Reviews
ash.smyth
I think I owe David Hare an apology. When I sat down to watch Page Eight, last night – being, as it is, his latest probing of our moral and political universe – I just assumed that our national intelligence services would be in for a trendy-lefty-type shoeing. But I was wrong.Enter Johnny Worricker, a senior MI5 intelligence analyst with the complexion of yesterday’s porridge and a heart as warm as today’s (this much is established very quickly). He was a late-middle-aged man, in a reassuringly tailored suit, on a nondescript evening in London. You might have been forgiven for missing Read more ...
emma.simmonds
In Attenberg Greek director Athina Rachel Tsangari illustrates that there is no species on earth more peculiar than man. A hit at the 67th Venice International Film Festival, where its lead Ariane Labed rightfully claimed Best Actress, it is on first inspection something of a hodgepodge. On the one hand it’s a quietly confounding and deeply moving study of a woman’s alienated (and almost alien) existence and, on the other, it’s a joyously infantile amusement. With the occasional disconcerting dash of prurience, this is a film which blows a raspberry in the face of convention and decorum. Read more ...
ash.smyth
Being hailed as “the comedian’s comedian” is all well and good after you’re dead; but – as is often the way with great artists – it didn’t much help to pay the bills while Bill Hicks was walking and talking.Early on in Matt Harlock and Paul Thomas’s new 100-minute semi-animated biopic, Hicks’s sometime colleague and boyhood best friend, Dwight Slade, makes the claim that: “Society cherishes its funny people.” Perhaps that’s true now, if we’re talking about stadium comedy; perhaps that’s true if everyone can agree on a working definition of “funny”. But if this documentary showed anything, it Read more ...
alexandra.coghlan
Twelfth-century abbess, healer and mystic Hildegard of Bingen had no formal musical training. Perhaps because of this her music – exquisite arabesques of chant melody, animated by the conviction of her religious beliefs – creates a language all its own, a “swaying bridge between heaven and earth”, as she characterised it.Contemporary composer Stevie Wishart herself provided a bridge between the medieval mysticism of Hildegard and the more earthly concerns of Harrison Birtwistle and Benjamin Britten, in a Proms Saturday Matinee at Cadogan Hall that invited its audience to meditate upon the Read more ...
Veronica Lee
It's typically intelligent and insightful stuff from the Irishman, who describes himself simply as a clown - but he's a clown with the requisite political knowledge and understanding of the human condition to make some pretty astute observations about how we are today. And despite his world view being basically lefty and libertarian at the same time, he's also self-aware enough to acknowledge his comfortable middle-class existence. When demonstrators were threatening to force their way into the Ritz Hotel in London in a recent protest, Maxwell's feelings were conflicted between thinking they Read more ...
howard.male
While obviously not as seismic a Top of the Pops moment as Ziggy singing “Starman”, the almost contemporaneous appearance of the flat-capped Gilbert O’Sullivan hunched over his piano as if it were a dying coal fire certainly stuck in my memory as clearly as Bowie’s androgynous space-age carrot-top. Although the flat cap was quickly ditched in favour of casual knitwear and even a hairy chest phase (see pic below), today’s 64-year-old Mr O’Sullivan feels that his fate in the shape of his image was sealed all those decades ago, and he’s been fighting ever since to transcend it.Although a Read more ...
Tom Birchenough
As well as recounting the stories of two of the women who would become figureheads for the revolutionary movements that grew out of the social unrest of 1968 - Germany’s Ulrike Meinhof and Japan’s Fusako Shigenobu - Shane O’Sullivan’s documentary Children of the Revolution intriguingly juggles the political and the personal. Their public stories are presented through the personal prisms of their surviving daughters, who recount, with some coolness and with very different perspectives, how their own lives were affected by the revolutionary choices that their mothers made.Children may open with Read more ...
ash.smyth
When you go to a trendy London performance "space" to watch an opera about rape and murder you should probably expect a few shocks. Or, if this ain’t your first Don Giovanni, you should expect not to be surprised by whatever provocations the director may have in store – which is much the same. What you probably don’t expect is for the overture to be played electronically and/or sound like it’s been remixed by Thom Yorke. But in Robin Norton-Hale’s "new version", that’s what you get – and plenty more besides. And you know what? It really works. It does. Mostly. Read more ...
Veronica Lee
Last year, Josie Long, famous for her whimsical comedy and fey delivery, decided to get serious. Disheartened by the election result, she started to do political comedy, but sadly her level of analysis was along the lines of: “Anyone who voted Tory in May's election is a fucking cunt.” One year on in The Future is Another Place, the level hasn't been raised.It speaks volumes that someone who broadly shares my politics can be so irritating, but suggesting that royalists dying is worth a whoop is just plain mean. Her suggestion that if, were the 95 per cent tax rate to be brought back, the Read more ...
Kieron Tyler
In a black dress, Caro Emerald is playing her UK debut. Behind her, an eight-piece band is squeezed onto the Jazz Café’s small stage. Snappy and pin sharp, they’re in black suits, white shirts and black ties. Except the guitarist, who’s jacket-free. Three brass players are ranged behind music stands. Nothing is overstated. Emerald races through her jazz-grounded pop, the rumba-ish “A Night Like This” ending a set that filters filmic swing through a current pop sensibility.By this time last year - to the week - Caro Emerald’s Deleted Scenes From the Cutting Room Floor had been at the top of Read more ...
igor.toronyilalic
What was the audience on? They tittered when the bicycles came on, nearly cried when the whip was unleashed and virtually pissed themselves when the warring sides in Handel's crusader fantasy Rinaldo started fighting it out with hockey and lacrosse sticks (I know! Too-oo funny!). After last year's randy bunnies, Glyndebourne's Prom visits are fast becoming the nights to bury bad comedy.The one joke director Robert Carsen did get spot on was the libretto. I have some admiration for the drama's restlessness. But on the whole its unique mix of holy war, sorcery and Jackie Collins-like sauce Read more ...
emma.simmonds
Cinematic virtuoso Pedro Almodóvar’s contribution to the body horror subgenre is a sumptuous nightmare with the precision and looming malevolence of its psychotic surgeon’s blade. His 19th feature is a film for our age – an age which has seen radical and sometimes grotesque surgical reinvention - concerned as it is with the troubling question: what actually lies beneath?Based fairly loosely on the novel Tarantula by Thierry Jonquet, The Skin I Live In reunites Almodóvar with his former leading man of choice, Antonio Banderas. Banderas plays Robert Ledgard, a cutting-edge (excuse the pun), Read more ...