating), and wives and children left wrecked in his wake. He’s Read more ...
graham.rickson
You leave Opera North’s new Faust buzzing and bleary-eyed. The production sounds glorious, with terrific singing. It’s also blessed and cursed with a visually astonishing staging which thrills only slightly more than it infuriates. This company’s cheeky Carmen update annoyed many in 2011, and their take on "the second most popular French opera" will leave some spectators perplexed.Ran Arthur Braun and Rob Kearley’s updating is broadly contemporary but full of anachronistic details – the chorus could pass for Mad Men extras, though gazing at iPads and occasionally filming proceedings on their Read more ...
Steve Clarkson
It’s not easy bringing the Mississippi delta to Leeds city centre – yet here its hanging moss and tea-coloured waters fill out every inch of the expansive Quarry stage. Indeed, all that’s missing from Francis O’Connor’s remarkable set is a hungry alligator or two, though in the drama for which it provides a backdrop – Tennessee Williams’s Pulitzer Prize-winning classic about death, desire and deceit – the human characters are capable of inflicting quite enough damage on themselves.The fragmentation of the cotton-rich Pollitt family is presented with brutal clarity, beginning with the Read more ...
carole.woddis
Banking and the financial world may have gone into free-fall, but there are still killings to be made. Particularly personal ones. Nicholas Pierpan’s You Can Still Make a Killing is a morality tale for our time, a revenge tragedy without corpses, except for reputations. And, in the City, reputation – or rather perception - is everything.“Perception is part of the reality,” says Henry, working for the FRA – a public financial services body. That is presumably the means by which the playwright steers away from trouble: against a backdrop of modern City scandals, much talk of Lehman Brothers, Read more ...
Adam Sweeting
It was tough luck for Good Cop that the real-life killing of two female police officers in Manchester prompted the BBC to postpone its fourth and final episode, judging that its plotline of rookie cop Amanda Morgan acting as bait for a couple of knife-wielding thugs who preyed on women was too near the knuckle. This intrusion of headline events into the progress of the drama was also somewhat paradoxical, since while Good Cop presented some of the common symptoms of the mainstream policier, these were blended with an unusual mixture of morality play and psychological speculation.This lent the Read more ...
emma.simmonds
Balancing cool calculation with a touch of Potiche’s farce, In the House (Dans la Maison) sees French director François Ozon return to the story-within-a-story structure and enigmatic imposter subject matter of Swimming Pool.It stars Fabrice Luchini as Mr Germain, a frustrated French teacher, disenchanted by pupil apathy and his school’s new initiatives. His zeal for teaching is re-awakened when a talented pupil, Claude (Ernst Umhauer), starts turning-in intriguing but alarming assignments. These reveal that Claude has conned his way into a classmate’s house, and is observing and manipulating Read more ...
Marina Vaizey
This small, posthumous exhibition illuminates Richard Hamilton’s life-long engagement with both the art of the past and the latest techniques and technological possibilities available to visual artists in the 21st century. He played with photography, computers, notably digital manipulation, and even built several of his own computers. And he was as fascinated with print media – utilising found imagery from all kinds of publications - as with pencil and paint. He was a polymath.Hamilton has been long credited – although he did not appreciate the label - with inventing British pop art Read more ...
howard.male
For several years now this Swiss trio have been combining their love of old Cajun and Zydeco tunes with an arthouse-meets-punk aesthetic strongly influenced by the Velvet Underground and The Clash. But it’s only with their new album Bye Bye Bayou (released this week) that they’ve landed upon a sound that fully celebrates both their love of scratchy, trashy old records and their need also to be adventurously 21st-century. But the album is a sonic balancing act that relies somewhat on production by the Blues Explosion’s Jon Spencer to make sure that, although envelopes are stretched, they are Read more ...
peter.quinn
Surprising transitions, unusual segues, a myriad of I-wasn't-expecting-that moments. Saluting some of the iconic figures in Caribbean history and paying tribute to the tentacular reach of its culture, with House of Legends Courtney Pine has delivered one of the finest albums in his already well-stuffed discography.While his previous album Europa focused on the woody timbre of the bass clarinet, his fifteenth studio album features the plangent tones of the soprano sax exclusively, heard at the outset in a virtuosic flourish that announces a heart-wrenching ballad composed in memory of Stephen Read more ...