Reviews
emma.simmonds
Denis Villeneuve’s impassioned, decorous adaptation of Wajdi Mouawad’s award-winning stage play sees a dead woman bequeath her children a mystery, which in turn unlocks the secrets of her past and ultimately theirs. The Oscar-nominated Incendies is an arresting and satisfying fusion of political thriller and family drama. Handsomely shot and mesmerising throughout, it’s a film told most memorably in the sensitive and resonant performances of its lead actresses.Incendies begins on a desert plain, as Radiohead play unmistakably on the soundtrack (the track "You and Whose Army?"). As the camera Read more ...
Russ Coffey
Jon Allen and his support Josh Bray are two sides of a coin. Of the two folk-rockers, the smoother, more polished Allen’s the heads. Bray is rougher, more unknown. But last night they both showed the depth of quality that exists in contemporary commercial roots-influenced music. Allen is touring his second album, Sweet Defeat. Its beautifully crafted songs and refined production have impressed the likes of Jools Holland, and last night he took it to a new level. But Bray, whose debut Whisky and Wool wowed theartsdesk, fought past poor sound to show he’s not far behind.Both Read more ...
Adam Sweeting
Continuing BBC Four's trend of creating surprisingly watchable programmes out of dowdy and unpromising ideas, this survey of the plants gardeners love to hate was a mine of information and offered plenty of food for thought. And for that matter, plenty of food, since it appears that wheat has only survived to become one of our top crops because, several thousand years ago, it was genetically beefed up by getting spliced to a weed.What is a weed, anyway? Presenter Chris Collins, a seasoned horticulturist despite his protection-racketish demeanour, came up with several plausible definitions. He Read more ...
alexandra.coghlan
There’s a lovely moment in A Midsummer Night’s Dream where Peter Quince assigns roles to his company of rude mechanicals. Unsatisfied with the part of the hero, Bottom interrupts, insisting he be allowed to play not only Pyramus but heroine Thisbe too, as well of course as the murderous lion. It’s hard not to see just a little of Bottom’s eagerness in Simon Callow’s Being Shakespeare – a one-man show penned by Jonathan Bate that casts Callow as Romeo and Juliet, Macbeth and Lear, Falstaff and Puck.Originally conceived and performed as The Man From Stratford, Bate’s play has now been reworked Read more ...
alexandra.coghlan
It’s the oldest coup de théâtre in the postmodernist playbook – the curtain rises to reveal an audience staring back at us – but still, in the opening seconds of Willy Decker’s Peter Grimes, one of the most effective. Our theatrical doubles here are sinister creatures indeed, massed rows of sombre Victorians whose brutal Christianity is no less severe than the angles of John Macfarlane’s set. As gazes meet across the courtroom in that moment we confront ourselves, discover ourselves in the folk of the Borough, implicated absolutely in their tragedy. Returning for its first Covent Garden Read more ...
Veronica Lee
If you have begun to tire of blokey-jokey films such as Wedding Crashers, The 40-Year-Old Virgin and The Hangover, then try this female-oriented movie that covers some of the same territory but from the distaff side. It’s well written and acted, and realistically portrays female friendships and how women really talk about men when they’re in all-female company - but most of all it is deliriously, side-splittingly, laugh-out-loud funny. Chick-flick it ain't.If you have begun to tire of blokey-jokey films such as Wedding Crashers, The 40-Year-Old Virgin and The Hangover, then try this female- Read more ...
Matt Wolf
Lightning hasn't quite struck twice at the Theatre Royal Haymarket, where Trevor Nunn's dazzling reclamation of early Terence Rattigan (Flare Path) has been followed by the same director's transfer from Chichester of Rosencrantz and Guildenstern Are Dead, Tom Stoppard's first play. How does this 1966 gloss on Hamlet by way of Beckett hold up today? Engagingly enough, not least when its two tireless leads are in full existentialist flow. But some may nonetheless feel a degree of exhaustion, however much they'll want to cheer Samuel Barnett and Jamie Parker on.I remember being knocked sideways Read more ...
joe.muggs
This is where the delirium kicks in. Tired but happy, the attendees started the third day of Sónar festival slightly boggled by how to pick and choose from the strange delights on offer. Saturday was when the true musical variety of the festival was displayed: straight-up hip hop to eye-popping South African tribal dance displays, balmy ambient revivalism to apocalyptic techno, heartbroken electronica to deranged prog rock: it was all on offer...If day one was a warm-up, and day two when the energy levels peaked, this was where we just got swept along in the sheer diversity of the festival Read more ...
alexandra.coghlan
With so many of the premieres and rediscoveries of the summer opera season coming from the bel canto repertoire, it’s lovely to see Garsington Opera striking out in a different direction. Following on from last year’s L'Incoronazione di Dario (and culminating aptly next year in L’Olimpiade), the company this year offer up that exotic rarity La verità in cimento – a middle-period Vivaldi opera, behind the veil of whose unfamiliar title are hiding a harem of flashing-eyed arias and seductive orchestral writing.Confounding any Orientalist expectation of palm trees and turbans in his designs, Read more ...
Jasper Rees
The 2009 Edinburgh Fringe featured a likeable comic duo in pajamas with imaginations as elastic as their faces. The titular garment – spelt the American way after their nationality – suggested both excitable role-play after lights out and those internally logical narratives we visit in our sleep. Their enacted tales of ghouls and freaks, nutters and natterers made only a perfunctionary effort to cohere, but audiences collapsed with laughter and the Pajama Men have now twice taken up residence at the Soho Theatre in London. They’re back again and this time everything has changed – Read more ...
stephen.walsh
Imagine you are at a study day being run by Friends of the Earth. They mount a play in which a group of angels who somehow got left out of the Book of Genesis fall to a completely barren earth, look around, and start reconstructing, re-enacting its life and death. They plant, grow, overgrow, eat, overeat; they tell themselves the earth will always be fruitful, but they’re mistaken. In the end two of the angels become Adam and Eve and walk off hand in hand into a ruined landscape lit by the rising sun. Then Luke Bedford sets it all to music.Glyn Maxwell’s last opera libretto, as far as I know Read more ...
Russ Coffey
“If you’ve got the heart,” sang a suave Ewan Macintyre, “then you can be involved, you can be a part”. There was more heart in the room last night than you’d find in a whole tour of Mumford & Sons. And art. Nothing too flashy to begin, just lovely interwoven mandolins and fiddles, driven by guitar rhythms and their trademark bluegrass banjo. Southern Tenant Folk Union might have been playing in a boozer, but if people call these guys a jumped-up pub band, they've got it all wrong.Southern Tenant Folk Union was formed in 2006 in Edinburgh, by Pat McGarvey, who played a five-string banjo Read more ...